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tkiya9143#0

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character: ellen_joe 1girl, solo, ellen joe, black hair, short hair, multicolored hair, red hair, colored inner hair, red eyes, sharp dark eyeliner, shark-like sharp teeth, tail, fish tail, maid headdress, hair ornament, upper body shot, face close-up, facing forward, front view, straight-on, close-up, open eyes, wide open eyes, open mouth, painted face, face paint, multicolored paint on face, palette face, paint on cheek, wet paint, art room, canvas outfit, sexy outfit, body paint, brush, paintbrush, brush against eye, paint dripping, paintbrush touching face, being posed, posing, arms at sides, bright background, white background, high key, watercolor paint, thick brushstroke, glossy paint, from front, eye contact, viewer She faces the camera dead-on, straight forward, shoulders square to the frame, and the top of her hips is the bottom edge of the crop — an upper-body shot that is also a face close-up, her features filling the middle of the picture, the art room's brightness blowing out the top two corners of the frame. Ellen Joe's black-and-red hair is short, chopped blunt at the jaw, with one inner lock near her cheek stained red and a colored inner layer flashing behind it, the short strands held back off her forehead, her fish tail folded behind her shoulder where the crop lets only its edge slide in at the lower left. On her face she has become the palette: thick smears of yellow, vermilion, cerulean, green and violet laid with a flat brush across both cheeks, her forehead, the bridge of her nose, right over her chin, running in wet ridges and pooling slightly where the jaw falls away — the paint glosses hard and glossy under the light, thin at the edges, thick at the center. Her eyes are wide open, red irises ringed by dark liner, whites catching a hard pinpoint of the overhead lights, and the brush she is being painted with presses into the outer corner of her left eye and is dragged along the waterline, bristles splayed by the contact, a bead of blue running from the lid down to the smear on her cheek. Her mouth is open, lips parted, teeth showing, the tip of her tongue faintly visible, the huff of a breath moving. A hand from offscreen grips the brush and her face is steadied by another, unseen, on her jaw, tilting it up slightly so that the skin over her cheekbone stretches. The costume is canvas: bandage-tight strips of coarse white canvas wrapped and sewn around her torso in a halter cut, the edges frayed and paint-stained, the weave visible on the surface where light catches the threads; over it she wears a short-sleeved cropped canvas bolero jacket stitched with a visible running stitch, unbuttoned so it opens over her chest; the whole outfit is splattered with the same five colors that are on her face. Bright background: the art room is flooded with cold white daylight, the walls and easels washed almost to paper white, silhouettes of drying canvases and a rack of brushes barely holding shape in the overexposure. From the high angle, the far corners of the room fall into shallow blurs of color, giving the figure a pale halo behind the hair. No other person is in frame; the hands holding the brush and jaw have no body attached in the crop. A tiny drop at the end of the brush hovers, uncannily refusing to fall until it grows heavy enough. Luminous, unsettling.
Show Parameters
Original Prompt
エレン・ジョー、美術室、人間パレット、ポーズ、上半身アップ、キャンパスのセクシー衣装、目を開く、口を開ける、顔面パレット、正面を向く、顔アップ、筆で目の中に絵の具を塗り込まれる、明るい背景
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
t9
character: ellen_joe 1girl, solo, ellen joe, black hair, short hair, multicolored hair, red hair, colored inner hair, red eyes, sharp dark eyeliner, shark-like sharp teeth, tail, fish tail, maid headdress, hair ornament, upper body shot, face close-up, facing forward, front view, straight-on, close-up, open eyes, wide open eyes, open mouth, painted face, face paint, multicolored paint on face, palette face, paint on cheek, wet paint, art room, canvas outfit, sexy outfit, body paint, brush, paintbrush, brush against eye, paint dripping, paintbrush touching face, being posed, posing, arms at sides, bright background, white background, high key, watercolor paint, thick brushstroke, glossy paint, from front, eye contact, viewer She faces the camera dead-on, straight forward, shoulders square to the frame, and the top of her hips is the bottom edge of the crop — an upper-body shot that is also a face close-up, her features filling the middle of the picture, the art room's brightness blowing out the top two corners of the frame. Ellen Joe's black-and-red hair is short, chopped blunt at the jaw, with one inner lock near her cheek stained red and a colored inner layer flashing behind it, the short strands held back off her forehead, her fish tail folded behind her shoulder where the crop lets only its edge slide in at the lower left. On her face she has become the palette: thick smears of yellow, vermilion, cerulean, green and violet laid with a flat brush across both cheeks, her forehead, the bridge of her nose, right over her chin, running in wet ridges and pooling slightly where the jaw falls away — the paint glosses hard and glossy under the light, thin at the edges, thick at the center. Her eyes are wide open, red irises ringed by dark liner, whites catching a hard pinpoint of the overhead lights, and the brush she is being painted with presses into the outer corner of her left eye and is dragged along the waterline, bristles splayed by the contact, a bead of blue running from the lid down to the smear on her cheek. Her mouth is open, lips parted, teeth showing, the tip