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biram sall
AI art by biram sall on PixAI. Made with Vidrohแบฑh.
Show Parameters
- Original Prompt
- A 3D digital animation style cinematic shot depicting a powerful female warrior riding a majestic black horse. The female general has a fierce, determined expression, sharp facial features, and dark hair tied back into a high ponytail adorned with a silver crown piece. She wears ornate, polished silver plate armor with prominent wolf-head pauldrons on her shoulders, layered over a vibrant crimson or red tunic. She confidently grips the horse's reins while looking toward the side. In the background, there is an ancient Chinese architectural gate with a large hanging white banner featuring bold black calligraphic kanji characters ("็ฝ้ฉฌไนฆ้ข"). A traditional stone lion statue stands near the entrance, flanked by an armored guard holding a sword. The atmosphere is that of an epic historical or fantasy donghua drama, captured in high-detail 3D rendering with soft, natural daylight filtering through nearby trees.
- Size
- 768 x 1280
- Sampling Steps
- 10
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose
Model & LoRA used
Similar Images
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bs
1girl, 3d, cinematic shot, female warrior, fierce determined expression, sharp facial features, dark hair, high ponytail, silver crown piece, ornate polished silver plate armor, wolf-head pauldrons, crimson tunic, red tunic, gripping reins, riding black horse, majestic black horse, looking to the side, ancient chinese architectural gate, hanging white banner, black calligraphy kanji, stone lion statue, armored guard, holding sword, epic historical fantasy, donghua drama, high detail 3d rendering, soft natural daylight, trees, long hair, huge breasts, huge ass, huge thighs, wide hips, tiny waist, navel, t-shirt, short shorts, full length, jjur1on, JJFrenchiestyle
biram sall
kl
photorealistic, ultra-realistic, full-body, low-angle shot, dynamic heroic composition, 2 subjects, 1girl, 1 horse, black-rimmed glasses, long wavy light-brown hair, warm olive skin, hourglass figure, extremely large round breasts, narrow waist, wide hips, thick powerful thighs, flawless unmarked skin, Ming duijin zhaojia armor, iron lamellar scales, brigandine plates, dark blue-black fabric, gilt date-pit clasps, circular chest mirror plaques, dark fitted robe underneath, riding trousers, leather boots, Ming iron helmet, flared neck guard, cheek flaps, red plume, right hand gripping three-eyed hand cannon, dao saber, broad leather belt, riding astride, pure-white warhorse, mid-canter, flowing white mane and tail, wind, emerald hills, misty mountains, dirt path, weeping willows, golden rice paddies, morning fog, tiled farmhouses, bamboo groves, volumetric lighting, cinematic epic atmosphere
The camera drops to a steep low angle so the rider and her mount tower into a pale morning sky, her full body held in frame from helmet to boot as she sits astride the pure-white warhorse. She is the same voluptuous European woman as the reference, and the camera reads her silhouette plainly: an exaggerated hourglass with a narrow waist cinched between wide hips and an extremely large full bust, thick powerful thighs gripping the horse's flanks, warm olive skin carrying a soft natural sheen where the sunrise touches her cheek and jaw. Long wavy light-brown hair spills out from under the helmet and cascades over her shoulders. The iron helmet sits low on her brow, its flared neck guard spreading behind her neck, cheek flaps close to her jaw, and a small red plume whipping backward in the wind. Black-rimmed glasses hold her stare; behind them her eyes drive straight down the lens with unblinking confidence, chin lifted, full pouty lips set firm under high cheekbones, skin entirely flawless and unmarked from throat to hands, bare of any ink or tattoo. She leans a fraction back in the saddle, spine straight, weight settled through her seat bones while her left hand curls the leather reins firmly at her thigh, forearm taut, and her right hand closes around the grip of a short, heavy, dark-patinated iron hand cannon whose three parallel barrels sit in a tight triangular cluster, the muzzle angled up and out past the horse's shoulder. A dao saber hangs at her left hip from a broad leather belt, its scabbard swinging with the gait. Over her torso the sleeveless front-opening long coat reaches mid-thigh, cut with a square collar and deep side and rear slits that let it split and ride up over the saddle; overlapping iron lamellar scales and cloth-covered brigandine plates are riveted row on row onto dark blue-black fabric, and gilt date-pit clasps march down the open front, between them the dark fitted inner robe showing in a narrow strip at her chest. Two circular mirror plaques sit on the breast of the coat and catch the low sun in a hard crescent of white light against the curve of her bust. The white horse is caught mid-canter, muscular neck arched into the reins, near foreleg lifted and folded, its coat gleaming, mane and tail streaming flat out behind it in the same wind that lifts the armor's lamellar edges and presses her hair and the plume backwards. Fog parts around the horse's chest and streams past its hocks. The path is a winding dirt track that leads the eye back through golden rice paddies and past weeping willows whose hanging curtains of foliage frame the right edge of frame; beyond them, rolling emerald hills step back into misty blue-grey mountains, and small tiled farmhouses and a stand of bamboo groves sit on the far horizon. The low morning sun sits behind the left shoulder of the frame, driving warm golden shafts through the drifting fog, glinting off the iron plates, the mirror plaques, the horse's white coat and the dark barrel of the hand cannon, and leaving the horse's belly and the folds of the dark robe in cool blue shadow. The palette stays in emerald green, gold, mist grey and blue-black against the white horse, with the red plume the single hot accent. Cinematic, quietly commanding.
