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Kasane Teto, Kasane Teto SV
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Show Parameters
- Original Prompt
- kasane teto, large breasts, large ass, 1girl, playing the electric guitar, hair over eyes,,
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
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character: kasane_teto
1girl, solo, kasane_teto, twin_drills, red_hair, drill_hair, ahoge, hair_between_eyes, hair_over_eyes, hair_ribbon, bow, red_eyes, large_breasts, large_ass, grey_jacket, grey_skirt, long_sleeves, shirt, ribbon, buttons, boots, playing_electric_guitar, holding_guitar, guitar_pick, arm_strap, cowboy_shot, from_below, dutch_angle, from_side, looking_down, parted_lips, blush, leaning_forward, wide_shot,
A low three-quarter view from below and slightly to her left, tilted a few degrees askew, catching her mid-riff: the poet-turned-rockstar braces the electric guitar against the hollow of her right hip, the curved slab-bodied instrument angled up across her torso so its neck cuts out of frame at the upper left, her fretted fingers clamped at the ninth position as the bass of the body presses into the grey skirt and the strap pulls a taut diagonal across the grey jacket and breast. Her right hand is caught mid-downstroke, the pick clamped between thumb and index finger, wrist cocked back over the pickup, the strings blurred with the motion and the volume knob rolled up too far. She leans forward from the hips, weight planted on her front boot and her back heel lifted off the floor, her knee bent and pressing into the curve of the guitar body; the jacket has swung open, exposing the white shirt and the round fullness of the buttons below it, and the grey skirt so tight it strains and bunches at the hip and seat, and the seated pressure of the guitar has pulled a faint crease in the fabric. Her red twin-drill hair tossed back at the turn of her head, the ahoge flicked by the momentum, one drill swinging wide as she hooks her chin down toward the fretboard, and a dark fall of hair hanging over her eyes with only the faint red gleam of her pupils breaking through, her gaze locked down on her own hands on the strings and the glossy red mouth parted in a silent breath. The single bare bulb above strikes the crown of the head, spilling and sparkling down the red drills and across the guitar's upper bout, sparking off the metal pickup covers, throwing the floor into dark and casting one long skew shadow of the guitar and her legs across it; a second hard rim of red half-light catches the underside of the jaw, breasts and the back of the neck. The rest of the room is dark and out of focus — a dark void with a couple of distant spots and a floor the reflector casts faint upward light onto. Palette: the dark of the room and the black guitar, deep red in her hair and the rim light, grey of the jacket and skirt, and the white of her shirt, nothing else admitted. Quiet, coiled, loudly loud.
nhân nhàn nhai nhãn nhăn nhó nhận nhẫn
character: kasane_teto
1girl, solo, kasane_teto, twin_drills, red_hair, drill_hair, ahoge, hair_between_eyes, hair_over_eyes, hair_ribbon, bow, red_eyes, large_breasts, large_ass, grey_jacket, grey_skirt, long_sleeves, shirt, ribbon, buttons, boots, playing_electric_guitar, holding_guitar, guitar_pick, arm_strap, cowboy_shot, from_below, dutch_angle, from_side, looking_down, parted_lips, blush, leaning_forward, wide_shot,
A low three-quarter view from below and slightly to her left, tilted a few degrees askew, catching her mid-riff: the poet-turned-rockstar braces the electric guitar against the hollow of her right hip, the curved slab-bodied instrument angled up across her torso so its neck cuts out of frame at the upper left, her fretted fingers clamped at the ninth position as the bass of the body presses into the grey skirt and the strap pulls a taut diagonal across the grey jacket and breast. Her right hand is caught mid-downstroke, the pick clamped between thumb and index finger, wrist cocked back over the pickup, the strings blurred with the motion and the volume knob rolled up too far. She leans forward from the hips, weight planted on her front boot and her back heel lifted off the floor, her knee bent and pressing into the curve of the guitar body; the jacket has swung open, exposing the white shirt and the round fullness of the buttons below it, and the grey skirt so tight it strains and bunches at the hip and seat, and the seated pressure of the guitar has pulled a faint crease in the fabric. Her red twin-drill hair tossed back at the turn of her head, the ahoge flicked by the momentum, one drill swinging wide as she hooks her chin down toward the fretboard, and a dark fall of hair hanging over her eyes with only the faint red gleam of her pupils breaking through, her gaze locked down on her own hands on the strings and the glossy red mouth parted in a silent breath. The single bare bulb above strikes the crown of the head, spilling and sparkling down the red drills and across the guitar's upper bout, sparking off the metal pickup covers, throwing the floor into dark and casting one long skew shadow of the guitar and her legs across it; a second hard rim of red half-light catches the underside of the jaw, breasts and the back of the neck. The rest of the room is dark and out of focus — a dark void with a couple of distant spots and a floor the reflector casts faint upward light onto. Palette: the dark of the room and the black guitar, deep red in her hair and the rim light, grey of the jacket and skirt, and the white of her shirt, nothing else admitted. Quiet, coiled, loudly loud.
