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View details鎖で繋がれている女囚3676―囚われの涙・監獄の女子
冷たい鉄格子の向こうで涙を流す彼女の姿に、切なくて胸が締め付けられます。絶望的な状況でもどこか美しさを感じるこの作品を描きました。彼女の心情に思いを馳せながら見ていただけると嬉しいです。気に入って頂けたらいいねとフォローをお願いします!
Show Parameters
- Original Prompt
- 女子刑務所の天井も低くて狭い独房で正座している若い女囚の廊下から閉められた鉄格子も扉越しに見た画像。 女囚の囚人服は、粗末で汚れている、白のタンクトップシャツと灰色のスウェットの長ズボン。 女囚の髪は、肩より短く切られている。 女囚は、両手を後ろ手に手錠できつく繋がれていてる。 女囚は、首輪を付けられていて、鎖で鉄格子に繋がれている。 女囚の両足は、鎖で繋がれている。 女囚は、辛そうに涙を流しながら狭そうに座っている。
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
Similar Images
Show morecharacter: takamori_aiko, copyright: idolmaster
1girl, takamori_aiko, brown hair, long hair, ponytail, hair ornament, hair flower, brown eyes, yellow eyes, handcuffs, shackles, leg irons, collar, prisoner uniform, short sleeves, black and white stripes, striped top, panties only, bare legs, barefoot, standing, jail cell, iron bars, from below, full body, looking at viewer, uneasy expression, blush, closed mouth, arms at sides, wrists together in front, chains, metal collar, concrete floor, cold light
From a low angle just above the floor, the camera looks up through the foreground bars of a cell at a single standing girl, so the barred door edge crosses the bottom-left of the frame and the vertical bars step back in perspective toward the ceiling, framing her whole body against the far wall. She stands square to the bars but with weight sunk onto her right leg, left knee slightly bent and left hip dropped, shoulders drawn a little inward so the short-sleeved black and white horizontal-striped prisoner top hangs loose over her hips; the sleeve hems stop mid-upper-arm, the stripe bands widen slightly as the fabric curves over her chest. Her lower half is bare — only plain dark-grey panties and bare legs down to bare feet flat on the concrete — and a broad metal band circles her left ankle with a short chain running down to a second band just above it, the chain pooling and kinking on the floor in a shallow slack loop beside her right heel.
Her wrists are cuffed in front of her waist, two steel rings linked by a short chain that hangs in a taut inverted V, forearms angled down and inward, fingers loosely curled and touching each other, thumbs resting against the chain. She is collared: a wide riveted steel band sits low around her throat, a ring at its front, a chain dropping from it and lying across her collarbone before disappearing behind the cuff chain, so the two runs of metal nearly meet at the centre of her chest. Her chin dips toward the collar, eyes sliding up to the lens from under her brows, lips pressed closed with the lower one caught slightly, a faint flush high on her cheeks and a shallow gathered brow — not fear, but a small, braced unease. The ponytail is tied high at the back of her head with the flower ornament pinned at its base, and because her head tips down the tail falls forward over her right shoulder, its tip brushing the collar's edge; the long side locks hang free past her jaw. Her gaze is up and toward the viewer, held steady even as the chin stays lowered.
The cell is bare concrete: a low plank bunk along the right-hand wall behind her, a bucket on the floor in the far corner, a small barred window high in the back wall. Light comes only from that window, a hard cool shaft angling down from behind her left shoulder, so it catches the tops of the bars, the upper curve of the collar ring, the crown of her head and the leading edges of both thigh fronts, while her face is lit by the softer bounce off the pale far wall and the underside of her jaw and the crooks of her elbows fall into shadow. Behind her the cell recedes into brown-grey gloom; her shadow is thrown forward along the floor toward the camera, and the loose ankle chain casts a broken, link-shaped shadow of its own. Palette is restricted to charcoal, cold steel grey, concrete brown-grey and the white of the stripes, with her warm brown hair and the single small flower as the only saturated notes. The chain's lowest link is held just off the floor, so it reads exactly how much slack she has left. Cold, hushed unease.