of her tongue faintly visible, the huff of a breath moving. A hand from offscreen grips the brush and her face is steadied by another, unseen, on her jaw, tilting it up slightly so that the skin over her cheekbone stretches. The costume is canvas: bandage-tight strips of coarse white canvas wrapped and sewn around her torso in a halter cut, the edges frayed and paint-stained, the weave visible on the surface where light catches the threads; over it she wears a short-sleeved cropped canvas bolero jacket stitched with a visible running stitch, unbuttoned so it opens over her chest; the whole outfit is splattered with the same five colors that are on her face. Bright background: the art room is flooded with cold white daylight, the walls and easels washed almost to paper white, silhouettes of drying canvases and a rack of brushes barely holding shape in the overexposure. From the high angle, the far corners of the room fall into shallow blurs of color, giving the figure a pale halo behind the hair. No other person is in frame; the hands holding the brush and jaw have no body attached in the crop. A tiny drop at the end of the brush hovers, uncannily refusing to fall until it grows heavy enough. Luminous, unsettling.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe (identity), short black hair with red and multicolored streaks, colored inner hair, red eyes, maid headdress, hair ornament, tail, upper body close-up, face close-up, facing forward, from front, straight-on, eye-level, eyes open, wide open eyes, mouth wide open, open mouth, mouth interior fully visible, uvula, tongue, teeth, throat visible, human palette, face used as a palette, paint on face, paint smeared on cheeks and forehead as palette daubs, paint being brushed into the eye, brush touching eyeball, paint on eyeball, eyeballs stained with paint, paint-themed sexy outfit, paint-smeared skin, bright background, art classroom, paint jars, colorful palette, posing, paint on brush, paint drip, paint splatter, glossy wet paint, looking at viewer, vivid saturated color palette, bright even light, A straight-on face-and-upper-body close-up, camera at eye level and pushed right in so the girl's whole face fills the frame from brow to chin and her shoulders and chest stop at the bottom edge. She faces the lens dead-on, chin lifted a touch, head level, both eyes held wide open so the whites glare and the irises stay fixed forward at the viewer without blinking. Her mouth is stretched wide open in a big O, jaw dropped, the dark wet interior fully exposed -- upper and lower teeth, the flat back of the tongue, the arched soft palate and the hanging uvula at the back of the throat, all glistening. Her short black hair is chopped level at the jaw, with vivid red streaks and colored panels of green, blue and yellow folded into the inner layers, the strands falling forward and slightly splayed by her held-breath pose; the little maid headdress and its hair ornament sit perched on the crown, tilted by the way she's thrown her head up. A glossy black tail curls out of the bottom frame beside her hip, its fish-tail fin visible over the lower corner. Her skin is bare and glossy, a living palette: bright dollops of red, cobalt, cadmium yellow and white sit half-blended on her cheeks, her forehead and one temple, smeared into long wet streaks down the side of her nose and by the corner of her jaw. Over her shoulders she wears the paint-themed sexy outfit -- narrow strips of wet pigment and glossy sheen that cling like latex, bold color blocking in red and black with a wet highlight running down the collarbone and a cut-out that opens her chest to the edge of the frame -- the paint gleaming and running thin over the skin. One gloved-in-color hand comes up from the left of frame holding a thin sable brush, its tip pressed directly against her open right eye, the bristles bending against the cornea with a bead of wet vermilion welling where the ferrule meets the lid; the pupil and iris behind it are flooded and stained, a wash of red and yellow bleeding across the visibly glazed eyeball in a slick film, tears of paint gathered along the lower lid. The brush arm enters from the side, wrist flexed at a taut angle, contact exactly at the brush tip. Behind her the art classroom is a bright, airy background, out of focus: tall windows with blown-out daylight flooding in, pale wood easels and a leaning row of paint jars, palettes and stacked canvases blurring into soft cream and sky-white shapes whose colors daub the bokeh with red, blue and yellow. The light is bright and even from the window behind and slightly above, wrapping her face and outfit in a high soft key so the wet paint on her skin reads as the only specular highlight and the shadow under her chin and inside her open mouth stays deep and saturated. The palette is disciplined to carnival primaries -- red, cobalt, yellow and white pigment against the bright warm cream of the room -- with her black hair and the black of the outfit as the only dark values. A single thin rivulet of red paint leaves a daub on her cheek and runs down along the jawline to the corner of her lip. Luminous, unsettling, vivid.