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C9I

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C9I

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cinematic shot, wide shot, from eye level at slight low angle, 2:3 vertical portrait aspect, single central gentle glowing figure standing still at the center of a dense freezing crowd, warm compassionate golden aura, single glowing white flower held out on an open upturned palm, crowd in heavy black coats, hollow empty eyes, crowd slowly reaching toward the flower, hands turning into sharp icy claws, gold tears running down the figure's face, melancholic dark horror illustration, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blue tones, intense warm golden light, film grain, tall composition, no text The frame is a vertical 2:3 cinematic shot seen from a low eye-level camera, the lens tilted a fraction upward so the glowing figure reads tall and the crowd's shoulders bank in around them. Dead center of the composition stands one slender androgynous figure wrapped in a pale, softly luminous robe of thin worn cloth, hoodless, hair long and straight falling in a loose light mass down the front of both shoulders; their face is calm and open, brow barely drawn, mouth set in a small still line, and from beneath both lowered, unmoving lids two slow tracks of molten gold tears run down each cheek, catching the light and hanging a single heavy gold bead at the jaw. They do not move: the torso is fixed, both feet planted level on the black floor, only the cloth shifting. Their right arm extends straight forward toward the viewer's side of the frame, elbow softly bent, palm turned up and fingers open, and above that palm floats one single white flower, small and star-petaled, burning with a soft white core. The crowd closes around this figure in a tight ring that fills the whole frame edge to edge, a forest of tall stooped bodies in heavy black wool coats with high collars and uneven hems, all faces turned inward toward the light. Their eyes are hollow — flat black sockets without pupil or highlight, no reflection anywhere in them. Out of the coats, a dozen arms reach slowly across the dark toward the floating flower: the nearest hands are already changed, fingers stretched long into sharp translucent icy claws with needle points, frost blooming in feathered blades along every knuckle and wrist; the closest claw hovers a hand's width from the white petals, another hooks in from the lower left, another from above the flower on the right. Their contact is one-sided — the glowing figure's own hand stays open and unclenched beneath the bloom. Light: the glowing figure is the only warm source. It radiates outward in a compassionate golden halo that lights the undersides of the reaching clawed hands, the front planes of the nearest black coats, the inner rims of the hollow eye sockets, and lays a fan of warm light across the figure's own robe and tear tracks. Everywhere the halo fails, the image drops into cold blue-black, and the back rows of the crowd dissolve into absolute desaturated darkness. No second light source; long raking shadows of the crowd fall outward across the floor away from the figure. Palette: desaturated blacks and cold blue-greys in the coats, floor and gloom, and one warm gold-white radiance reserved strictly for the glowing figure, the tears, and the flower. Texture throughout is hyperdetailed charcoal and ink — smeared charcoal masses, hatched ink lines building the coats' weave and the frost on the claws, grain rising in the deepest shadows, faint film grain over the whole image. Frost crystals have formed only on the upward-facing surfaces: coat shoulders, the tops of the claws, the flower's upper petals. Tragic, still, tender dread.
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Original Prompt
Melancholic dark art horror illustration of a gentle, glowing figure with a warm, compassionate aura standing in the middle of a freezing, dark crowd. The figure is offering a single, glowing white flower. The crowd, dressed in heavy black coats, has hollow, empty eyes and is slowly reaching out to crush the flower, their hands turning into sharp, icy claws. The glowing figure is crying tears of gold, but remains still. Tragic, emotional horror, betrayal of innocence, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blues, intense warm golden light, cinematic shot, film grain, by Zdzisław Beksiński, masterpiece, 8K --ar 2:3 --v 6
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.18k

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AI artwork
Avatar image of C9I
cinematic shot, wide shot, from eye level at slight low angle, 2:3 vertical portrait aspect, single central gentle glowing figure standing still at the center of a dense freezing crowd, warm compassionate golden aura, single glowing white flower held out on an open upturned palm, crowd in heavy black coats, hollow empty eyes, crowd slowly reaching toward the flower, hands turning into sharp icy claws, gold tears running down the figure's face, melancholic dark horror illustration, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blue tones, intense warm golden light, film grain, tall composition, no text The frame is a vertical 2:3 cinematic shot seen from a low eye-level camera, the lens tilted a fraction upward so the glowing figure reads tall and the crowd's shoulders bank in around them. Dead center of the composition stands one slender androgynous figure wrapped in a pale, softly luminous robe of thin worn cloth, hoodless, hair long and straight falling in a loose light mass down the front of both shoulders; their face is calm and open, brow barely drawn, mouth set in a small still line, and from beneath both lowered, unmoving lids two slow tracks of molten gold tears run down each cheek, catching the light and hanging a single heavy gold bead at the jaw. They do not move: the torso is