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1girl, solo, cowboy shot, looking at viewer, smile, black hair, brown eyes, low twintails, tareme, droopy eyes, slender, flat chest, loli, thin legs, white blouse, embroidered shirt, denim skirt, embroidered skirt, petticoat, simple background, white background, standing, hands clasped behind back, head tilt, light smile, closed mouth, from below, slight dutch angle A single girl stands alone against a completely empty, seamless white field -- no floor line, no horizon, no props, nothing but her and the white. The camera sits low, below her waist height, tilted a few degrees off level, and crops her at mid-thigh in a cowboy shot so her thin legs run out of the bottom of the frame and her small, slight frame reads tall against all that blank white. She is turned very slightly off-axis, right hip pushed out and carrying her weight, left knee bent inward, both hands clasped loosely behind her back so her narrow shoulders roll back and her flat chest is turned up toward the lens; the pose pulls the white blouse taut across her front and lifts the embroidered hem of the denim skirt a touch at the side. Her black hair is parted and drawn into two low twin tails that hang just past her shoulders, the tails swinging slightly outward and forward from the tilt of her head, a few loose strands lifted off her cheek. Her brown eyes are wide and droopy-lidded, tareme, the outer corners sloping down, and she looks straight into the viewer with a small closed-lip smile that pulls up more on one side than the other, one brow a fraction higher -- a mild, quietly pleased look, not a beam. The outfit is layered and read top to bottom with care: a white blouse with a soft collar and short puffed sleeves, and over it an embroidered shirt worn open, its dense floral-and-vine stitching picked out in muted thread along the placket and cuffs; below, a denim skirt with visible topstitching and a slightly flared A-line cut, its front panel carrying embroidered motifs that echo the shirt, and beneath its hem the crisp ruffled white edge of a petticoat showing in a scalloped line above her knees. The fabric of the skirt catches a faint fold-shadow where her hip pushes it out; the petticoat ruffles hold their own small shadows, and the blouse's white is kept just barely separate from the background white by a soft rim of cool shadow along her left side and under her chin. Light comes from high and slightly to her right, a single soft source: it brightens the top of her hair and the bridge of her nose, grazes the embroidery so the thread throws tiny shadows, and leaves the undersides of the twin tails, the inside of the skirt's flare and the space beneath the petticoat ruffle in a gentle, clean grey. There is no cast shadow on the ground because there is no ground -- only the faintest contact darkening where her shoes would be, cropped away. The palette is white, black, warm brown and the faded indigo of the denim, with the embroidery's muted thread as the only other colour, and everything rendered in a 1990s anime look: flat cel colour with hard clean shadow edges, fine ink linework, slightly warm off-white highlights, soft gradient only inside the irises, no digital bloom or glow. Effortlessly cute, sunlit and airy.
Show Parameters
Original Prompt
simple background, white background, 1girl,solo, cowboy shot,looking at viewer,smile, black hair,brown eyes, low twin tails, tareme, slender,flat chest, denim skirt,petticoat,embroidered skirt,embroidered shirt,white blouse, loli, slender, flat chest, thin legs, masterpiece,best quality,amazing quality,high resolution,ultra-detailed,absurdres,newest, anime style,anime coloring,1990s (style),
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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1girl, solo, cowboy shot, looking at viewer, smile, black hair, brown eyes, low twintails, tareme, droopy eyes, slender, flat chest, loli, thin legs, white blouse, embroidered shirt, denim skirt, embroidered skirt, petticoat, simple background, white background, standing, hands clasped behind back, head tilt, light smile, closed mouth, from below, slight dutch angle A single girl stands alone against a completely empty, seamless white field -- no floor line, no horizon, no props, nothing but her and the white. The camera sits low, below her waist height, tilted a few degrees off level, and crops her at mid-thigh in a cowboy shot so her thin legs run out of the bottom of the frame and her small, slight frame reads tall against all that blank white. She is turned very slightly off-axis, right hip pushed out and carrying her weight, left knee bent inward, both hands clasped loosely behind her back so her narrow shoulders roll back and her flat chest is turned up toward the lens; the pose pulls the white blouse taut across her front and lifts the embroidered hem of the denim skirt a touch at the side. Her black hair is parted and drawn into two low twin tails that hang just past her shoulders, the tails swinging slightly outward and forward from the tilt of her head, a few loose strands lifted off her cheek. Her brown eyes are wide and droopy-lidded, tareme, the outer corners sloping down, and she looks straight into the viewer with a small closed-lip smile that pulls up more on one side than