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AI art "the nomad of sacae" featuring #Fire Emblem, #Fire Emblem: The Blazing Blade, #Lyndis and #PixAI Halloween 2026
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the nomad of sacae

The love for the lands where you grew up never disappears

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Fire Emblem#Fire Emblem: The Blazing Blade#Lyndis
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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character: chi-chi_(dragon_ball) 1girl, solo, chi-chi \(dragon ball\), black hair, long hair, hair bun, sidelocks, black eyes, chinese clothes, blue dress, china dress, sleeveless, wristband, jewelry, earrings, from behind, looking back, standing, hilltop, grassy hill, wind, blowing hair, dress fluttering, outdoors, wide shot, no text, no other people, The camera sits low behind and slightly to the left of her, a wide shot tilted upward so the crest of the hill fills the lower third and open sky takes the rest: seen mostly from behind, she stands at the very top of a broad grassy hill, her weight settled onto her right leg with the left knee softly bent, one hip dropped, so her silhouette leans just off vertical. Her long black hair is gathered up into its bun with the sidelocks falling loose at her temples; the wind, light and steady, comes from the left and pushes the loose strands and the tails of her bun out to the right, and it presses the blue sleeveless dress flat against her back and thighs on the windward side while the skirt's hem lifts and ripples away from her legs on the lee side, the fabric bellied out in one long slow fold. Her right hand rests at her hip against the dress, thumb hooked at the sash; her left arm hangs loose, fingers just brushing a tall stalk of grass. Because her head is turned over her right shoulder, only the near cheek, the corner of one dark eye and the edge of her jaw are visible past the sidelock, and that eye is aimed across the slope and out of frame, not at the lens; her chin is lifted a little into the moving air and one eyebrow is faintly drawn down, a quiet, considering look rather than a smile, lips closed. The grass all around her feet bows in the same left-to-right direction as her hair, individual blades bending and springing back at slightly different phases so the whole slope shimmers; a few loose seeds and pale pollen drift past her shoulder in the lower air, and the grass lies flattened in a small patch where she is standing. Behind her the hill falls away into a soft, hazy plain with no buildings and no figures, just furrows of field and a distant line of trees made small and pale by distance. It is late afternoon: a low, warm sun sits off to the left and slightly behind the camera, so the light grazes her right side and the back of her shoulder, rims the loose strands of hair in warm gold, and throws her long shadow across the grass to the right, where the bent blades cut it into a soft broken edge; the sky above the crest runs from a clear warm blue at the top to a faint dusty rose near the horizon, and the shadows in the grass hollows are cool and blue against the warm light. Palette held to warm sky blue, the deep blue of her dress, sunlit yellow-green grass and gold rim light, nothing else admitted. Hand-drawn animation look with clean ink linework, flat cel shading in two tones per surface, crisp hard shadow edges and a painted sky with visible brush grain, quietly wistful.
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