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息耐者カール
Show Parameters
- Mode
- flash
- Style
- 90s Retro-Cell
- Size
- 1632 x 1232
Style: 90s Retro-Cell
Model & LoRA used
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息
3 people, 1 man in center, 2 brides flanking him, bride on each side, cheek kiss, kissing both cheeks simultaneously, man with heart-shaped eyes, heart-shaped pupils, cleavage, bridal dress, wedding dress, deep neckline, heart-shaped light frame, heart frame, floating hearts, heart background, glowing frame, straight-on composition, upper body, close-up, group shot, arms linked, eyes closed brides, blush, open mouth, warm gold palette, cream and amber, deep brown hair, cel shading, clean outlines, flat high-contrast colors, anime screencap
A tight frontal group composition: three figures filling the frame from chest up, the man planted dead centre and the two brides leaning in from either side so that their lips press flat against the left and right planes of his cheeks. The bride on the left is the taller of the two — warm golden-blonde hair swept up and pinned back, a cream bridal gown with a scooped neckline, her right hand gripping the man's left upper arm just below the shoulder, her left hand lifted and flattened against his chest, her eyes squeezed shut in the kiss, lashes fanned, her cheekbone compressed and dimpling where it presses his skin. The bride on the right is shorter, deep chestnut-brown hair falling loose past her jaw, an amber-tinted gown with a plunging neckline that shows the soft upper curve of her cleavage between the fabric edges, both her hands cupped on the man's right shoulder and the back of his neck, her eyes also shut, one heel lifted off the ground with the lean. Between them the man's torso is broad and steady, his weight sunk back on his heels, chin slightly raised, and his eyes are wide open: each pupil has become a solid glossy heart, the two hearts bright and slightly asymmetric in size, the whites gleaming, his mouth open in a delighted slack grin, hot colour across both cheeks and the bridge of his nose, his own arms hanging loose and forgotten at his sides. Contact is continuous and enumerated — the two women's lips, his two cheeks, their fingers on his sleeve and nape, their shoulders overlapping his. All three heads tilt toward the centre so the group reads as a triangle, the brides' hair swinging forward into his collar with the lean.
Behind and around them a single heart-shaped frame of light encloses the trio: a luminous ribbon-like outline of warm gold tracing a large heart whose lower point sits below the frame's bottom edge and whose lobes arc above their heads, the glow soft and blooming, brightest along its inner edge so that a rim of light spills onto the tops of their hair and the shoulders nearest the frame. The band of light casts a faint warm bounce on the skin it faces while the shadows under chins and inside the necklines stay deep brown. Small hearts float in the air around them — a scattering of solid and outlined hearts, some blurred and near the lens, some crisp, drifting in from the corners at different sizes, a few catching the gold glow along one edge. Light is frontal and warm from the frame itself, the only source; beyond it the ground falls to a deep olive-brown green.
Palette is disciplined: warm golden yellow and cream for the frame glow and the garments' highlights, pale butter-cream for skin highlights, amber and deep brown for the two brides' hair and the shadowed folds, dark olive green for the ground and the negative space beyond the heart. Background is a flat cream-to-gold wash inside the heart shape with the olive darkness outside it, so the lit heart silhouette separates cleanly from the field. Cel-shaded with clean outlines, flat high-contrast fills, minimal simple shadows, and hand-drawn TV-anime frame crispness.
A detail of physics to hold: the two brides' lips compress his cheeks enough to dimple them, and each woman's hair, swinging forward, has been flattened against his jaw where it has landed, tiny strands sticking to the skin. Overwhelmingly affectionate, joyfully excessive.
息耐者カール
息
3 people, 1 man in center, 2 brides flanking him, bride on each side, cheek kiss, kissing both cheeks simultaneously, man with heart-shaped eyes, heart-shaped pupils, cleavage, bridal dress, wedding dress, deep neckline, heart-shaped light frame, heart frame, floating hearts, heart background, glowing frame, straight-on composition, upper body, close-up, group shot, arms linked, eyes closed brides, blush, open mouth, warm gold palette, cream and amber, deep brown hair, cel shading, clean outlines, flat high-contrast colors, anime screencap
A tight frontal group composition: three figures filling the frame from chest up, the man planted dead centre and the two brides leaning in from either side so that their lips press flat against the left and right planes of his cheeks. The bride on the left is the taller of the two — warm golden-blonde hair swept up and pinned back, a cream bridal gown with a scooped neckline, her right hand gripping the man's left upper arm just below the shoulder, her left hand lifted and flattened against his chest, her eyes squeezed shut in the kiss, lashes fanned, her cheekbone compressed and dimpling where it presses his skin. The bride on the right is shorter, deep chestnut-brown hair falling loose past her jaw, an amber-tinted gown with a plunging neckline that shows the soft upper curve of her cleavage between the fabric edges, both her hands cupped on the man's right shoulder and the back of his neck, her eyes also shut, one heel lifted off the ground with the lean. Between them the man's torso is broad and steady, his weight sunk back on his heels, chin slightly raised, and his eyes are wide open: each pupil has become a solid glossy heart, the two hearts bright and slightly asymmetric in size, the whites gleaming, his mouth open in a delighted slack grin, hot colour across both cheeks and the bridge of his nose, his own arms hanging loose and forgotten at his sides. Contact is continuous and enumerated — the two women's lips, his two cheeks, their fingers on his sleeve and nape, their shoulders overlapping his. All three heads tilt toward the centre so the group reads as a triangle, the brides' hair swinging forward into his collar with the lean.
