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AI artwork featuring #BDSM, #Tsumugi Kotobuki, #Wooden Floor, #Bound, #Immobilization and #Gag
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Tsumugi Kotobuki, BDSM

#Tsumugi Kotobuki#Wooden Floor#Immobilization
余

余命一万一日

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character: kotobuki_tsumugi 1girl, solo, kotobuki tsumugi, long blonde hair, hair between eyes, sidelocks, blue eyes, bound, bound together, gagged, cloth gag, red cloth, latex, shiny, full body wrap, fully covered, hands inside, arms bound, legs bound, immobile, leather belt, belt around neck, belt around chest, belt around waist, belt around thigh, belt around ankles, tight, S-shaped body, lying on side, curled up, twisted, warehouse, indoors, sunlight, sunbeam, dust motes, shadow, expressionless, half-closed eyes, looking away, all fours, arched back, from side, wide shot, dramatic lighting, tense, confinement, restraint, shiny cloth, floor, wooden floor, crate, high ceiling, window light The shot lies low and to the side, a wide side view at floor level looking slightly up across the boards, so the whole curled figure reads as one continuous S from the toes at one end to the crown of the head at the other: the body lies on its side along the warehouse floor, hips rolled one way, shoulders and head rolled back the other, knees drawn up so the arc of the spine reverses twice before the feet. The entire figure from the soles of the wrapped feet to the top of the head is one unbroken red sheath of tight glossy latex-textured cloth with no seam gap anywhere — the cloth pulls taut over the curve of the thighs, the swell of the belly, the crown of the head, and passes over the face so that the fine raised ridge of the nose and the soft mound of the mouth and jaw push up faintly through the red surface as slightly lighter, slightly strained bulges. Both hands are sealed away inside the cloth, only a rounded hollow pressing out at the hip where the fingers bunch. A broad leather belt sits cinched right under the nose, crushing the cloth edge down over the jaw, and further leather belts girdle the throat, the chest, the belly, the thigh and the ankles, each one pulled tight enough that the shiny red material pinches into a slight dimple at both edges and the belt's own edge bites a darker line into the gloss. From the side, the blonde hair spills free of the wrap's edge at the crown in a loose tangled fan across the boards, long strands and sidelocks smeared flat against the floor, one lock lying across the belt under the nose. The eyes are open and half-lidded, blue and turned away toward the far wall, not toward the viewer; the gagged face shows nothing but the faint tremor of a shallow breath moving the cloth over the mouth contours. Sunlight falls in long hard shafts through high dirty windows on the right, laying bright parallelograms across the floorboards and striking the topmost planes of the wrapped body — the hip, the shoulder, the crown — leaving the underside and the hollow of the S in deep shadow; dust turns slow in the beams, and the only brightness in the room beyond those shafts is the cloth's own tight specular highlight running the length of the S like a wet line. Palette restricted to blood-red gloss, worn brown leather and the grey-gold boards and dust of the warehouse, with the beams the only white. Everything else in the warehouse recedes into brown dimness — stacked crates, a far wall, a high roof lost in shadow. Quiet dread, airless.
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Original Prompt
ラテックスの質感のある赤い布で鼻と口を覆われて猿轡をされている琴吹紬。布はそこから全身を足の先まで隙間なく包み込んで両手も袋の中にしまい込まれている。布の端と鼻の間で革のベルトが締め付けられている。布の下からは鼻と口の凹凸がかすかに浮き上がっている。首、胸、腹、太腿、足首も革のベルトで締め付けられて、Sの字型に転がされている。陽光が差し込む倉庫に監禁されている。
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash
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余
character: asuna_(sao), copyright: sword_art_online 1girl, solo, asuna_(sao), long_hair, very_long_hair, brown_hair, braid, brown_eyes, eight-heads-tall, tall_female, bound, bondage, full_body_bag, black_bag, body_bag, enclosed_in_bag, neck_to_toe_coverage, leather_belt, belt_around_neck, belt_around_chest, belt_around_abdomen, belt_around_thigh, belt_around_ankle, tight_straps, duct_tape_over_mouth, tape_gag, gagged, lying, on_floor, on_side, s-shaped_pose, curled_body, warehouse, indoors, sunlight, sunbeam, dust_motes, concrete_floor, from_above, high_angle, wide_shot, looking_up, helpless, restrained, blush, sweat, half-closed_eyes, trembling, bound_legs, bound_arms, cinematic_lighting The camera looks down from a high corner of the warehouse, wide and slightly tilted, so the whole of her reads in one glance against the bare concrete. She lies on her left side in an S: hips rolled one way resting on the floor, shoulders turned back the other, knees bent and drawn up, ankles crossed — the long black bag following every bend so the S is drawn by the