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, hair ornament, maid headdress, red hair streak, tail, face close-up, upper body close-up, facing forward, straight-on, looking at viewer, eyes open, wide-eyed, mouth wide open, open mouth, inside of mouth fully visible, tongue visible, teeth, uvula, throat, paint on face, multicolored paint on face, face paint, paint as palette, paint wells on cheeks, dripping paint, paint-covered sexy outfit, body paint, paint on clothes, paint on skin, posing, arm up, hand near face, head tilt, art classroom, bright background, sunlight, high key, pastel palette, vivid colors, paint splatter, easel background, palette knife, paint tubes, Frontal face close-up, straight on, the girl fills the frame from the collarbones up, head square to the lens and slightly tilted, her short black hair with red inner streaks pushed back off her forehead so the whole painted face reads. Paint is the subject: thick daubs of red, blue, yellow, green and white sit in shallow wells across her cheeks, forehead, nose and chin like a painter's palette, edges glossy and still wet, one streak running down from the corner of her jaw toward her neck. Her red eyes are wide open, lashes up, pupils fixed on the viewer. Her mouth is stretched wide open in an exaggerated O, jaw dropped, lips dark with smeared paint, the whole inside of the mouth visible: tongue, teeth, dark throat, a bead of paint clinging to her lower lip. Contact points: her right hand lifted beside her cheek, fingertips and knuckles smeared with paint, knuckle brushing the edge of her jaw; shoulder turned a few degrees so the pose reads as posing, weight on the back foot. The paint-covered outfit clings at the shoulders and chest, black fabric and skin alike streaked with wet multicolor paint. Behind her the art classroom is flung open in bright light: white walls, tall windows throwing even daylight onto her face, easels and stacked canvases blurred soft at the edges, paint jars and brushes out of focus. Key light from the windows in front-left, flat and bright, no shadow on the face; paint daubs catch small specular highlights. Palette is high-key white and warm daylight with saturated paint colors as the only strong accents. Playful, messy, bright.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe (identity), short black hair with red and multicolored streaks, colored inner hair, red eyes, maid headdress, hair ornament, tail, upper body close-up, face close-up, facing forward, from front, straight-on, eye-level, eyes open, wide open eyes, mouth wide open, open mouth, mouth interior fully visible, uvula, tongue, teeth, throat visible, human palette, face used as a palette, paint on face, paint smeared on cheeks and forehead as palette daubs, paint being brushed into the eye, brush touching eyeball, paint on eyeball, eyeballs stained with paint, paint-themed sexy outfit, paint-smeared skin, bright background, art classroom, paint jars, colorful palette, posing, paint on brush, paint drip, paint splatter, glossy wet paint, looking at viewer, vivid saturated color palette, bright even light, A straight-on face-and-upper-body close-up, camera at eye level and pushed right in so the girl's whole face fills the frame from brow to chin and her shoulders and chest stop at the bottom edge. She faces the lens dead-on, chin lifted a touch, head level, both eyes held wide open so the whites glare and the irises stay fixed forward at the viewer without blinking. Her mouth is stretched wide open in a big O, jaw dropped, the dark wet interior fully exposed -- upper and lower teeth, the flat back of the tongue, the arched soft palate and the hanging uvula at the back of the throat, all glistening. Her short black hair is chopped level at the jaw, with vivid red streaks and colored panels of green, blue and yellow folded into the inner layers, the strands falling forward and slightly splayed by her held-breath pose; the little maid headdress and its hair ornament sit perched on the crown, tilted by the way she's thrown her head up. A glossy black tail curls out of the bottom frame beside her hip, its fish-tail fin visible over the lower corner. Her skin is bare and glossy, a living palette: bright dollops of red, cobalt, cadmium yellow and white sit half-blended on her cheeks, her forehead and one temple, smeared into long wet streaks down the side of her nose and by the corner of her jaw. Over her shoulders she wears the paint-themed sexy outfit -- narrow strips of wet pigment and glossy sheen that cling like latex, bold color blocking in red and black with a wet highlight running down the collarbone and a cut-out that opens her chest to the edge of the frame -- the paint gleaming and running thin over the skin. One gloved-in-color hand comes up from the left of frame holding a thin sable brush, its tip pressed directly against her open right eye, the bristles bending against the cornea with a bead of wet vermilion welling where the ferrule meets the lid; the pupil and iris behind it are flooded and stained, a wash of red and yellow bleeding across the visibly glazed eyeball in a slick film, tears of paint gathered along the lower lid. The brush arm enters from the side, wrist flexed at a taut angle, contact exactly at the brush tip. Behind her the art classroom is a bright, airy background, out of focus: tall windows with blown-out daylight flooding in, pale wood easels and a leaning row of paint jars, palettes and stacked canvases blurring into soft cream and sky-white shapes whose colors daub the bokeh with red, blue and yellow. The light is bright and even from the window behind and slightly above, wrapping her face and outfit in a high soft key so the wet paint on her skin reads as the only specular highlight and the shadow under her chin and inside her open mouth stays deep and saturated. The palette is disciplined to carnival primaries -- red, cobalt, yellow and white pigment against the bright warm cream of the room -- with her black hair and the black of the outfit as the only dark values. A single thin rivulet of red paint leaves a daub on her cheek and runs down along the jawline to the corner of her lip. Luminous, unsettling, vivid.
tkiya9143#0

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