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ちびさわひろ

#The Idolmaster #Gakuen Idolmaster #Shinozawa Hiro

Published on Nov 8, 2026

dlfanz

character: shinosawa_hiro, copyright: gakuen_idolmaster, idolmaster 1girl, solo, chibi, deforme, child, shinosawa hiro, long blonde hair, hairclip, orange eyes, colored eyelashes, smile, looking at viewer, looking up, from above, indoors, classroom, tiled floor, crayon drawing, crayon texture, map, user interface overlay, makeup, shadow, amputee, blank left sleeve folded and pinned at the shoulder, meme energy, full body, held paper map, thick wax outlines, tag run: school desk, sitting on desk edge, kicking leg, pointing down at viewer, open mouth grin, ^ ^, one eye wide, blush on cheeks, hands presenting paper Shot from steeply above, the camera hangs almost over the crown of her head and looks straight down into a small empty classroom, so the whole floor reads at once: a grid of square cream and mint tiles running to the walls, joints dark with age, a scatter of desks pushed back against the blackboard so the tiled center stays clear. A single blonde-haired chibi girl sits on the near edge of one desk at frame center, tilted back on her hips so both legs swing free of the desk front; because the view is from above her face tilts up toward the lens, her orange eyes meeting the viewer, chin lifted, mouth open in an easy crescent grin, one brow arched high and the other low, a tease rather than a polite smile. Colored eyelashes and a thin line of orange eyeliner and a soft peach blush are the makeup she wears, drawn in waxy overlapping strokes that go slightly over her outlines the way a child colors past the line. Her long blonde hair falls back off her shoulders and spreads on the desktop behind her, the hairclip a small bright shape near her left temple, and her earrings catch the ceiling light as tiny glints. She wears a white shirt with long sleeves; the right sleeve ends in a hand that grips the edge of a large paper map unrolled across her knees, its coasts and roads and tiny grid icons rendered in rough crayon blues and greens, while the left sleeve is empty, folded and pinned flat against her shoulder with a neat silver catch, and the flat fabric of it lies against her ribs with no arm inside. She lifts her right arm and points one finger down at the map, wrist angled so the fingertip lands on a crayon-drawn city, and the map sags between her knees where her weight presses it. Layered over the lower right of the frame, a flat translucent user interface panel floats above the tiles: a rounded rectangle of faint pale glass holding a small map thumbnail with a blinking crayon-colored player pin, a row of tiny status bars, and a cursor arrow hovering with a soft glow; the panel is the only element in the image that casts no waxy texture, and its edge crosses over two tiles and the corner of a desk. Every other shape, desk, floor, map, girl, is drawn in thick crayon: visible wax grain, blunt rounded line ends, flat layering of color, the paper tooth of the sheet showing through the tiles. The shadow is long and distinct. Ceiling light falls from the upper right, so her small body casts a hard dark silhouette that slides down the front of the desk and stretches across the tiles to the lower left, its edge ragged where the wax broke; under her hips the shadow compresses into the desk edge and the map shades the tops of her knees. The tiles are brightest in a pool around her and dim toward the blackboards at the frame's top edge, where the desks stack into simplified dark rectangles. Palette is limited to cream, mint, sun-yellow, orange and chalk-white crayon against the darker slate wall, with one saturated wedge of blue in the map. Playful, waxy, mischievous.

ちびさわひろ

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