橫山育人
玉川
1girl, masterpiece, full body, dirty clothing, action, in a jail, 1girl, solo,
full body, handcuffed both wrists, standing, barefoot, shackles on both ankles, an iron ball connected to the shackle with chain, sweat, handcuffs both hands, prison clothes, black and white striped shirt, black and white striped pants, half sleeve, v neck, short sleeve, messy hair, collarbone, closed mouth, looking down, leaning back on the wall, dynamic angle, tied arms with chain, hands on front, shy, looking away, ultra detailed, depressed, miko iino, blunt bangs, brown eyes, brown hair, hair tie, long hair, crying with eyes open
玉川
character: tenkubashi_tomoka, copyright: idolmaster
1girl, solo, tenkubashi_tomoka, brown hair, long hair, sidelocks, single hair bun, hair bun, hair bow, hairband, cowlick, brown eyes, handcuffs, wrists cuffed in front, leg shackles, ankle cuffs, chained ankles, collar, metal collar, short sleeves, black-and-white striped shirt, prisoner uniform, striped prison top, bare legs, panties, white underwear, barefoot, standing, standing on one leg, tiptoes, leaning forward, looking at viewer, head tilt, one eye closed, lopsided grin, blush, arms held out slightly, chain taut, prison cell, iron bars, stone wall, straw bedding, high window, from below, wide shot, dutch angle,
The camera sits low and tilted: seen from below at a slight dutch angle, a single girl stands inside a stone prison cell, the barred door rising behind her and the ceiling shadowing the top of the frame. She is caught mid-shift on the balls of one bare foot, the other heel lifted and turned inward, her hips canted so the standing leg carries all her weight; her shoulders lean a little forward toward the lens while her cuffed wrists hang low in front of her hips, both hands slack, the short chain between the cuffs dipping under its own weight. A metal collar circles her throat, sitting just above the collarless neckline of a short-sleeved black-and-white horizontally striped prison shirt that hangs to her upper thighs; below its hem she wears only plain white briefs, her legs bare, her feet bare on the cold stone. Slim shackle bands close around both ankles, a short chain strung between them, sagging in a shallow curve that pulls taut where her lifted heel draws it up. Her long brown hair has slipped loose of its single high bun, sidelocks and a stray cowlick hanging against her jaw and one lock stuck to her cheek; the bun tips slightly off-centre on top of her head, the hair bow pinned at its base. Her head tilts toward her raised shoulder, one eye squeezed shut and the other open and angled up under her brow straight at the viewer, a lopsided grin pulling one corner of her mouth, colour high across her cheeks. One high narrow window in the left wall of the cell admits a single cold shaft of daylight that rakes down across the right side of the frame; it strikes the rim of the collar, the top of the shackle bands and the upturned side of her face, throwing long bar-shadows across the stone floor and a second grid of shadow up the back wall, while the corner behind her, the straw pallet and the iron door fall into flat dim shadow. Palette: cold grey-green stone and iron, the hard black-and-white of the stripes, the warm brown of her hair and a single flush of pink on her cheeks and the bow. The dust in the light beam only brightens where the shaft passes. Small, defiant, and a little mischievous.
橫山育人
character: suou_momoko, copyright: idolmaster
1girl, suou_momoko, brown hair, short hair, ahoge, blue eyes, hair bow, hair ornament, handcuffs, shackles, leg irons, metal collar, short sleeves, black and white striped shirt, prison uniform, striped clothes, panties only, bare legs, barefoot, standing, full body, from below, dutch angle, looking down, dungeon, underground cell, stone wall, iron bars, dim lighting, single light source, chains, metal chain, cold blue palette, rust accents,
Shot from a low dutch angle looking up at one girl standing alone in an underground stone cell, the camera near floor level so the wet flagstones and a slack length of chain occupy the foreground while she dominates the frame above. She stands off-center with her weight on her right leg, left knee slightly bent and left heel lifted, hips canted; her torso twists a quarter toward the cell's iron-barred door while her chin drops and her blue eyes cut down toward the viewer past her lashes, mouth set in a flat, defiant line, one brow faintly lifted. Short brown hair with a single ahoge springing up, a bow at the side of her head, the ends stirring in the cold draft that seeps between the bars. She wears a short-sleeved black-and-white horizontally striped prison shirt hanging loose to her upper thighs, sleeves ending above the elbow, and nothing below but plain panties, legs bare from hip to foot. Steel handcuffs clasp both wrists in front of her waist, a short chain linking them, her fingers loosely curled and one thumb hooked over the chain; an iron collar circles her throat above the open collar of the shirt; shackles clamp each ankle with a chain running between them, the links pooled and kinked on the stone where the floor slopes toward a shallow drain. Behind her, rough mortared stone blocks rise into darkness, a rusted ring bolt set in the wall, a barred door at the left edge catching the light, straw scattered and a stone step in the midground; above her head the ceiling is lost in black. A single caged lantern hangs high at the right, its warm beam raking down across the right side of her face and shoulder, hard shadow falling to the left across the stone, her cast shadow long and stretched along the wet floor, chain links throwing tiny separate shadows; beyond the lantern's cone the darkness is total. The palette stays cold slate grey and iron black with the lantern's amber on skin and steel, and rust orange only in the bolt and chain. Stagnant water in the drain trembles at the point where the ankle chain's lowest link touches it. Tense, grim.
橫山育人
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