fixed, both feet planted level on the black floor, only the cloth shifting. Their right arm extends straight forward toward the viewer's side of the frame, elbow softly bent, palm turned up and fingers open, and above that palm floats one single white flower, small and star-petaled, burning with a soft white core. The crowd closes around this figure in a tight ring that fills the whole frame edge to edge, a forest of tall stooped bodies in heavy black wool coats with high collars and uneven hems, all faces turned inward toward the light. Their eyes are hollow — flat black sockets without pupil or highlight, no reflection anywhere in them. Out of the coats, a dozen arms reach slowly across the dark toward the floating flower: the nearest hands are already changed, fingers stretched long into sharp translucent icy claws with needle points, frost blooming in feathered blades along every knuckle and wrist; the closest claw hovers a hand's width from the white petals, another hooks in from the lower left, another from above the flower on the right. Their contact is one-sided — the glowing figure's own hand stays open and unclenched beneath the bloom. Light: the glowing figure is the only warm source. It radiates outward in a compassionate golden halo that lights the undersides of the reaching clawed hands, the front planes of the nearest black coats, the inner rims of the hollow eye sockets, and lays a fan of warm light across the figure's own robe and tear tracks. Everywhere the halo fails, the image drops into cold blue-black, and the back rows of the crowd dissolve into absolute desaturated darkness. No second light source; long raking shadows of the crowd fall outward across the floor away from the figure. Palette: desaturated blacks and cold blue-greys in the coats, floor and gloom, and one warm gold-white radiance reserved strictly for the glowing figure, the tears, and the flower. Texture throughout is hyperdetailed charcoal and ink — smeared charcoal masses, hatched ink lines building the coats' weave and the frost on the claws, grain rising in the deepest shadows, faint film grain over the whole image. Frost crystals have formed only on the upward-facing surfaces: coat shoulders, the tops of the claws, the flower's upper petals. Tragic, still, tender dread.
C9I
AI artwork
Avatar image of C9I
cinematic shot, wide shot, from eye level at slight low angle, 2:3 vertical portrait aspect, single central gentle glowing figure standing still at the center of a dense freezing crowd, warm compassionate golden aura, single glowing white flower held out on an open upturned palm, crowd in heavy black coats, hollow empty eyes, crowd slowly reaching toward the flower, hands turning into sharp icy claws, gold tears running down the figure's face, melancholic dark horror illustration, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blue tones, intense warm golden light, film grain, tall composition, no text The frame is a vertical 2:3 cinematic shot seen from a low eye-level camera, the lens tilted a fraction upward so the glowing figure reads tall and the crowd's shoulders bank in around them. Dead center of the composition stands one slender androgynous figure wrapped in a pale, softly luminous robe of thin worn cloth, hoodless, hair long and straight falling in a loose light mass down the front of both shoulders; their face is calm and open, brow barely drawn, mouth set in a small still line, and from beneath both lowered, unmoving lids two slow tracks of molten gold tears run down each cheek, catching the light and hanging a single heavy gold bead at the jaw. They do not move: the torso is fixed, both feet planted level on the black floor, only the cloth shifting. Their right arm extends straight forward toward the viewer's side of the frame, elbow softly bent, palm turned up and fingers open, and above that palm floats one single white flower, small and star-petaled, burning with a soft white core. The crowd closes around this figure in a tight ring that fills the whole frame edge to edge, a forest of tall stooped bodies in heavy black wool coats with high collars and uneven hems, all faces turned inward toward the light. Their eyes are hollow — flat black sockets without pupil or highlight, no reflection anywhere in them. Out of the coats, a dozen arms reach slowly across the dark toward the floating flower: the nearest hands are already changed, fingers stretched long into sharp translucent icy claws with needle points, frost blooming in feathered blades along every knuckle and wrist; the closest claw hovers a hand's width from the white petals, another hooks in from the lower left, another from above the flower on the right. Their contact is one-sided — the glowing figure's own hand stays open and unclenched beneath the bloom. Light: the glowing figure is the only warm source. It radiates outward in a compassionate golden halo that lights the undersides of the reaching clawed hands, the front planes of the nearest black coats, the inner rims of the hollow eye sockets, and lays a fan of warm light across the figure's own robe and tear tracks. Everywhere the halo fails, the image drops into cold blue-black, and the back rows of the crowd dissolve into absolute desaturated darkness. No second light source; long raking shadows of the crowd fall outward across the floor away from the figure. Palette: desaturated blacks and cold blue-greys in the coats, floor and gloom, and one warm gold-white radiance reserved strictly for the glowing figure, the tears, and the flower. Texture throughout is hyperdetailed charcoal and ink — smeared charcoal masses, hatched ink lines building the coats' weave and the frost on the claws, grain rising in the deepest shadows, faint film grain over the whole image. Frost crystals have formed only on the upward-facing surfaces: coat shoulders, the tops of the claws, the flower's upper petals. Tragic, still, tender dread.
