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Wien Margarete auditions for millsage?

Natsume was a bit ill and Hotaru needed a temporary replacement for lead guitarist

Published on Nov 7, 2026

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character: wien_margarete, shiomi_hotaru 2girls, shiomi hotaru, wien margarete, from side, dutch angle, low camera, rehearsal room, grand piano, heavy metal guitar, flying v guitar, guitar solo, concentrating, amazed, open mouth, wide-eyed, standing, leaning forward, casual outfit, white hair, long hair, purple eyes, hair flower, purple hair, blunt bangs, braid, aqua eyes, large amplifier, instrument cable, speaker cabinet, microphone stand, wooden floor, acoustic foam panels, Seen from a low three-quarter side angle tipped a few degrees into a dutch tilt, the rehearsal room opens across a scuffed wooden floor: in the right foreground Wien stands with her weight dropped onto her back foot, knees bent, the heavy metal guitar slung low across her hips on a wide strap, its angular black body with pointed horns angled up and out to the left of frame; her left hand is clamped high on the neck, fingers spread and hooked mid-bend, her right hand is caught at the instant after a downstroke, the pick pinched between thumb and forefinger, forearm blurred with the motion, and her chin is tucked down so her blunt bangs fall over her brow, eyes narrowed to the strings in hard concentration, mouth pressed into a flat line. Behind and to the left of her in the middle distance Hotaru stands beside the grand piano, one hip resting against its curved rim, one hand laid flat on the closed lid, her body turned toward Wien with her shoulders drawn up and her head tipped back a little, lips parted in an open O, purple eyes wide and lashes lifted, her white hair swinging off her shoulder. The piano's black lacquer lid throws a long soft highlight down its length, and a fat black instrument cable loops from the guitar's jack across the floor in a sagging curve to the large amplifier behind Wien, where the speaker cabinet's grille cloth glows dimly and two small indicator lights burn red on the head unit. Daylight comes in from a high window at the upper left, cool and diffuse, catching the top edges of the piano, the guitarist's shoulder and the foam panels; the lower half of the room sits in a warm brown shadow, and dust hangs visible in the beam. Palette of warm wood ochre, black lacquer, cool grey-green foam and the red of the amp lights, with the guitar's dark body and the two girls' violet hair as the saturated anchor. Detail is spent on hands, frets, the strained tendons of Wien's concentrating face and the open amazement on Hotaru's, the environment simplified to shapes and soft focus. Loud, electric, delighted.

Wien Margarete auditions for millsage?

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