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AI artwork featuring #Naruto, #Naruto Uzumaki and #Tsunade
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Naruto Uzumaki, Tsunade

#Naruto#Naruto Uzumaki
ln

Leandro Neria Gonzalez

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character: tsunade_(naruto), uzumaki_naruto comic, multiple views, 4koma, full-color, uzumaki_naruto, blonde_hair, short_hair, blue_eyes, facial_mark, tsunade_(naruto), long_hair, forehead_mark, huge fat enormous breasts, huge fat enormous ass, t-shirt, shirt text, transformation, open mouth, wide-eyed, sweatdrop, looking at another, from side, from below, close-up, cowboy shot, dramatic lighting, speech bubble, manga page, panel borders, speed lines, screentone accents, orange, black, teal, cream palette A full-color four-panel comic page in reading order, vertical strip format, each panel boxed by a crisp black border with white gutters, screentone accents and speed-line effects used as manga punctuation over a flat full-color rendering; the palette is restricted to orange, black, teal and cream, with orange and black landing on Naruto's jacket and the teal sitting in the apartment window and the t-shirt's shadow. Panel 1 — a small bathroom-mirror interior of a plain apartment, medium shot from the side: a short spiky blonde boy with a leaf forehead protector and orange-and-black jacket stands at the sink, both hands braced on the porcelain rim, shoulders hunched, eyes squeezed shut and jaw clenched, a jagged white speech bubble above his head reading "¡Listo, vamos!"; speed lines radiate from his back. Panel 2 — an identical framing, mid-transformation: his silhouette stretches upward and outward, spiky hair lengthening into two long blonde tails, the forehead protector sliding off, the orange jacket and black trousers melting into pale light and reforming as a simple short-sleeved t-shirt; a deep cobalt teal glow pours over his chest and flares wide into huge, fat, enormous breasts that pull the t-shirt taut in a broad horizontal strain, the cloth's fabric wrinkling into deep stretched fold-lines, while the hips and rear swell out below in the same glow, the t-shirt hem lifting and riding up over the vast, heavy curve of a huge, fat, enormous ass, the whole lower body kept in a strained profile so the mass reads as weight, not balloons; motion arcs whip across the panel's edge and a large "DON!" onomatopoeia in bold rounded brush lettering cuts across the upper right corner. Panel 3 — a low-angle cowboy shot from below, looking up: the transformed blonde woman with long twin hair-tails, a diamond-shaped forehead mark and dark nail polish on her fingers now wears the plain t-shirt, the enormous breasts and enormous rear now settled into the shirt as weighty, sagging, fabric-stretching mass; the only lettering on the shirt is a single centered line of bold black print across the chest reading "la marica mas buena", large and legible, the fabric curving the letters slightly around the slope of the chest; her head is tilted down and her amber eyes look straight at the shirt, palms pushing down on her hips in disbelief, mouth open in a wide "¡¿EH?!" speech bubble beside her face. Panel 4 — a tight close-up from the side, cream ground and blank wall behind: her chin lowered, one amber eye half-lidded, one eyebrow arched, a small sweatdrop on her temple, and the t-shirt's printed line visible at the very bottom edge of the frame; a tiny thought bubble above her head reads "…bueno." The overhead bathroom bulb is the single light source, hard from above, throwing deep shadow under her chin, the underside of her breasts and the crease of her waist, and bright cream highlights on her shoulders and cheekbones; the fabric of the t-shirt bunches where it is gripped and the pale skin is dusted with warm reflected bounce. Effortlessly smug.
Show Parameters
Original Prompt
Haz una comic de naruto convirtiendose en tsunade,tsunade va atener unas tetas y culo enormes y gordas,ella va a estar usando una playera que dice la marica mas buena
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.98k

