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DREAM STATE PILO
DREAM STATE PILO AI art by Car theGOAT on PixAI. Made with Tsubaki.3 Flash.
A multiverse queen that protects the sovereign and loves them for life They appear Beside him and beside the mythical beast Fenrir Named Conri which will be revealed later Ability 1:Makes other other people kneel on recognition not from demanding Ability 2: Dire state Healing Allows to heal someone in a dire state no matter how they are damaged Ability 3:Returns back to the the sovereign in dream state when it dies On day 4 she arrives on the sovereigns bed Her appearance: Double D breast cup size Hourglass body frame Has cat ears golden eyes Beastfolk hybrid Has A harlequin suit matching The fox tail is nine tails shes 5'3 They are not purple they are orange fur only generate just pilo with a harlequin outfit
Show Parameters
- Original Prompt
- #DREAM STATE PILO A multiverse queen that protects the sovereign and loves them for life They appear Beside him and beside the mythical beast Fenrir Named Conri which will be revealed later Ability 1:Makes other other people kneel on recognition not from demanding Ability 2: Dire state Healing Allows to heal someone in a dire state no matter how they are damaged Ability 3:Returns back to the the sovereign in dream state when it dies On day 4 she arrives on the sovereigns bed Her appearance: Double D breast cup size Hourglass body frame Has cat ears golden eyes Beastfolk hybrid Has A harlequin suit matching The fox tail is nine tails shes 5'3 They are not purple they are orange fur only generate just pilo with a harlequin outfit
- Mode
- flash
- Size
- 1104 x 1824
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DREAM STATE PILO
Car theGOAT
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DREAM STATE PILO
Car theGOAT
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DREAM STATE PILO
Car theGOAT
1boy, solo, dark brown hair, very long hair, curly hair, messy curly hair, orange eyes, glowing eyes, slit pupils, one eye closed, fox ears, dark brown animal ears, white ear fluff, kitsune, six tails, dark brown tails, claws, freckles, light skin, red eyeshadow, lips, fangs, sweater, dolphin shorts, thighhighs, lying down, on back, on bed, bedroom, looking at viewer, smirk, half-closed eyes, from above, foreshortening, bed sheet, pillow, warm lamp light
An overhead shot looking almost straight down at one boy sprawled on his back across a rumpled bed in a bedroom, the camera tilted hard enough that his head sits near the lower-left of the frame and his bent legs foreshorten toward the upper-right. His head is tipped back into a soft pillow, very long curly dark brown hair fanned out and pooling around his skull in loose coiled strands that spread over the pillowcase and spill a few curls onto the sheet; from above, the top of his head and the full run of the curls are what the frame reads first. Two dark brown fox ears rise from the top of his head, tufted with white fluff inside, both angled back against the pillow with the fluff crushed slightly flat on the side that presses the fabric; the sides of his head where human ears would be are smooth and bare, pale skin running unbroken from temple to jaw. His face turns up toward the lens at a slight tilt: the right eye open and aimed straight at the viewer, glowing orange, the pupil drawn to a fine vertical slit with a hot pinpoint of light in it; the left eye squeezed shut in a closed crescent with the red eyeshadow creased over the lid, the same deep red smeared soft along both lower lash lines and out toward the temples. Freckles scatter across his nose and the tops of his cheeks, a denser band over the bridge. His lips are parted on a lazy lopsided smirk, and one small fang catches the light at the corner of the mouth, a second just visible behind the lower lip. Both arms are flung up loose beside his head, elbows bent, and his clawed fingers curl against the pillow with the pointed tips denting the fabric; the claws are dark and glossy where the lamplight hits their edges.
He wears a soft loose sweater whose collar has slipped off one shoulder, the knit bunching in folds under his armpits and riding up to bare a strip of his stomach and hip above the shorts. Dolphin shorts sit low on his hips with the pale piping running along the hem, one leg hiked up so the shorts wrinkle across the crotch of the fabric. Thigh-high socks climb both legs and stop with a soft elastic squeeze line pressed into the thigh; one knee is raised, the other leg laid long across the mattress, and the sock on the raised leg has a small roll at the top where it has slipped. Six dark brown fox tails fan out beneath and around him across the bed, thick and heavy, the largest sweeping off the mattress edge at the lower right, the others curled between his legs and over the sheet, their fur flattened where his back and hips pin them down and the tips bunching against the duvet. The bed's sheet is creased into deep troughs under his weight, the pillow dented in a bowl around his head, and one corner of the bedding has been dragged loose.
The room reads as a small bedroom seen from above: a wooden nightstand at the left edge with a lit lamp, a section of headboard behind the pillow, an unmade duvet piled at the foot of the bed, a rug and the toe of a dresser in the far corner. The lamp on the nightstand is the only light source; it throws a warm low pool across the near side of his face, the ear fluff and the raised knee, and the far side of his body and the corners of the room fall into soft deep shadow, with the shadow of his head and ears cast long and soft across the pillow to the right. Palette held to warm amber light, cream bedding, deep chocolate brown in hair, ears and tails, orange and hot red at the eyes and lids, and pale skin as the brightest note. Mischievous, drowsy warmth.
Teodor
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