bag's own creases, not just by her body. Only her head emerges at the top of the bag; the fabric closes snug at the base of her skull with no gap. Five leather belts cinch the bag to her — one thick strap around the throat just under the jaw, one below the bust, one across the abdomen, one around the upper thigh, one around the ankles — each pulled so tight that the bag puckers in short radial creases either side of the band and the leather bites into the fabric. The bag itself is matte black, light-absorbing, taut, showing the shape of her through it, seams running down the sides. Her very long brown hair, released from its braid, spills out over the concrete in loose strands, some strands caught under the throat belt, the rest fanning toward the camera. A strip of grey duct tape crosses her mouth, its edges slightly lifted, creased where her lips press beneath it. Her brown eyes are open and turned up toward the light shaft falling from the high window, brows drawn, a faint sheen of sweat at her temple, one strand of hair stuck to her cheek. A trapezoid of sunlight from a high grimy window cuts diagonally across the floor and across the middle of the bag, the rest of her falling into cool shadow — the light is the only source, and beyond its edge the concrete goes dim. Dust hangs in the beam. Around her, the warehouse: rusted steel uprights, stacked pallets, crates, a dry-floored aisle. Her shoulder and hip press dents into a thin layer of dust on the concrete, and the belt around her ankles leaves a small shadow line under the fabric. Colour is strictly black bag, brown leather, brown hair, grey concrete and one shaft of warm daylight. Helpless, still.
余命一万一日
#Sword Art Online#Asuna#Immobilization
AI artwork
余
character: asuna_(sao), copyright: sword_art_online 1girl, solo, asuna_(sao), brown_hair, very_long_hair, long_hair, braid, floating_hair, brown_eyes, eight-heads-tall proportions, tall, head visible above a sealed black body bag, black bag covering entire body from neck to toes with no gaps, black cloth sack, leather belt around neck, leather belt around chest, leather belt around stomach, leather belt around thighs, leather belt around ankles, cinched tight, duct tape gag, tape over mouth, silver duct tape across lips, arms trapped inside the bag, legs together inside the bag, writhing, struggling, twisting torso, arching back, on floor, lying on side, from above, dutch angle, warehouse, wooden crates, concrete floor, sunbeams, dust motes, harsh sunlight from high window, bound, restrained, captivity, sweat, distress, furrowed brow, wide-eyed, tears in eyes, parted lips against tape, clenched fists inside the bag, tension lines, half-closed eyes, trembling, quivering Shot from above at a tilted dutch angle, the camera looking down into a bare concrete warehouse where a single figure twists across the floor. Her head is the only part of her free of the bag: eight-heads-tall proportions read in the long, narrow span of the sack from her neck to her toes, sealed black fabric stretched taut and seamless, so the length of her limbs shows only as the shape pressing through the cloth. Five leather belts bite in at the neck, the chest, the stomach, the thighs and the ankles, cinched hard enough that the fabric bunches into tight folds on either side of each strap and the leather edges press pale indents into the sheen. She is caught mid-writhe: hips rolled onto one side, torso twisted the other way, back arched off the concrete so a sliver of shadow shows under the bag, heels drumming, both arms swallowed inside the sack and pushing against the cloth from within. Silver duct tape crosses her mouth corner to corner, wrinkling the skin at the edges, her lips working and parting uselessly beneath it. Very long brown hair fans out loose and badgeless across the grey floor, a braid flung across the concrete, strands slipping over the tape and lifting with every thrash of her head. Her brown eyes stare wide up toward the window, lids trembling, a wet gleam gathering at the outer corners; her brows draw together hard and her jaw tenses under the tape. The warehouse is large and empty: stacked wooden crates in the midground, a rusted beam crossing the upper frame, high shuttered windows in the background letting hard sunlight pour in as visible slanted shafts. Dust motes drift slowly through the beams, thickest where the light is strongest; everything beyond the shafts sits in cool shadow. The concrete catches one bright trapezoid of sun on which her shoulder and hair are laid, and the belts throw short sharp shadows onto the black fabric not the floor, since the fabric itself is raised off the ground. Palette limited to black, silver tape, warm brown hair, deep greys and a single hot gold of the sun. Harsh high-contrast daylight, small gleam on sweat at her temple. Gritty, tense, uneasy.
余命一万一日
#Sword Art Online#Asuna#Immobilization

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