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AI art "アリサ・ミハイロヴナ・九条（時々ボソッとロシア語でデレる隣のアーリャさん）" featuring #Alya Sometimes Hides Her Feelings in Russian and #Alisa Mikhailovna Kujou

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アリサ・ミハイロヴナ・九条（時々ボソッとロシア語でデレる隣のアーリャさん）

先に公開したアリスの前に、仮に着替えさせられたアーリャさん着てくれるかというと多分着てくれない笑

#Alya Sometimes Hides Her Feelings in Russian #Alisa Mikhailovna Kujou

Published on Nov 8, 2026

風天御猿

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character: alisa_mikhailovna_kujou, copyright: tokidoki_bosotto_roshia-go_de_dereru_tonari_no_alya-san solo, 1girl, full body, from below, wide shot, faint dutch angle, standing, weight on one leg, hand on own hip, other arm out to the side, head tilt, looking down at viewer, smirk, one eyebrow raised, half-closed eyes, long hair, grey hair, white hair, crossed bangs, hair between eyes, ahoge, blue eyes, hair ribbon, white and light blue striped puff sleeve dress, blue ribbon on dress, white lace cuffs, white corset-style waist, blue cross lace-up, white frilled flare skirt, light blue and navy trim lines on skirt, blue ribbon neck ribbon, white and light blue striped thighhighs, zettai ryouiki, no shoes, bare feet, seamless white studio sweep, soft floor shadow, pastel blue and white palette, clean cel shading The camera sits low, tilted up and a few degrees off level, so the girl towers slightly over the lens: seen from below and from a wide enough distance to hold her whole figure, from the crown of her head to her bare feet. She stands on a completely empty seamless white studio sweep, no furniture, no horizon line, the white floor and the white backdrop meeting in a soft invisible curve behind her ankles. Her weight rests on her left leg, the right knee bent and toe pointed inward, hip pushed out to her left; her left hand sits flat on that hip with the fingers spread over the white corset band, and her right arm is flung out to the side, elbow soft, palm open. Her head tilts down toward the lens with her chin dipped, one eyebrow arched higher than the other, both eyes half-lidded so the blue irises catch the light under the lashes, and a small lopsided smirk pulls up one corner of her mouth; she looks directly at the viewer, chin down, eyes up, confident. The dress carries the detail: the bodice is a fine vertical stripe of white and pale light blue, the puff sleeves ballooning off the shoulders and gathering at the upper arm, each cuff finished in a scalloped ring of white lace whose eyelets show the skin of her forearms beneath. A small blue ribbon is knotted at the centre of the chest, and a second, wider blue ribbon is tied in a bow at the base of her throat, its loops flat against her collarbone, tails hanging over the striped fabric. Below the bust the white corset band compresses her waist, its surface broken by a blue cross-lacing that zigzags through metal eyelets in a crisp X pattern down the front, the lacing pulled taut and slightly shiny. The skirt flares from the corset in a stiff circle of white frills, and each tier's hem carries a thin scrolling line, pale light blue on the upper ruffle and deep navy on the lowest, the stripes of the bodice echoing down the pleats. White and light blue horizontal stripes wrap her thighs from the lace-finished hems to mid-thigh, leaving a bare band of skin above the knee. Light comes from a single large softbox high and to her right: it lays a clean highlight down the left side of her face and the top of the puff sleeves, drops the shadowed side of her jaw and the underside of the skirt into cool grey-blue, and throws a soft, slightly darker blurred shadow of her feet and skirt straight down and a little left on the white floor, the shadow narrower than the hem and soft at the edges. The palette admits only white, pale light blue, navy, the blue of the ribbons, and the cool grey shadow tones, nothing else. Effortlessly stylish, playful.

アリサ・ミハイロヴナ・九条（時々ボソッとロシア語でデレる隣のアーリャさん）

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