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AI art "秋葉原でデートをさそった 3人アニメキャラ" featuring #Hololive Production, #Hoshimachi Suisei and #Inoue Takina
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秋葉原でデートをさそった 3人アニメキャラ

#Hololive Production#Hoshimachi Suisei#Inoue Takina
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character: shiba_miyuki, hoshimachi_suisei_(1st_costume), inoue_takina 3girls, trio, dating, akihabara, tokyo, street scene, hoshimachi suisei, inoue takina, shiba miyuki, holding hands, hand-holding chain, tapioca tea, bubble tea cups, drinking straws, from below, dutch angle, cowboy shot, looking at another, walking, mid-stride, open mouth, grin, light blush, long hair, blue hair, side ponytail, hair ribbon, beret, plaid clothes, blue eyes, black hair, hair flower, blue eyes, purple eyes, white shirt, black skirt, ribbon, green jacket, necktie, black gloves, partially fingerless gloves, full body visible from thigh up, daytime, overcast sky, telephone poles, tangled overhead cables, vertical shop signs, stacked building facades, narrow side street off the main avenue, crowd as blurred background, no text on signage, quiet intimate joy Low-angle dutch-angle three-quarter shot from just below hip height, the camera tilted a few degrees off level, so the three girls tower over the frame and the Akihabara side street reels up behind them into a cluttered canopy of cables and signboards. The trio walks toward the camera in a linked chain, shoulder to shoulder but staggered in depth: Hoshimachi Suisei on the near left, half a step ahead, her pale blue hair caught in a high side ponytail tied with a ribbon that swings out behind her shoulder, the long front lock escaping between her eyes, a small plaid beret set on the back of her head, black partially fingerless gloves wrapped around a tall cup of milk tea with dark tapioca pearls pooled at the bottom of the clear plastic, the straw pinched between her lips mid-sip, one eye squeezed half-shut above the straw, cheeks dimpled, a plaid outfit of grey and blue breaking across her moving shoulders. Inoue Takina takes the center, her long black hair swinging straight down her back, a white shirt and black skirt with a ribbon at the collar, her gloved right hand clamped around Suisei's left wrist to pull her along; she looks sideways at Suisei, chin tipped, eyes narrowed in flat tolerant amusement rather than a smile, her own taro-colored bubble tea held low and level in the other hand to keep it from spilling. Shiba Miyuki anchors the far right, her long black hair lifted off her shoulders by the walk, a small hair flower pinned at one side of her head, green jacket over a white blouse with a black necktie, and she holds Takina's free hand with laced fingers, her face turned in profile toward the two of them, blue eyes crinkled, lips parted on a laugh she is trying to swallow. The three cups form a diagonal descending from upper left to lower right; condensation beads on all three and runs down the clear plastic, leaving thin wet trails that catch the light. Their three gazes close the triangle: Suisei looks up-sideways at Takina over the straw, Takina looks straight at Suisei's face, and Miyuki looks at Takina's profile, so no eye meets the lens. The clutched wrists show a slight drag — Suisei's sleeve pulled taut at the elbow, Takina's shoulder turned in — and the linked hands on the right sit at the exact point where their two forearms overlap, Miyuki's thumb over Takina's knuckles. Flat, shadowless diffused daylight from a solid overcast ceiling above the street, cool and soft; the only warmth is the reflected color inside the tea cups, the pale amber of Suisei's and the lavender of Takina's, glinting through the plastic and tinting the undersides of their fingers. Everything behind them recedes into desaturated grey-blue haze — the blur of pedestrians, the vertical kanji-less signboards rendered as illegible strips of color, the crossing lattice of power lines — so the three faces and the three cups stay the only saturated thing in frame. Muted slate-blue street palette, warm skin, quiet intimate joy.