Kainoa Lee
kl
photorealistic, ultra-realistic, full-body, low-angle shot, dynamic heroic composition, 2 subjects, 1girl, 1 horse, black-rimmed glasses, long wavy light-brown hair, warm olive skin, hourglass figure, extremely large round breasts, narrow waist, wide hips, thick powerful thighs, flawless unmarked skin, Ming duijin zhaojia armor, iron lamellar scales, brigandine plates, dark blue-black fabric, gilt date-pit clasps, circular chest mirror plaques, dark fitted robe underneath, riding trousers, leather boots, Ming iron helmet, flared neck guard, cheek flaps, red plume, right hand gripping three-eyed hand cannon, dao saber, broad leather belt, riding astride, pure-white warhorse, mid-canter, flowing white mane and tail, wind, emerald hills, misty mountains, dirt path, weeping willows, golden rice paddies, morning fog, tiled farmhouses, bamboo groves, volumetric lighting, cinematic epic atmosphere
The camera drops to a steep low angle so the rider and her mount tower into a pale morning sky, her full body held in frame from helmet to boot as she sits astride the pure-white warhorse. She is the same voluptuous European woman as the reference, and the camera reads her silhouette plainly: an exaggerated hourglass with a narrow waist cinched between wide hips and an extremely large full bust, thick powerful thighs gripping the horse's flanks, warm olive skin carrying a soft natural sheen where the sunrise touches her cheek and jaw. Long wavy light-brown hair spills out from under the helmet and cascades over her shoulders. The iron helmet sits low on her brow, its flared neck guard spreading behind her neck, cheek flaps close to her jaw, and a small red plume whipping backward in the wind. Black-rimmed glasses hold her stare; behind them her eyes drive straight down the lens with unblinking confidence, chin lifted, full pouty lips set firm under high cheekbones, skin entirely flawless and unmarked from throat to hands, bare of any ink or tattoo. She leans a fraction back in the saddle, spine straight, weight settled through her seat bones while her left hand curls the leather reins firmly at her thigh, forearm taut, and her right hand closes around the grip of a short, heavy, dark-patinated iron hand cannon whose three parallel barrels sit in a tight triangular cluster, the muzzle angled up and out past the horse's shoulder. A dao saber hangs at her left hip from a broad leather belt, its scabbard swinging with the gait. Over her torso the sleeveless front-opening long coat reaches mid-thigh, cut with a square collar and deep side and rear slits that let it split and ride up over the saddle; overlapping iron lamellar scales and cloth-covered brigandine plates are riveted row on row onto dark blue-black fabric, and gilt date-pit clasps march down the open front, between them the dark fitted inner robe showing in a narrow strip at her chest. Two circular mirror plaques sit on the breast of the coat and catch the low sun in a hard crescent of white light against the curve of her bust. The white horse is caught mid-canter, muscular neck arched into the reins, near foreleg lifted and folded, its coat gleaming, mane and tail streaming flat out behind it in the same wind that lifts the armor's lamellar edges and presses her hair and the plume backwards. Fog parts around the horse's chest and streams past its hocks. The path is a winding dirt track that leads the eye back through golden rice paddies and past weeping willows whose hanging curtains of foliage frame the right edge of frame; beyond them, rolling emerald hills step back into misty blue-grey mountains, and small tiled farmhouses and a stand of bamboo groves sit on the far horizon. The low morning sun sits behind the left shoulder of the frame, driving warm golden shafts through the drifting fog, glinting off the iron plates, the mirror plaques, the horse's white coat and the dark barrel of the hand cannon, and leaving the horse's belly and the folds of the dark robe in cool blue shadow. The palette stays in emerald green, gold, mist grey and blue-black against the white horse, with the red plume the single hot accent. Cinematic, quietly commanding.
Kainoa Lee
k
1girl, solo, masterpiece, best quality, official art, extremely detailed CG unity 8k wallpaper, sun, day, temple interior, artbook, game cg, huge filesize, adorable girl, bishoujo, ojousama, magical girl, very long black curly hair, french braid, purple eyes, large breasts, chainmail, riding boots, riding breeches, hands clasped in prayer, pale
Kathy
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