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AI artwork
ln
character: uzumaki_naruto comic, 5 panels, multiple views, transformation sequence, male to female, uzumaki_naruto, light hair, short spiky hair, dark eyes, whisker marks on cheeks, forehead protector across the brow, light and black jacket, long sleeves, high collar, grinning, shadow clone hand seal, cross-shaped seal glow, smoke puff, body shifting, chest expansion, hip widening, huge breasts, huge ass, thick thighs, wide hips, tight baby t-shirt, short sleeves, stretched fabric, bare midriff, high-cut diaper, white diaper, diaper tapes, thick padding, bare legs, barefoot, standing, arms up, head tilt, looking at viewer, surprised expression, open mouth, wide-eyed, blush, sweat, motion lines, transformation smoke, comic panel borders, screentone, hatching, speed lines, apanese, text in speech bubbles Five-panel comic page in Japanese manga format, black-and-white, five rectangular panels separated by clean white gutters, read top to bottom in two rows — a stacked strip of three panels above, two wider panels below. Screentone, hatching and spotting blacks throughout; all colour facts rendered in grayscale tone and dot density, no hue anywhere. Panel 1: close-up at chest height. The light, dark-eyed boy with short spiky hair and three whisker marks on each cheek, forehead protector across his brow, wears the light-and-black long-sleeved jacket with its high collar. He stands facing the panel, one hand raised in a two-finger cross-shaped seal in front of his face, other hand cupped at his waist. His eyes narrow, jaw set; a ragged aura of chakra rises around him, drawn as vertical white speed lines against black. A small speech bubble at the top right of the panel reads "¡Transformación!" A cluster of ink-white smoke gathers at the floor between his feet. Panel 2: medium shot. Smoke bursts upward in a thick billowing column that engulfs him from the hips to the shoulders; the jacket sleeves and high collar are already dissolving into the white, one light-dark cuff still visible at the left of the cloud. From inside the smoke a shape has recomposed: narrower shoulders, wider hips, a smooth dark silhouette of enormously heavy breasts and a broad, round rear pressing against the smoke's inner edge. His grinning face is still visible above the cloud, mouth open, eyes half shut in concentration. Motion lines radiate outward from the burst. A jagged, shaky speech bubble at the upper left reads "¡Ahora sí!" Panel 3: full-body shot from the front, smoke thinning around the whole figure. Only part of the way through the change: the silhouette is now unmistakably female, long straight hair spilling out of the dispersing smoke and hanging past her shoulders, but the heavy breasts and the wide hips are still pushing through the last wisps of white cloud attached to her outline like torn cloth. The light jacket has completely gone; in its place a tiny baby t-shirt with short sleeves is drawn tight over the chest, stretched to tautness with the fabric pulling in radial wrinkles from the collar down, its hem riding far above the navel and leaving the midriff bare. Below, a thick white diaper with a taped waistband and bulging padding wraps the hips and rear, and beneath it the long bare legs and bare feet. Her arms are flung up, palms open at either side of her head. Her mouth is open wide, eyes huge, a dark blush hatched across both cheeks, sweat droplets flying off the hair. A large speech bubble takes the upper-right corner: "¡¿Qué?!" Black speed lines fan out behind the whole body. Panel 4: three-quarter view from behind, waist-level camera. The transformation is complete. Long straight pale hair falls to the small of the back; from this angle the enormous rear is the dominant shape of the panel, the diaper stretched taut across it, the taped waistband marking a hard horizontal line, the padding compressing and creasing around one hip. The baby t-shirt's hem is yanked up over the small of the back, pulling against the wide torso above it, shoulder seams strained. She stands with her weight on the right leg, left knee bent and toes turned inward, head swiveled back to the left to look over her own shoulder into the panel, one eye visible, mouth slack, brow furrowed in dismay, right hand pressed flat against one cheek. A small thought bubble with a single trembling line inside hangs beside her head. Panel 5: front medium shot, centered, calm. She stands square-on, holding the hem of the baby t-shirt down with both hands bunched in the fabric at her waist, elbows tucked in, shoulders drawn narrow as if trying to reduce her own outline. The shirt is still stretched over the huge breasts, rising and falling with one deep breath; the diaper's top edge shows under the hem; long bare legs stand close together, feet pigeon-toed. Her expression is a wide-eyed, defeated pout — eyebrows slanted up in the middle, lips pursed to one side, a heavy blush cross-hatched on both cheeks. Directly above this panel a rectangular caption box reads "...Esto no era lo que pedí." The background in all five panels is an empty white void with faint screentone gradient, and the only lighting is a flat even studio key that casts a hard hatched shadow under her feet in the last panel; the palette is ink black, white and two grays.
Leandro Neria Gonzalez
AI artwork
ln