nhân nhàn nhai nhãn nhăn nhó nhận nhẫn
character: kasane_teto
1girl, solo, kasane_teto, twin_drills, red_hair, drill_hair, ahoge, hair_between_eyes, hair_over_eyes, hair_ribbon, bow, red_eyes, large_breasts, large_ass, grey_jacket, grey_skirt, long_sleeves, shirt, ribbon, buttons, boots, playing_electric_guitar, holding_guitar, guitar_pick, arm_strap, cowboy_shot, from_below, dutch_angle, from_side, looking_down, parted_lips, blush, leaning_forward, wide_shot,
A low three-quarter view from below and slightly to her left, tilted a few degrees askew, catching her mid-riff: the poet-turned-rockstar braces the electric guitar against the hollow of her right hip, the curved slab-bodied instrument angled up across her torso so its neck cuts out of frame at the upper left, her fretted fingers clamped at the ninth position as the bass of the body presses into the grey skirt and the strap pulls a taut diagonal across the grey jacket and breast. Her right hand is caught mid-downstroke, the pick clamped between thumb and index finger, wrist cocked back over the pickup, the strings blurred with the motion and the volume knob rolled up too far. She leans forward from the hips, weight planted on her front boot and her back heel lifted off the floor, her knee bent and pressing into the curve of the guitar body; the jacket has swung open, exposing the white shirt and the round fullness of the buttons below it, and the grey skirt so tight it strains and bunches at the hip and seat, and the seated pressure of the guitar has pulled a faint crease in the fabric. Her red twin-drill hair tossed back at the turn of her head, the ahoge flicked by the momentum, one drill swinging wide as she hooks her chin down toward the fretboard, and a dark fall of hair hanging over her eyes with only the faint red gleam of her pupils breaking through, her gaze locked down on her own hands on the strings and the glossy red mouth parted in a silent breath. The single bare bulb above strikes the crown of the head, spilling and sparkling down the red drills and across the guitar's upper bout, sparking off the metal pickup covers, throwing the floor into dark and casting one long skew shadow of the guitar and her legs across it; a second hard rim of red half-light catches the underside of the jaw, breasts and the back of the neck. The rest of the room is dark and out of focus — a dark void with a couple of distant spots and a floor the reflector casts faint upward light onto. Palette: the dark of the room and the black guitar, deep red in her hair and the rim light, grey of the jacket and skirt, and the white of her shirt, nothing else admitted. Quiet, coiled, loudly loud.
nhân nhàn nhai nhãn nhăn nhó nhận nhẫn
character: kasane_teto
1girl, solo, kasane teto, red hair, twin drills, drill hair, ahoge, hair between eyes, hair ribbon, hair bow, red eyes, hair over eyes, eyes hidden under hair, hidden eyes, large breasts, large ass, playing the electric guitar, electric guitar, guitar strap, holding guitar, strumming, fingers on frets, grey jacket, long sleeves, grey skirt, pleated skirt, ribbon, buttons, boots, from side, cowboy shot, dutch angle, head tilted down, parted lips, motion blur on hair drills, stage lighting, looking down at guitar
A three-quarter side view from a low dutch angle, camera tilted so the whole frame leans, catching her from the knees up. One girl alone on a dim stage, turned three-quarters away from the lens, her head tipped forward so the long red fringe falls in a flat curtain completely over her eyes — the eyes are gone behind that red curtain of hair, no glow, no glint, only the fine strands and the shadow they hold. From under the fringe the tip of her nose and the lower half of her face show: lips parted in a silent exhale, jaw slightly slack with concentration, a faint sweat sheen at the temple from the heat of the lamps. Her twin red drill curls hang heavy on either side of her head, each one spiralling down past her shoulders, and the small ahoge tuft springs up at the crown; the drills swing forward with the tilt of her head, tips catching the light.
She wears the grey jacket open over the shirt, sleeves long to the wrists, the ribbon and buttons at the collar, a pleated grey skirt falling over full hips. The jacket is pushed back openly over a full, heavy chest that strains the shirtfront, the fabric pulling in tight horizontal creases across it; the skirt sits wide over generous hips and a full backside, the pleats splaying outward where they stretch across the curve and her weight pushes the hem out to one side.
The electric guitar is slung across her body on a wide black strap that cuts diagonally over her chest, the strap pressing a shallow groove into the fabric. The guitar's body rests against her hip and lower ribs, its curve tilted with the dutch angle; her left hand grips the neck high up, fingers curled over the fretboard, wrist bent; her right hand hangs at the strings near the bridge, a pick pinched between thumb and forefinger, mid-downstroke so one string is caught blurred. Her weight is on the back foot, front knee slightly bent, hip cocked to balance the guitar, one boot planted forward.
Lighting comes from a single hard spot from the upper left, a stage beam: it rims the top of the drills and the ahoge in a hot line, lays a bright streak down the guitar's upper edge, and throws the front of her body into shadow from the chest down — the light does not reach her hidden eyes, which stay in the darkness under the fringe. Beyond the pool of the spot the darkness is absolute, with no visible floor edge, no crowd, no detail. Palette: deep reds of hair and one thin red gleam on the guitar's body, grey jacket and skirt, warm white highlight, everything else swallowed by black. Emphasis on the hands, the strap compression and the fabric stretch at the chest and hips. Brooding, coiled energy.
nhân nhàn nhai nhãn nhăn nhó nhận nhẫn
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