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AI artwork featuring #Warhammer 40,000
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Warhammer 40,000

#Warhammer 40,000
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hudao

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1 monster, solo, giant monster, enormous size, bipedal stance, muscular humanoid body, extremely muscular, ripped abs, heavily muscled physique, eight arms, multiple arms, eight insect arms, millipede-like arms, segmented chitin limbs, long curved clawed digits, house centipede mouth, elongated segmented mandibles, fanged centipede maw, insect chimera, terrifying, horror, grotesque, open mouth, roaring, from below, extreme low angle, foreshortening, dutch angle slightly tilted, standing on rubble, arms spread out, no tentacles, clean silhouette with only eight limbs, bare torso, chitin plating along spine, veins bulging, dark, night, storm light, high contrast, deep blacks, sickly amber highlights, wet sheen, wide shot Seen from an extreme low angle, the camera almost at the ground with the sky behind it and the frame tilted a few degrees off level, a single gigantic bipedal chimera stands planted on a shattered concrete slab and leans over the lens, its mass filling the lower two thirds of the frame while its head pushes up against the top edge. Both legs are bent and braced wide, feet flat against the broken slab with weight sunk into the hips, and the posture is halfway through a heavy step forward, one knee driving up. The torso is a human body inflated to monstrous scale: pectorals and a clear six-pack, thick deltoids and trapezius, and veins across the biceps raised like cords. Eight insect arms spring from the ribs and shoulder blades, four to each side, each a long segmented chitin limb with ball joints and a curved black claw at the tip; two rear arms sweep back and down behind the hips, two mid arms bolt straight out to the sides, and the two front arms reach forward past the shoulders toward the viewer with the claws spread wide and slightly out of focus from closeness. At the top, the head is not a human head: an elongated face splits open into a house-centipede maw, two long segmented mandible-fangs spreading apart, ring after ring of small hooked teeth in a dark throat, ragged antennae whipping back. Its eyes are small, wet and black, aimed straight at the viewer; the chin turns down at the lens while the shoulders roll forward, and the mouth is caught mid-roar. No tentacles anywhere: the silhouette is clean, only the eight segmented arms and the two clawed feet, and every limb has a visible terminus. The light comes from a single cold magnesium-white flare behind and above the creature, striking only the top edges of the shoulder plates, the upper ridge of the mandibles and the spines on the arms, so the front of the body drops into a deep near-black, lit at the low edge by a dull amber bounce from the burning ground. Rain and dust streak in the flare, and the claw tips cast long ragged shadows that stretch down the slab toward the camera. Hundreds of fine water droplets bead on the chitin and roll along the segmented grooves of the arms, running down toward the joints where they gather and drip. The background is a torn city skyline of jagged slab edges, illegible windows and smoke. The palette is limited to wet charcoal, deep black and sick amber, with cold white on the flare. Overwhelming, dreadful.
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Original Prompt
昆虫のウデムシの腕が八本と昆虫のヒヨケムシの口があるめちゃくちゃ怖すぎるキメラ、見た目が怖すぎる、ホラー、センシティブにはすんな、二足歩行、体はムキムキの人型、ムキムキ、触手は生えてない、デカイ
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
h
1 creature, solo, chimera, giant, towering, huge, bipedal, humanoid body, extremely muscular, hypertrophic musculature, eight arms, multiple arms, arthropod arms, segmented chitinous arms, glossy black-brown carapace, spined forearms, hooked claw tips, elongated flattened body, pale segmented underside, insectoid mouth, chick-shaped bug mouth, round bulbous beak-like maw, concentric rings of inward-hooked teeth, tiny black vestigial eyes, eyeless, no eyes, no tentacles, no tentacles anywhere, full body, standing, walking toward viewer, mid-stride, from below, low angle, strong foreshortening, dutch angle, wide shot, horror, terrifying, intimidating presence, open mouth, drooling, teeth, sharp teeth, dark background, dark fog, stark backlight, rim light, desaturated palette, cold blue-grey, sick green, monochrome The camera sits near the ground and tilts up: a low-angle, slightly canted wide shot in which the creature fills the frame from foot to crown, its bulk rearing against a dark empty void of cold fog. It walks straight toward the viewer, caught mid-stride — the right leg planted flat and bearing all its weight, the left leg lifted with the knee raised high and the clawed foot flexing, so the hips rake diagonally and the whole torso leans a few degrees forward over the leading foot. The body is a humanoid mass of exaggerated striated muscle: vast slab-like pectorals, deltoids bunched into boulders, a ridged abdominal wall, thighs corded and split by deep separations, skin pulled tight and taut with the shine of tension over the tendons, the surface a leathery grey-green with the veins standing out darker. Eight arthropod arms sprout from the creature's flanks and shoulders in a staggered double row down each side — four to a side, each set slightly lower and further back than the one above, the uppermost pair long and heavy and the lowest pair shortest. Each arm is an armored limb of segmented chitin, black-brown and glassy along the top, flattening into a pale ridged underside, with a fringe of stiff bristles along the trailing edge and a serrated spine at the elbow; every segment overlaps the next like stacked plates. The paired arms hook and curl in mid-air around the torso, the upper two raised and splayed outward with their clawed tips spread toward the lens, the middle two folded in tight across the ribs, the lower two hanging loose and twitching, their pointed tips brushing the fog. No other appendages grow from the body — no tentacles, from any point, only these eight segmented limbs. The head is wrong. Where a face would be there is a rounded, bulbous maw shaped like a fat beak — a puckered chick-like mouth of pale horn, ringed in soft concentric folds that read almost innocent — and the folds peel open radially in four petals, revealing concentric rings of long inward-curving teeth packed down the throat and receding into black wetness. The maw is open wide and mid-scream, a strand of thick drool stretching from a lower petal and breaking free. Above the maw, the skull is smooth and eyeless, with only a row of tiny black bead-like vestigial eyes sunk into the brow ridge, unreadable and fixed toward the viewer. The light is a single hard cold source from behind and above the creature, so the fog glows sickly grey-green around its silhouette, the rim of every chitin segment and every shoulder blazes, and the front of the body falls into deep shadow broken by the wet glints of the maw and the polished arm plates. The creature's cast shadow sweeps toward the camera along the ground, longer than the body that throws it. Palette is restricted to cold blue-grey, corpse green and black; no warm color anywhere. In the foreground the fog curls at knee height and is pushed aside by the advancing leg. Overpowering dread.