Show Parameters
Original Prompt
3girls, dating, akihabara (tokyo), Tapioca tea, hoshimachi suisei (1st costume), inoue takina, shiba miyuki,
Mode
flash
Size
768 x 1280
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AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
kykykykykykykyky
AI artwork
l0
stelle_(honkai:_star_rail), firefly_(honkai:_star_rail), on a bustling commercial street at night, Stelle and Firefly walk hand in hand, with Stelle slightly ahead, pulling Firefly along. Stelle has long, grey hair with hair between her yellow eyes and wears a white school uniform with a blue sailor collar, a white skirt, white pantyhose under her uniform, and a smile on her face. Firefly has long hair, wears a hairband, and has multicolored eyes, specifically purple. She wears a purple sleeveless shirt with vertical stripes, puffy long sleeves, and see-through sleeves that reach past her elbows, a white miniskirt that is see-through, a blue bow, and purple ribbons on her legs, with blush on her cheeks. The background features a vibrant commercial street with many shops, bright lights, and a dark night sky. The style is detailed anime with soft lighting, conveying a lively and cheerful atmosphere.
linyuan0588#0
AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
kykykykykykykyky
AI artwork
k
character: mitsumine_yuika, mayuzumi_fuyuko, yumemi_riamu 3girls, yumemi_riamu, mayuzumi_fuyuko, mitsumine_yuika, full body, cowboy shot, from below, dutch angle, walking, walking towards viewer, mid-step, talking, smiling, open mouth, mask, face mask, black mask, mask pulled aside, mask below chin, single bare ear, pink hair, multicolored hair, two-tone hair, blue hair streaks, short hair, ahoge, pink eyes, fang, backpack, smartphone, holding smartphone, badges, accessories, ornaments, latest fashion, cute design, mismatched brands, sneakers, white gothic lolita, frilled skirt, black hair, long hair, blunt bangs, brown eyes, twintails, parted bangs, blue eyes, akihabara, city street, realistic background, street scenery, shop signs, power lines, life-size proportions, badge, highres, absurdres, smile, real background, anime characters on photo-real street The camera sits low and tilted: the three girls walk toward the viewer along an Akihabara side street, seen from below waist height, so the street's perspective runs up and away behind them and the shop fronts lean over the top of the frame. Yumemi Riamu is nearest and slightly left of centre, caught mid-step with her right heel just landing and her left foot pushing off behind; her pink-and-blue two-tone short hair swings with the stride, the ahoge bobbing, one small fang catching the light as she grins. Her face mask is hooked off one ear and pulled down under her chin, so the whole of her open-mouthed smile is exposed; the mask's edge presses a faint line into her cheek. Both hands are up on the strap of her backpack — the right hand also curling a smartphone against the strap, screen lit — and her badges and ornaments cluster on the backpack's front pocket and along the jacket's lapel, tiny hard discs and enamel charms of a cute, cluttered design. Her jacket, her pleated skirt, her chunky sneakers and her socks each read as different brands — a print top under a varsity-style jacket, a ribbon-tied skirt, mint green running shoes with visible maker lettering, striped socks — colours deliberately mismatched within one silhouette. Mayuzumi Fuyuko walks at Riamu's left shoulder, half a pace back, her black hair long and blunt-banged, brown eyes turned toward Riamu as she speaks; her black face mask sits properly over her nose and mouth, muffling her speech and flattening the words, but the corners of her eyes crease in a smile and her chin lifts with it. She wears white gothic lolita — a high-collared white blouse with long sleeves and frilled cuffs, a layered white skirt with black lace edging, a black ribbon at the throat and a bow at the back — and her white lace-up boots step in time. Her right hand is raised, fingers spread, gesturing as she talks. Mitsumune Yuika walks on Riamu's right, her black hair in two long twintails that lift and lag a beat behind each stride, blue eyes angled toward Riamu, smiling as she leans in to hear over the masked voice; her right hand grips the strap of her own bag at her shoulder, her left hand loose and swinging. She wears a cropped jacket over a shirt and pleated skirt, glasses pushed up into her bangs. The background is rendered photographic: real Akihabara — a narrow street of stacked shop façades, vertical signage with dense Japanese lettering curving and foreshortening up the wall, air-conditioner units, exposed conduit, a tangle of overhead power lines crossing the pale sky, a bicycle parked against a shutter, a vending machine's glow at the kerb. The three girls cut out against it in clean animation-style linework and cel-shaded colour. Afternoon light comes from up and to the left, warm and low, striking the left side of every face and the tops of the signage; the right sides of the bodies fall into cool shadow, and their three shadows stretch to the right across the asphalt, overlapping where they walk close. Palette: warm amber pavement and white sky, and against it Riamu's pink-mint-lilac clash, Fuyuko's stark white and black, Yuika's muted navy and camel. Cheerful, lived-in, effortlessly stylish street mood.
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