C9I
AI artwork
Avatar image of C9I
cinematic shot, wide shot, from eye level at slight low angle, 2:3 vertical portrait aspect, single central gentle glowing figure standing still at the center of a dense freezing crowd, warm compassionate golden aura, single glowing white flower held out on an open upturned palm, crowd in heavy black coats, hollow empty eyes, crowd slowly reaching toward the flower, hands turning into sharp icy claws, gold tears running down the figure's face, melancholic dark horror illustration, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blue tones, intense warm golden light, film grain, tall composition, no text The frame is a vertical 2:3 cinematic shot seen from a low eye-level camera, the lens tilted a fraction upward so the glowing figure reads tall and the crowd's shoulders bank in around them. Dead center of the composition stands one slender androgynous figure wrapped in a pale, softly luminous robe of thin worn cloth, hoodless, hair long and straight falling in a loose light mass down the front of both shoulders; their face is calm and open, brow barely drawn, mouth set in a small still line, and from beneath both lowered, unmoving lids two slow tracks of molten gold tears run down each cheek, catching the light and hanging a single heavy gold bead at the jaw. They do not move: the torso is fixed, both feet planted level on the black floor, only the cloth shifting. Their right arm extends straight forward toward the viewer's side of the frame, elbow softly bent, palm turned up and fingers open, and above that palm floats one single white flower, small and star-petaled, burning with a soft white core. The crowd closes around this figure in a tight ring that fills the whole frame edge to edge, a forest of tall stooped bodies in heavy black wool coats with high collars and uneven hems, all faces turned inward toward the light. Their eyes are hollow — flat black sockets without pupil or highlight, no reflection anywhere in them. Out of the coats, a dozen arms reach slowly across the dark toward the floating flower: the nearest hands are already changed, fingers stretched long into sharp translucent icy claws with needle points, frost blooming in feathered blades along every knuckle and wrist; the closest claw hovers a hand's width from the white petals, another hooks in from the lower left, another from above the flower on the right. Their contact is one-sided — the glowing figure's own hand stays open and unclenched beneath the bloom. Light: the glowing figure is the only warm source. It radiates outward in a compassionate golden halo that lights the undersides of the reaching clawed hands, the front planes of the nearest black coats, the inner rims of the hollow eye sockets, and lays a fan of warm light across the figure's own robe and tear tracks. Everywhere the halo fails, the image drops into cold blue-black, and the back rows of the crowd dissolve into absolute desaturated darkness. No second light source; long raking shadows of the crowd fall outward across the floor away from the figure. Palette: desaturated blacks and cold blue-greys in the coats, floor and gloom, and one warm gold-white radiance reserved strictly for the glowing figure, the tears, and the flower. Texture throughout is hyperdetailed charcoal and ink — smeared charcoal masses, hatched ink lines building the coats' weave and the frost on the claws, grain rising in the deepest shadows, faint film grain over the whole image. Frost crystals have formed only on the upward-facing surfaces: coat shoulders, the tops of the claws, the flower's upper petals. Tragic, still, tender dread.
C9I
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Avatar image of C9I
1girl, dark fantasy, horror, gothic surrealism, cinematic low angle, from below, full body, false prophet, saintly robes, tattered clothes, frayed hem, holy halo, sickly golden light, glowing aura, pale skin, elongated fingers, sharp claws, gaping chest mouth, demonic maw, razor-sharp fangs, dark energy threads, energy drain, life force absorption, crowd of worshippers, emaciated people, rags, starving animals, emaciated beasts, huddled together, freezing, frost, rime, chiaroscuro, high contrast, deep crimson shadows, desaturated blacks, film grain, hyperdetailed, sinister atmosphere, cosmic dread Viewed from a cinematic low angle looking upward, a tall woman stands elevated in the posture of a benevolent holy icon, framed by a luminous, sickly golden nimbus of false divine radiance. She wears voluminous, heavily tattered liturgical robes of decayed ecru fabric that fray into ragged threads at the hem, parting down the center of her torso to reveal a gaping vertical demonic maw embedded directly in her sternum, lined with rows of needle-sharp fangs and glistening in the gloom. Her visage bears an expression of serene, deceptive empathy, with half-closed eyes and a faint, beatific smile, yet her arms end in grotesquely elongated, pale hands with multijointed fingers terminating in sharp bone-like claws. Below her, a desperate assembly of gaunt, hollow-cheeked worshippers in threadbare rags kneel and press their foreheads to the frozen flagstones, reaching upward to seek her warmth alongside freezing, rib-exposed hounds and emaciated deer shivering in the frost. Her left clawed hand rests upon the bowed scalp of an emaciated devotee while her right hovers over the flank of a starving hound; from each point of contact, thin, nearly invisible spiderweb filaments of pitch-black dark energy unfurl across their flesh, siphoning pale wisps of vital essence and funneling the stolen life force directly into the fanged fissure in her chest. Heavy mist hangs in the freezing air, condensing into tiny rime crystals along the upward-facing folds of her decaying cloth. Harsh chiaroscuro defines the scene, with the sickly amber glow carving sharp highlights onto upturned desperate faces while plunging deep recesses and the surrounding void into saturated crimson-black shadows and desolate gloom, rendered with rich tactile film grain and intricate gothic surrealism. Cosmic dread.
C9I

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