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AI artwork featuring #Fate series, #Fate/Grand Order, #Olga Marie Animusphere and #PixAI Halloween 2026
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Olga Marie Animusphere, Fate series

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Fate series#Fate/Grand Order#Olga Marie Animusphere
Avatar image of 鷹の目

鷹の目

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character: olga_marie_animusphere, artist: takeuchi_takashi, copyright: type-moon 1girl, solo, long white hair, very long hair, braid, hair ribbon, hair between eyes, single horn, orange eyes, delicate earrings, fitted black one-piece dress, short gray cardigan, slim silk scarf, bare legs, holding two hangers, holding clothes, holding dresses up, clothes hanger, assorted dresses on hangers, dress shop, clothing racks, velvet bench, full-length mirror, mirror reflection, double image, cowboy shot, from behind, over shoulder, looking at mirror, reflection meeting her gaze, expressionless judging stare, one eyebrow raised, half-closed eyes, head tilt, standing contrapposto, weight on one leg, leaning forward slightly, flat cel coloring, delicate lineart, The view is from behind her right shoulder at a three-quarter angle, the camera close behind her hair and a half-step above eye level, so her back and the back of her braid fill the near foreground on the left while the tall full-length mirror on the right catches her front. She stands contrapposto with her weight on the right leg and the left knee eased forward, hips shifted, torso turned into the mirror; her long white hair falls past her waist in a thick braid that swings over her left shoulder and down the black dress, the ribbon at the braid's tie visible against the gray knit. The short gray cardigan hangs open from her shoulders over the fitted black dress, its hem at the waist; the slim silk scarf is knotted at her throat and its tail lies down the dress's front, and the delicate earrings hang from both lobes, clear of her hair. In each hand she grips a hanger rod at shoulder height, knuckles pale, one hanger holding a long pale dress and the other a darker short dress, both hoisted up against her chest and hips so the fabrics flatten across the black dress and their hems hang unevenly at her knees. In the mirror her front is fully visible: the raised left eyebrow cutting an arch over a narrowed orange eye, the other brow level, lips pressed thin and slightly to one side, chin dipped, one judge's stare aimed flat into her own reflection — the reflected eyes meet the viewer's sight line through the glass while the real face is hidden from the camera, only the edge of her cheek and the tip of the single horn showing past the braid. Her reflection's hands and hangers repeat the pose a half-beat offset behind the glass. The boutique interior opens around her: a row of clothes racks on the left in receding perspective dense with hanging garments in muted grays, creams and blacks, a velvet bench in the midground behind her at the mirror's far side with its cushion compressed where a folded sweater rests, and pale walls with a warm architectural molding fading into soft haze at the back. Soft spotlights from ceiling cans are the only light: three pooled cones strike the mirror's top edge, the rack's shoulders and the floor between them, the mirror bounces a softer second glow onto her reflection's face, and the spaces between the pools sink into deep warm shadow, the floorboards carrying stretched ellipses of light. Palette is black and gray against a cream-and-amber boutique, with the only saturation in her orange eyes, the single horn's pale glint and the silk scarf's quiet sheen. A physics tell: her reflection is dimmer and slightly softer than she is, fogged a breath at the glass, and the dress hems on the two hangers bow away from the mirror's surface rather than touching it. Refined, critical, quietly self-amused.
Show Parameters
Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.96k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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Avatar image of Andrew Verlaine
character: clorinde_(genshin_impact), copyright: genshin_impact from behind, 1girl, solo, clorinde, long white hair, ponytail, wet hair, water dripping from hair, hair between eyes, purple eyes, bare shoulders, bare arms, large thick opaque white bath towel, towel wrapped securely around body, towel covering chest and hips, towel held closed over collarbone, standing on bathroom mat, stepping out of shower, bare feet, one arm raised, finger touching fogged mirror, wiping clear circle on mirror, pensive expression, staring at own reflection, fogged mirror reflection, steam, condensation, soft warm bathroom lighting, warm amber light, glass shower screen, tiled bathroom, cowboy shot, mirror composition Seen from behind and slightly to her right, a young woman with long white hair stands just outside the open glass shower screen, her body angled three-quarters away from the viewer toward a large mirror mounted flush above a bathroom vanity. Her wet white hair is gathered in a low ponytail that falls past her shoulder blades, heavy with water, strands clinging to the nape of her neck and the curve of her bare shoulders; droplets collect at the pointed tips of the strands and fall free, each one catching a pinpoint of the warm light and leaving a faint streak down her back. She wears a single large bath towel, thick white terry cloth, wrapped around her torso from just above the breastbone to the tops of her thighs, the overlapping flap tucked and held securely closed high at her collarbone; the towel swallows her silhouette, hiding every line of chest and hip, only her bare arms, shoulders, calves and feet emerging from it. Her right arm is lifted, the index finger of her right hand pressed flat against the fogged glass of the mirror, at the center of a wiped circle roughly the size of her face; the trail of condensation her fingertip has pushed aside runs in a clean arc down the inside of that circle, and a bead of water slips from the low point of the arc in a wavering line. Through the cleared circle the mirror shows the front of her face — purple eyes, level brows, the thin line of her pressed lips, the damp fringe clinging at her temples — and her gaze is fixed on that reflection, lids heavy, mouth still, her expression lost in private thought rather than aimed at the viewer. A second towel hangs folded over the edge of the vanity, and the tiled walls pale and glossy above a pale stone counter carry a faint gloss of condensation. The bathroom is close and small: white rectangular wall tiles with fine grout lines, a vanity counter below the mirror, the shower screen's dark frame standing open behind her left shoulder, and the ceiling out of frame above so the space feels warm and enclosed. Steam hangs visibly in the air in soft veils between her and the mirror, thinning around her shoulders and drifting toward the ceiling, softening the edges of the tiled walls so the room's depth collapses gently into haze; the shower floor behind her is dark and wet, and the mat beneath her feet is a pale ridged rectangle her toes press into. The only light source is a warm lamp above the mirror: it falls from in front of her, rakes her bare shoulders and the crown of her white head from the front, and flings a soft-edged shadow of her body slightly back and to the left across the misted tiles, while the mirror's fog scatters a broad amber glow back down onto her face. Its brightest reach sits on the wet skin of her shoulders, the wiped circle, her lifted hand and the damp strands of hair, and the darkest areas sit low along the vanity front and in the wet corner behind the shower screen; between her near shoulder and the mirror, faint parallel streaks mark where previous fingers have wiped down the fog. The palette holds to warm ivory, soft amber, pale grey tile and the flat white of the towel, her white hair and the mist holding most of the light, with only the violet of her reflected eyes and the thin ink-dark line of the shower frame as accents. Detail is spent on her wet hair and its falling drops, the terry loops of the towel where her hand closes it, the skin of her bare shoulder, and the fogged glass of the mirror with its wiped circle and the trail of cleared water that deforms her reflection; the tiles recede into simplified flat areas of tone. Quiet, introspective hush.
Andrew Verlaine

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