character: uzumaki_naruto comic, 5 panels, multiple views, transformation sequence, male to female, uzumaki_naruto, light hair, short spiky hair, dark eyes, whisker marks on cheeks, forehead protector across the brow, light and black jacket, long sleeves, high collar, grinning, shadow clone hand seal, cross-shaped seal glow, smoke puff, body shifting, chest expansion, hip widening, huge breasts, huge ass, thick thighs, wide hips, tight baby t-shirt, short sleeves, stretched fabric, bare midriff, high-cut diaper, white diaper, diaper tapes, thick padding, bare legs, barefoot, standing, arms up, head tilt, looking at viewer, surprised expression, open mouth, wide-eyed, blush, sweat, motion lines, transformation smoke, comic panel borders, screentone, hatching, speed lines, apanese, text in speech bubbles Five-panel comic page in Japanese manga format, black-and-white, five rectangular panels separated by clean white gutters, read top to bottom in two rows — a stacked strip of three panels above, two wider panels below. Screentone, hatching and spotting blacks throughout; all colour facts rendered in grayscale tone and dot density, no hue anywhere. Panel 1: close-up at chest height. The light, dark-eyed boy with short spiky hair and three whisker marks on each cheek, forehead protector across his brow, wears the light-and-black long-sleeved jacket with its high collar. He stands facing the panel, one hand raised in a two-finger cross-shaped seal in front of his face, other hand cupped at his waist. His eyes narrow, jaw set; a ragged aura of chakra rises around him, drawn as vertical white speed lines against black. A small speech bubble at the top right of the panel reads "¡Transformación!" A cluster of ink-white smoke gathers at the floor between his feet. Panel 2: medium shot. Smoke bursts upward in a thick billowing column that engulfs him from the hips to the shoulders; the jacket sleeves and high collar are already dissolving into the white, one light-dark cuff still visible at the left of the cloud. From inside the smoke a shape has recomposed: narrower shoulders, wider hips, a smooth dark silhouette of enormously heavy breasts and a broad, round rear pressing against the smoke's inner edge. His grinning face is still visible above the cloud, mouth open, eyes half shut in concentration. Motion lines radiate outward from the burst. A jagged, shaky speech bubble at the upper left reads "¡Ahora sí!" Panel 3: full-body shot from the front, smoke thinning around the whole figure. Only part of the way through the change: the silhouette is now unmistakably female, long straight hair spilling out of the dispersing smoke and hanging past her shoulders, but the heavy breasts and the wide hips are still pushing through the last wisps of white cloud attached to her outline like torn cloth. The light jacket has completely gone; in its place a tiny baby t-shirt with short sleeves is drawn tight over the chest, stretched to tautness with the fabric pulling in radial wrinkles from the collar down, its hem riding far above the navel and leaving the midriff bare. Below, a thick white diaper with a taped waistband and bulging padding wraps the hips and rear, and beneath it the long bare legs and bare feet. Her arms are flung up, palms open at either side of her head. Her mouth is open wide, eyes huge, a dark blush hatched across both cheeks, sweat droplets flying off the hair. A large speech bubble takes the upper-right corner: "¡¿Qué?!" Black speed lines fan out behind the whole body. Panel 4: three-quarter view from behind, waist-level camera. The transformation is complete. Long straight pale hair falls to the small of the back; from this angle the enormous rear is the dominant shape of the panel, the diaper stretched taut across it, the taped waistband marking a hard horizontal line, the padding compressing and creasing around one hip. The baby t-shirt's hem is yanked up over the small of the back, pulling against the wide torso above it, shoulder seams strained. She stands with her weight on the right leg, left knee bent and toes turned inward, head swiveled back to the left to look over her own shoulder into the panel, one eye visible, mouth slack, brow furrowed in dismay, right hand pressed flat against one cheek. A small thought bubble with a single trembling line inside hangs beside her head. Panel 5: front medium shot, centered, calm. She stands square-on, holding the hem of the baby t-shirt down with both hands bunched in the fabric at her waist, elbows tucked in, shoulders drawn narrow as if trying to reduce her own outline. The shirt is still stretched over the huge breasts, rising and falling with one deep breath; the diaper's top edge shows under the hem; long bare legs stand close together, feet pigeon-toed. Her expression is a wide-eyed, defeated pout — eyebrows slanted up in the middle, lips pursed to one side, a heavy blush cross-hatched on both cheeks. Directly above this panel a rectangular caption box reads "...Esto no era lo que pedí." The background in all five panels is an empty white void with faint screentone gradient, and the only lighting is a flat even studio key that casts a hard hatched shadow under her feet in the last panel; the palette is ink black, white and two grays.
Leandro Neria Gonzalez
AI artwork
b2
Replace the character in image1 with Tsunade from image2, transferring the character's identity: blonde hair, a purple diamond mark on the forehead, and a light grey top, while maintaining the original pose — leaning back defensively with a raised hand and squeezed-shut eyes — and the orange cushion background from image1. The image is rendered as a full-color anime illustration. overlay text: The words 'UUU!? UUEEEHH...! PPH...! IT...IT STIN...NKS...! W-WHAT THE HELL... IS THIS... WHITE STUFF...!? UUUUU!!' are written in a rectangular panel in the top right. The words 'S...SME...? UUWAAH!? S-STOP IT! N-NOT...MY FACE...!! GET THAT STICKY THING... OFF OF ME!! IT FEELS GROSS!!' are written in a rectangular panel in the bottom left. The words 'IT'S ONLY SMEGMA, RIGHT? YOU AREN'T GOING TO TELL ME YOU'VE NEVER SEEN IT BEFORE, WILL YOU? THEN I'LL EXPLAIN IT SIMPLY. SMEGMA IS THE FOULNESS THAT NATURALLY COATS A MAN'S PRIVATES... WHY DON'T YOU GET A BETTER LOOK...? KUKU...' are written in a rectangular panel in the bottom right.
betodo2611
#Naruto

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