hudao
AI artwork
h
1boy, solo, monster, chimera, centipede (animal), house centipede, arthropod hybrid, bipedal, standing, extremely muscular, ripped, bulging muscles, pectorals, abs, thick forearms, broad shoulders, hulking frame, terrifying, scary, grotesque, mandibles, many eyes, segmented carapace, chitin plates, long antennae, multiple legs, clawed hands, hunched posture, from below, foreshortening, dutch angle, low angle, open mouth, teeth, drool, dynamic pose, oversized limbs, insect wings, dim lighting, high contrast From a low dutch angle looking steeply up, a single bipedal chimera of a centipede and a house centipede dominates the frame, its body filling the entire vertical crop from clawed feet at the bottom to its looming head near the top edge. It stands on two massive, sinewy legs planted wide apart, thighs rippling with striated muscle, feet splayed and gripping the cracked ground. Its torso is enormously broad-shouldered and barrel-chested, every muscle bulging beneath segmented chitin plating that stretches taut over its chest and abdomen. From its shoulders and back bristle clusters of long, jointed centipede legs that twitch and fan outward, while a second set of longer, feathery, banded house-centipede legs arcs overhead and around its flanks. Its head is a monstrous fusion of mandibles and a many-eyed arthropod face, antennae sweeping back, a lipless mouth peeled open to bare rows of jagged teeth, a strand of drool swinging from one mandible. One enormous arm is raised and thrust forward, foreshortened toward the viewer, claws spread, while the other is drawn back with a clenched fist. Long segmented tail curving behind its legs. The lighting is harsh and directional from above and to the left, throwing deep shadows under its mandibles and between the bulging muscle plates, with a cold rim of light along its back and antennae. The background is a dark, empty void of swirling dust and faint smoke, giving no scale but sharpening the creature's silhouette. The palette is deep charcoal, sickly ochre and muddy brown chitin with cold blue-white highlights on the edges of the carapace. Grotesque, terrifying, and imposing.
hudao
AI artwork
h
horror (theme), chimera, centipede and millipede hybrid, bipedal stance, muscular, ripped, extremely muscular, bodybuilder physique, wide back, defined abdominals, bulging biceps, thick thighs, two-legged stance, hunched forward, from below, dutch angle, low angle, full body, looking down at viewer, open mouth, mandibles, many legs, insect legs, segment exoskeleton, glossy carapace, chitin plates, spiny legs, whip-like legs, multiple eyes, eyeless, claws, grasping claw, long antennae, coiled body length, curled, reaching toward viewer, dramatic lighting, rim light, single light source, high contrast, dark background, fog, night, horror (aesthetic), terrifying, creepy, monstrous, no blood, no gore, no wounds, hands bare, dark palette, black and rust-orange and bone-white palette, cinematic Seen from below, a towering two-legged monstrosity fills the frame: the camera sits low near the ground, tilted a few degrees off level, so the creature's head is thrust high against a black sky and one thick clawed foot lands in the foreground with the toes spread wide on wet stone. Its build is the build of a bodybuilder grown wrong — a wide, knotted back arcing over a pair of slab-like pectoral plates, an abdomen split by deep grooves into ten disciplined segments of chitin, heavy biceps bunching at the shoulders, and thighs corded like cables; the torso leans forward, weight planted on the nearer leg, the far knee bent so the whole mass coils. Around that humanoid scaffolding, the chimera's second nature crawls: rows of flattened centipede legs run down both flanks, each leg a whiplash of jointed shell tipped with a hooked claw, and where the chest meets the shoulders the carapace loosens into the furred, fleshy ribs and tiny writhing forcipules of the other half of the cross — the soft parts glistening, the hard parts polished to a lacquered shine. The head is the fear: a narrow wedge of fused head-plates with two long antennae curving forward and down, a mouth opening too wide and lined with inward-curving mandibular teeth, and above it four small glassy eye-clusters set unevenly on the shell, catching the light like beads of oil. It gazes straight down the lens, mouth hinged open, antennae drifting forward as if tasting the air. One huge arm reaches out toward the viewer, the hand held open and the fingers splayed, the tips of the claws just short of the top of frame; the other arm hangs at its side, claws half-curled. Every joint in the reach is stated — shoulder rolled forward, elbow locked, wrist bent down — so the limb reads as a limb going somewhere, not a shape. The only light is a single cold source from above and behind the creature: it lays a hard white rim along the crown, the spine of the carapace and the tops of the outstretched arm, leaves the chest and face in livid half-shadow where the eye-clusters still glitter, and throws a long, deformed shadow across the wet ground toward the viewer. Beyond the low rim of the ground the background is unbroken black, hazed with a thin ground-mist that swallows the creature's lower legs and lets only the near foot stay sharp — mist curling around the foot proves the hot mass of the body above it. Palette is only lacquer black, rust orange along the segment seams, and bone-white in the highlights; nothing else is admitted. The tone is pure dread — quiet, enormous, patient.
hudao

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