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Adult Magazine Cover, magazine layout, cover text, bold title, headline text, subtitles, taglines, barcode, issue number, price tag, 1girl, faceless, curvy, busty milf, fat breast, slim, thick thighs, round ass, hyper detail, ultra detail, super curvy, ultra curves, massive breast, giant tits, huge breasts, busty, buxom, curvy, curvaceous, slender waist, narrow waist, wide hips, fit, athletic body, sexy, sexy pose, fully clothed, breasts, armor, wings, hood, shoulder armor, gauntlets, glowing, high heels, Fred Perry Artstyle
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Adult Magazine Cover,content rating, magazine layout,cover text,bold title,headline text,subtitles,taglines,barcode,issue number,price tag, curvy, busty milf, fat breast, slim, thick_thighs, round ass, hyper detail, ultra detail, super curvy, ultra curves, massive breast, giant tits, Huge Breasts, Busty, Buxom, Curvy, Curvaceous, Slender Waist, Narrow Waist, Wide Hips, Thick Thighs, fit, athletic body, sexy, sexy pose, fully clothed,Fred Perry Artstyle,1girl, faceless, breasts, armor, wings, hood, shoulder armor, gauntlets, glowing, high heels
Size
768 x 1280
Sampling Steps
8
Sampling Method
Euler a
CFG Scale
2
Negative
bad quality, worst quality, bad composition, low quality, bad ai-generated, lowres, text, (censor, mosaic censoring), blurry, text, watermark, sketch, bad proportion

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1girl, solo, full metal mask, faceless, long straight white hair, hair past hips, gigantic breasts, extremely wide hips, gigantic butt, gigantic thighs, long legs, tight black bodysuit, sleek futuristic plating, large black claws, clawed gauntlets, from below, low angle, looking down at viewer, standing, weight on one leg, contrapposto, hand on own hip, head tilt, seamless studio sweep, dramatic rim light, cool palette The view is a low angle from just below hip height, so the girl's body towers up out of the frame's bottom edge and the mask is seen from underneath, chin-surface catching a thin gleam. She stands in a seamless charcoal studio sweep — no floor line, no horizon, nothing behind her but a smooth graded field that darkens to near-black at the top corners. She is one woman alone, turned maybe thirty degrees off-square, weight sunk into her right leg so her right hip pushes wide and her left knee eases forward; her left hand is planted flat on that pushed-out hip, three long black claws splayed over the suit's hip panel and the other two tapping further back, while her right arm hangs loose and slightly away from her thigh with the claws curling inward, relaxed, half-open. The full metal mask covers her whole face — a smooth continuous shell with a narrow horizontal visor slit where the eyes would be, a shallow breath-grille at the mouth, and a raised central ridge running from crown to chin; no skin shows anywhere on her head. Her long straight white hair pours out from under the mask's back edge and falls uninterrupted past her hips, pale strands separating into fine flat ribbons that catch the rim light on their outer edge and go dim blue-grey in shadow; a few strands are pushed forward over her right shoulder. She wears the tight black bodysuit from throat to ankle, matte-stretched over her bust and waist, with the sleek futuristic plating laid on top as separate armor pieces — a shoulder pauldron on her left, a curved chest plate edge that follows the underside of her bust, segmented plates wrapping the outer swell of her hips and the front of her gigantic thighs, all in brushed dark metal with a fine seam line and a bevel that catches light along one edge only. The plating's segments part and overlap where her hips and thighs are widest, so the armor reads as fitted rather than stretched. Her legs run long from the plated thighs down out of frame, the suit's surface going from taut sheen at the thigh to dull along the shin as the light falls off. Light comes from two cool sources only: a hard pale-blue rim from behind her left shoulder, which outlines the pauldron, the mask's edge and the whole fall of her hair in a bright contour while the front of her body stays deep in shadow, and a soft weak fill from low front-right that lifts the plated hip and the near thigh just enough to read their curve. Her cast shadow is not visible — the sweep has no ground to receive it. On the chest plate, the rim light breaks into one small sharp caustic where the bevel's edge faces it, and nowhere else on the armor. Palette is black, white and cold steel-blue, nothing else admitted: black in the suit and the claws, white in the hair and the mask's rim highlight, steel-blue in the plating and the sweep's gradient. The detail budget sits on the mask's structure, the plating's seams and the claw tips; the hair is described as one continuous pale mass with a few separated strands rather than strand by strand. Cold, statuesque, quietly menacing.
Lichenfang
AI artwork
u3
character: shadowheart_(baldur's_gate), artist: honjou_raita, copyright: baldur's_gate, baldur's_gate_3 1girl, solo, full body, walking, mid-stride, from below, low angle, dutch angle, diagonal view, shadowheart \(baldur's gate\), white hair, long hair, braid, green eyes, pointy ears, bodysuit, full-body armor, huge breasts, thick thighs, glossy skin, glossy lips, glossy tongue, glowing tattoos, glowing crests, lewd tattoos, cyborg, mechanical arms, oversized mechanical limbs, giant arms, five-fingered claws, glowing claws, reverse-joint legs, prosthetic legs, mechanical legs, sharp claws, no flesh arms, no flesh hands, no flesh legs, no biological limbs, blue glow, bratty expression, mesugaki, smug, tongue out, piercing gaze, looking down at viewer, seductive smile, half-closed eyes, sweat, ominous palace, dark interior, columns, low lighting, rim light, ((artist: honjou_raita, masterpiece, ultra detailed, 8k, cel-shading, sharp linework, glossy highlights, jewel tones, Viewed from a low diagonal angle, the camera tilted up and cutting across the frame, a single woman strides through the vaulted interior of an ominous palace, captured mid-step with her weight rolling forward onto one of her enormous reverse-jointed prosthetic legs. She is the only figure in the hall. Her white hair is long and braided, a thick plait swinging forward over one shoulder while loose strands sweep back from the temple and lift in the draft of her own motion. Her green eyes are narrowed and fixed directly downward at the grounded lens, a piercing, forceful gaze that meets the viewer from above, and her lips are parted in a bratty, mesugaki smirk, tongue pushed out glossy and wet and catching the light. Her body is encased in a tight bodysuit layered under sections of full-body armor plate that sit across her chest, shoulders and hips, and her proportions are generous and exaggerated, a huge chest and extremely thick, plump thighs straining the taut fabric. Her skin is glossed all over with a wet sheen, and across it run glowing lewd tattoos and glowing lust crests, winding over her arms, flanks, belly and thighs, all of them bleeding a hot pink-violet light that throws a soft glow onto the armor. Where flesh should be there is only machinery. Each arm is a colossal cybernetic prosthetic longer than she is tall, a segmented column of dark alloy and glowing joints that ends in a five-fingered claw, every digit a gleaming talon lit from within. One of these hands hangs low and relaxed, fingers splayed wide and their claws almost brushing a fallen stone on the floor; the other arm swings forward, elbow powered through its arc, the clawed hand half-closed as if about to grasp. Her legs are equally massive, reverse-jointed prosthetic limbs with a sharp backward knee and sharp claws instead of feet, one planted flat and bearing her entire weight while the other lifts clear of the floor at the toe-claw. No flesh limb is visible anywhere. The high gloss on her body suit, her lips and her tattooed skin flashes where the light lands, rendered in crisp cel-shading with sharp, bold outlines. The palace is a dark, cavernous interior of towering stone columns receding into blackness, carved and faintly gilt, with a cold shaft of light falling from a high unseen source on the left that rakes across the floor in long shadows. The only other light is the glow of her own body and her claws, reflected in wet patches on the flagstones beneath each lifted claw. Mood: ominous, alluring.
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