the other, one brow a fraction higher -- a mild, quietly pleased look, not a beam. The outfit is layered and read top to bottom with care: a white blouse with a soft collar and short puffed sleeves, and over it an embroidered shirt worn open, its dense floral-and-vine stitching picked out in muted thread along the placket and cuffs; below, a denim skirt with visible topstitching and a slightly flared A-line cut, its front panel carrying embroidered motifs that echo the shirt, and beneath its hem the crisp ruffled white edge of a petticoat showing in a scalloped line above her knees. The fabric of the skirt catches a faint fold-shadow where her hip pushes it out; the petticoat ruffles hold their own small shadows, and the blouse's white is kept just barely separate from the background white by a soft rim of cool shadow along her left side and under her chin. Light comes from high and slightly to her right, a single soft source: it brightens the top of her hair and the bridge of her nose, grazes the embroidery so the thread throws tiny shadows, and leaves the undersides of the twin tails, the inside of the skirt's flare and the space beneath the petticoat ruffle in a gentle, clean grey. There is no cast shadow on the ground because there is no ground -- only the faintest contact darkening where her shoes would be, cropped away. The palette is white, black, warm brown and the faded indigo of the denim, with the embroidery's muted thread as the only other colour, and everything rendered in a 1990s anime look: flat cel colour with hard clean shadow edges, fine ink linework, slightly warm off-white highlights, soft gradient only inside the irises, no digital bloom or glow. Effortlessly cute, sunlit and airy.
woodenbox
AI artwork
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1girl, solo, cowboy shot, looking at viewer, smile, black hair, short hair, bob cut, asymmetrical bangs, bangs swept to one side, hair over one eye, bobby pin, brown eyes, tareme, tsurime, camisole, spaghetti strap, black and pink kids fashion, denim skirt, plain denim skirt, white petticoat hem showing, loli, slender, flat chest, thin legs, bare arms, bare shoulders, simple background, white background, anime style, 1990s anime style, cel shading, head tilt, hands behind back, standing, leaning slightly forward, one eye closed, from above, medium shot from above the eye line, retro anime coloring, A girl drawn from slightly above eye level, framed in a cowboy shot that cuts her at mid-thigh, standing alone on a completely blank white field that runs to all four edges with no horizon, no floor line and no props anywhere in it. Her black bob is cut short and blunt at the jaw, and the fringe is deliberately unequal: the right half of the bangs is combed back and cropped short above the brow while the left half hangs long and sweeps down across her left eye, so that eye peeks out from under the hair while its fellow stays fully open. A single bobby pin sits clipped in the short side of the fringe, its metal catching the light along one edge. Her chin tilts, she leans forward from the hips toward the lens with both hands clasped behind her back, shoulders drawn slightly up and in, weight on her right leg while the left knee softens and the thin left foot turns out. Her left eye is squeezed shut in a wink and her right brown eye, drawn large and round-lidded at the outer corner with a hard upward tilt at the inner corner, holds the viewer's gaze straight on; her mouth is open in a wide sunny grin that shows a sliver of teeth, cheeks lifted. Because the camera sits above her, the crown of the bob reads as the widest shape in the image and her shoulders and skirt taper away below it. The outfit is built in black and pink over pale bare skin: a pink-and-black camisole with thin spaghetti straps sitting on the bare shoulders and leaving the collarbones and upper chest exposed, its bodice small and close-fitting so the flat chest stays flat, a flat pale pink band running across the chest and a black trim at the hem; below it a plain mid-blue denim skirt, no print, no patch, cut short and flaring, with the white petticoat showing as a crisp scalloped ruffle beneath the denim hem. Her arms are bare; her legs are thin and straight, knee-high white socks and black strap shoes filling the bottom of the frame. The light comes from one soft source high and to the front left, the same direction the camera looks down from, so it lays a gentle glow across the crown of her hair, the bridge of her nose and the tops of her shoulders, drops a soft shadow under the chin and beneath the sweep of the long bangs, and lets the underside of the skirt and the petticoat ruffle fall darker; there is exactly one contact shadow, a small soft grey smudge under her shoes on the white ground, and nothing else in the white is shaded. Light passes flat through the single metallic bobby pin and does not pass through the hair. The palette is held to black, pink, mid-blue denim, white and skin, with brown only in the eye. Wide, simple shapes, thin dark linework, flat cel color with one hard shadow tone per shape, and a slightly warm off-register ink look of 1990s TV anime; the white background stays paper-clean and grain-free behind her. Effortlessly bright, teasing.
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