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AI art "黒髪ロングの横顔" featuring #long hair, #Looking down, #Black hair, #Profile, #Expressionless, #Black eyes, #Girl and #Side view
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黒髪ロングの横顔

静かな闇の中に浮かび上がる、黒髪の女性の横顔があまりにも美しくて、思わず見入ってしまいました。彼女の纏う物憂げな雰囲気と、光と影のコントラストがとても好きです。気に入っていただけたら、いいねとフォローをお願いします!コメントで感想も聞かせてくださいね。

#long hair#Looking down#Black hair#Profile#Expressionless#Black eyes#Girl#Side view
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1girl, solo, black hair, long hair, straight hair, grey eyes, cool expression, aloof, downer, half-closed eyes, expressionless, looking down, from side, close-up, upper body, profile, long straight hair falling past shoulder, black hair, pale skin, slender build, good figure, arms at sides, still, standing, dark background, monochrome palette, cool tones, low contrast, subdued lighting, from side profile close-up at the shoulder line, a single young woman stands turned in near-profile toward the right edge of frame, chin slightly lowered, gaze dropping past the frame edge rather than meeting the viewer -- grey eyes half-lidded and cold, the far eye just a sliver visible behind the bridge of her nose. her long straight black hair falls in one unbroken curtain down her back and over the near shoulder, a few strands clinging to her cheek, the ends hanging heavy and still with no wind to lift them; the flat sheen along the crown is the only bright passage, a narrow band of cool light. her mouth is set in a flat, unhurried line, corners neutral, one brow a fraction lower than the other -- not a frown, only distance. she is still, weight settled on the far hip, near arm hanging loose with the hand relaxed at her side, fingers unbent, nothing gripped. neck long and bare, the black collar of her top high and plain, shoulders squared but slack, the line of her figure trim and long-limbed under a simple dark garment that reads in silhouette more than detail. behind her the ground falls away into a deep, near-black field, a soft gradient toward charcoal at the upper corner and no visible horizon; the only light is a single cold source from the front-left, low intensity, raking across the near side of her face and the fall of her hair so that one cheekbone catches a thin grey highlight and the far side of her jaw and neck sink into shadow with no rim light at all. the light is cool, faintly blue-grey, and it dies quickly, leaving the background in absolute dark beyond her silhouette. palette held to black, grey, cool desaturated skin tones and nothing warm -- no red, no gold anywhere. the crop is tight, the top of her head just inside frame and the bottom cut at the chest, her profile held against the darkness so the black hair merges with the ground and only the lit edge of her face separates from it. quiet, cold, untouchable.
Show Parameters
Original Prompt
黒髪ストレートロングヘア。グレーの瞳。クール。ダウナー系。スタイルよし。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
M
1girl, solo, portrait, close-up, from below, head tilted down, looking up, looking at viewer, very long hair, long hair, black hair, silky straight hair, smooth sleek texture, straight hair, see-through bangs, thin long sidelocks, black eyes, upturned eyes, tsurime, thin eyebrows, expressionless, beautiful detailed face, detailed eyes, pale skin, bare shoulders, black high-collar sleeveless top, both ears bare, hair completely unadorned, no hair ornaments, bare throat, empty background, dark background, rim lighting, dutch angle, A tight close-up seen from slightly below, the head tipped down so the face is read from under the brow while the eyes are rolled upward within their sockets to meet the viewer — that upward-targeted gaze is the whole engine of the shot, and the lowered chin is what makes it read as upturned rather than merely wide. The face fills the frame off-center to the right, the crown cropped just above the hairline at the top edge and the collarbones cut by the bottom edge; the long neck runs on a slight diagonal because the head is tilted and the shoulders are not level, the left shoulder riding higher than the right. Very long black hair falls perfectly straight and heavy on both sides of the face, its silky sleek surface unbroken, and where it passes the jaw it catches a thin hard highlight that runs the full length of each strand like a line of light drawn down the hair — the revealer that makes the smoothness visible. The see-through bangs sit fine and sparse across the forehead so the skin and the thin arched stroke of each eyebrow show faintly through them, and the thin long sidelocks drop past the cheekbones in two clean blades, their tips crossing in front of the collarbone on the near side. The eyes are black and glossy, the outer corners lifted, the upper lid line drawn sharp and slightly winged, the lashes distinct and separated; each iris carries one small hard catchlight from the same rim source, and the lower lid sits flat with no squint. Thin eyebrows lie low and level, not raised, so the upturned eyes read as cool appraisal rather than pleading. The mouth is closed and level, no smile, no pout, the lips relaxed and slightly parted by breath only, the jaw slack with nothing being performed; the whole face holds still. Skin is pale and matte with a single soft specular on the cheekbone and the bridge of the nose. The environment is a seamless near-black field with nothing in it — no horizon, no props, no surface — and the darkness is absolute behind the head. Two cold sources do all the work: a hard rim light from behind and slightly to the left that outlines the hair's outer edge and the top of the shoulder in a thin white line, and a very soft frontal fill just bright enough to keep the face out of silhouette, so the lit planes are the forehead, the nose ridge, the upper lip and the front of the throat while the eye sockets and the under-jaw fall into shadow. The palette admits black, near-black, cool grey and pale skin, with the only warmth a faint blood tone in the lips. Depth of field is shallow; the far sidelock and the back edge of the hair go soft while the near eye stays needle-sharp. Still, unreadable, quietly severe.
M
AI artwork
m
1girl, solo, black hair, long hair, straight hair, hair past waist, gray eyes, pale skin, slender build, delicate, ephemeral, fragile, wistful, looking to the side, head tilt, half-closed eyes, light smile, from below, close-up, cowboy shot, hand raised, fingers near lips, 3/4 view, turning slightly away, upper body, outdoors, overcast daylight, desaturated palette, cold tones, grey sky, soft focus background, wind, hair blowing, hair between eyes, From a low angle close-up looking up at her, a single young woman stands three-quarter-turned away from the lens, her chin dipped and tilted toward her right shoulder, so only the near side of her face reads clearly: one grey eye visible under a heavy half-lowered lid, its gaze drifting down and off frame to the lower left rather than meeting the viewer, the far eye lost past the cheekbone. Her black hair is long and straight, falling past her waist in a heavy unbroken sheet; a band of wind lifts the outer strands away from her left temple and threads a few fine locks across her cheek and the corner of her mouth, while a thin section slips between her eyes and hangs there. Her skin is pale and cool-toned, her lips barely parted in a faint closed smile that reads more like a held breath than an expression. She is slim, shoulders drawn slightly inward, the near shoulder lower than the far one. Her right hand rises to chest height, fingertips resting light against her lower lip without pressing, the wrist slack, elbow tucked close to her ribs; her left arm hangs out of frame. She wears a plain dark navy long-sleeved top with a soft open collar and no ornament anywhere on her person, ears bare and unobstructed, hair completely unadorned. Behind her, an empty overcast sky and the blurred pale-grey band of a distant horizon, kept far out of focus so the whole background is a flat cool wash. The light is one diffuse overcast source from high and slightly behind her, so her face sits in soft even shade with no hard shadow, a narrow bright rim catching the crown of her head and the lifted strands of hair where the wind separates them, and the darkness pooling gently under her jaw and along the inner edge of her collar. Palette limited to black, cool grey, pale skin tones and the navy of the cloth, nothing warm admitted. Her hair moves a beat behind the wind that lifts it, the tips swinging wider than the roots. Fragile, ephemeral.
Milan

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