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View detailsEmilia, Re:ZERO -Starting Life in Another World-
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- Original Prompt
- ラテックスの質感のある白い布で鼻と口を覆われて猿轡をされているリゼロのエミリア。布はそこから全身を足の先まで隙間なく包み込んで両手も袋の中にしまい込まれている。布の端と鼻の間で革のベルトが締め付けられている。布の下からは鼻と口の凹凸がかすかに浮き上がっている。首、胸、腹、太腿、足首も革のベルトで締め付けられて、Sの字型に転がされている。陽光が差し込む倉庫に監禁されている。
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- flash
- Size
- 1104 x 1824
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Show more余
character: emilia_(re:zero), copyright: re:zero_kara_hajimeru_isekai_seikatsu
1girl, solo, emilia_(re:zero), long hair, white hair, purple eyes, hair ornament, hair flower, braid, crown braid, full-body white latex-textured cloth cocoon, seamless wrap covering head to toes, face fully covered by white cloth, nose and mouth contours faintly visible through cloth, gagged, leather strap cinched between cloth edge and nose, leather straps around neck, chest, belly, thighs and ankles, arms bound inside the sack, hands hidden, no arms visible, bound, S-shaped body position, lying on side, rolled body, confined, imprisoned, warehouse, sunbeams, sunlight streaming in, dust motes in light, from above, high angle, full body, bound, tight, dramatic light, clenched, motionless, heavy atmosphere,
Shot from high above and slightly to one side, looking down into the sunlit warehouse: a single girl lies on the rough plank floor, rolled onto her side and bent into a taut S — knees drawn toward the chest, spine curved the other way, head tipped back so the crown of her head points along the floor. The whole body is sealed inside one continuous white cocoon of latex-sheened cloth, stretched without a seam from the soles of her encased feet, over the tucked knees and hips, across the belly and chest, up over the shoulders and around the head; the arms are folded inside the sack against her ribs, so no arm, elbow or hand breaks the smooth tube, only a shallow swell where the hands are buried. Over her face the cloth pulls tight and slightly glossy, and beneath it the small ridges of the nose and the parted shape of the mouth rise faintly, catching a thin highlight along the bridge of the nose and a soft shadow under the lips; the mouth is held shut by the gag. A narrow leather belt is cinched hard between the lower edge of the face cloth and the base of the nose, pressing a shallow dent around the whole head. Five more dark leather straps bite down at the throat, across the chest, around the waist above the navel, around both thighs together and around the crossed ankles, each one sinking a visible groove into the white cloth and puckering the latex sheen either side of the buckle; the strap ends and buckles lie flat against the floor where the weight of the body pins them.
Long white hair escapes the cloth only at the nape, spilling in loose strands and one thin braid across the planks behind her head, dusted with grit. Her face is entirely hidden, so the gaze is not available — the only readable bearing is the tilt of the wrapped head back toward the shaft of light, chin raised as if seeking air. Sunlight strikes through high dirty windows in two long diagonal beams, one landing across the cocooned thighs and one across the chest and throat strap; wherever the beam hits, the latex cloth shows a wet-looking specular streak and the leather shows a dull warm oil-sheen, and everywhere the light does not reach the white cloth falls to cool blue-grey shadow. Dust motes drift visibly inside the beams and settle on the upward-facing surfaces of the cocoon and on the buckles, never underneath. Surrounding her: stacked wooden crates and a leaning ladder in the midground, a cracked concrete floor, the deep dark of the warehouse's far end where the beams do not reach. Palette is white cloth, black-brown leather and warm gold light against cold shadow, nothing else admitted. Muted, airless, quietly tense.
余命一万一日
余
むぎちゃん袋詰め2
余命一万一日
余
character: shimamura_uzuki
1girl, solo, shimamura_uzuki, brown_hair, long_hair, brown_eyes, hair_bow, full body, feet visible, head to toe, latex, blue_latex, tight_wrap, full_body_wrap, cocoon, no_gaps, cloth_over_nose, cloth_over_mouth, gag, muzzle, leather_belt, belt_between_nose_and_cloth, nose_and_mouth_contours_visible_through_cloth, belt_around_neck, belt_around_chest, belt_around_belly, belt_around_thighs, belt_around_ankles, hands_inside_wrap, no_hands_visible, arms_tucked, s-shaped_pose, curled_up, lying_on_side, bent_knees, confined, warehouse, sunlight, god_rays, dust_motes, concrete_floor, looking_at_viewer, wide-eyed, blush, distressed, trembling, bound, rope_bondage_adjacent, dramatic_lighting, cinematic
From a slightly raised three-quarter angle with the camera tilted a little down in a full-body shot, Shimamura Uzuki lies curled on her side on the dusty concrete floor of a cavernous warehouse, her whole body bound into a sinuous S-shaped curve: hips swiveled toward the floor, knees drawn up and bent, chest arcing back, so the blue latex-cloth cocoon folds into a smooth serpentine line from the crown of her head to her wrapped toes. The glossy blue latex-textured cloth seals her from head to feet with no gaps — the same continuous sheeting sweeping over her long brown hair so only the shape of her head and a tail of hair trapped at the nape press through, and both arms disappearing entirely inside the wrap so no hands are seen and the cloth bulges faintly where her fists are swallowed near her ribs. Over the lower face, the blue fabric is pulled taut across her nose and mouth as a snug gag, its surface faintly pushed out by the contours of her nose bridge and the parted swell of her lips beneath; a narrow leather belt cinches the cloth tight between the top edge of the gag and the underside of her nose, digging a crease into the shining blue membrane. Further leather straps bite into the cocoon at five more points — one around her throat, one across her chest, one around her belly, one around her upper thighs, one around her ankles — each cinched so the latex bulges plumply on either side of the strap. Sunlight streams down from high warehouse windows in long diagonal shafts, laying bright bars across her curved body and lighting the dust that drifts in the air, while the rest of the vast space falls into deep shadow; the glossy blue surface catches a hard highlight along the top of her hip and a soft sheen in each taut belt dimple, and her shadow stretches thin and ragged on the concrete. Her wide brown eyes look up at the viewer over the blue gag, flushed cheeks and trembling shoulders betraying her strained distress. Quiet captivity, tense and still.
余命一万一日
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