Behind and around them a single heart-shaped frame of light encloses the trio: a luminous ribbon-like outline of warm gold tracing a large heart whose lower point sits below the frame's bottom edge and whose lobes arc above their heads, the glow soft and blooming, brightest along its inner edge so that a rim of light spills onto the tops of their hair and the shoulders nearest the frame. The band of light casts a faint warm bounce on the skin it faces while the shadows under chins and inside the necklines stay deep brown. Small hearts float in the air around them — a scattering of solid and outlined hearts, some blurred and near the lens, some crisp, drifting in from the corners at different sizes, a few catching the gold glow along one edge. Light is frontal and warm from the frame itself, the only source; beyond it the ground falls to a deep olive-brown green.
Palette is disciplined: warm golden yellow and cream for the frame glow and the garments' highlights, pale butter-cream for skin highlights, amber and deep brown for the two brides' hair and the shadowed folds, dark olive green for the ground and the negative space beyond the heart. Background is a flat cream-to-gold wash inside the heart shape with the olive darkness outside it, so the lit heart silhouette separates cleanly from the field. Cel-shaded with clean outlines, flat high-contrast fills, minimal simple shadows, and hand-drawn TV-anime frame crispness.
A detail of physics to hold: the two brides' lips compress his cheeks enough to dimple them, and each woman's hair, swinging forward, has been flattened against his jaw where it has landed, tiny strands sticking to the skin. Overwhelmingly affectionate, joyfully excessive.
息耐者カール
息
3girls, 1boy, male focus, trio, man in the center, bride on each side, two brides, kissing cheek, cheek kiss, one bride kissing his left cheek, other bride kissing his right cheek, pressing lips to cheek, heart-shaped eyes, heart eyes, kiss marks all over face, lipstick marks on face, red kiss prints covering cheeks forehead chin jaw, cleavage, bridal gowns, strapless wedding dress, sweetheart neckline, heart-shaped light frame, glowing heart-shaped border, hearts floating around characters, floating hearts, heart-shaped bokeh, sparkles, from front, upper body, close-up, vertical composition, blush, closed eyes on the brides, light smile, arms linked with the man, hand on his arm, looking at viewer, cel shaded, flat colors, clean outlines, strong contrast.
A centered frontal close-up of three figures from the waist up, the man squarely in the middle of the frame. He is a young man with tousled dark brown hair falling over his brow, a black formal suit jacket, a white shirt with the top button open, and a slightly loosened dark tie; his head tips back a little, chin raised, chest pushed forward, his shoulders pulled in by the two women leaning on him. Both of his eyes are drawn as glossy, saturated pink heart shapes with a tiny white highlight in each lobe, no pupils visible, and his mouth hangs half open in a dazed, dopey grin with a faint blush burning across both cheeks and the bridge of his nose. His face is peppered with kiss marks: crisp crimson lip prints stamped across his forehead, both cheekbones, the corner of his jaw, his chin, and one smeared print on the side of his neck, overlapping each other at different angles and slightly faded at the edges where earlier ones have been rubbed.
On his left, a bride leans in from the side with her body turned toward him; she has long wavy honey-blonde hair sweeping over her bare shoulder, a strapless ivory sweetheart-neckline gown with a gathered bodice, and a short tulle veil pinned at the back of her head. Her eyes are shut, lashes lowered, lips pressed flat and firmly against his left cheek, the skin denting slightly under the pressure, one hand curled around his upper arm with her fingers digging in. On his right, the second bride mirrors her with a slight asymmetry: she has a sleek black updo with loose strands framing her face and the same strapless ivory gown, leaning in with her chin tilted so her lips land high on his right cheek near the cheekbone. Her eyes are shut too, one brow lifted, and her free hand rests flat on his chest, fingers splayed over the lapel. Both women's shoulders angle inward toward the man, the three heads forming a tight triangular cluster; the man's heart-eyes point straight out at the viewer, the brides' faces turned in profile against his cheeks with no gaze toward the lens.
A ring of soft pink-white light in the exact shape of a heart wraps around the group, its luminous band passing behind their shoulders and in front of the lower part of the frame, the glow spilling a warm rose rim light onto the outer edges of both brides' hair and shoulders while their inner faces stay lit by a flat, even frontal key. Small hearts of varying size float in the surrounding space: a scatter of pale pink, deep magenta and glossy red hearts, some crisp and some blurred as if nearer the lens, plus a few tiny heart-shaped glints. Beyond the glowing heart frame the background is a smooth, empty gradient of warm rose into cream, deliberately plain so the trio reads clearly.
Palette discipline: ivory, warm skin tones, crimson lipstick and heart shapes, and the man's black suit as the only dark mass, nothing else admitted; the red of the kiss marks and the pink of the heart eyes and light frame are the same saturated family. Single-variable detail: the lipstick prints on his face are slightly darker and less glossy at the edges where they have been smeared by the second kiss landing over them. Cute cel-shaded anime style with strong hand-drawn animation vibes, flat high-contrast colors, clean outlines, simple shadows like a classic TV anime frame -- playful and giddy.
息耐者カール
息
3 people, 1 man in center, 2 brides flanking him, bride on each side, cheek kiss, kissing both cheeks simultaneously, man with heart-shaped eyes, heart-shaped pupils, cleavage, bridal dress, wedding dress, deep neckline, heart-shaped light frame, heart frame, floating hearts, heart background, glowing frame, straight-on composition, upper body, close-up, group shot, arms linked, eyes closed brides, blush, open mouth, warm gold palette, cream and amber, deep brown hair, cel shading, clean outlines, flat high-contrast colors, anime screencap
A tight frontal group composition: three figures filling the frame from chest up, the man planted dead centre and the two brides leaning in from either side so that their lips press flat against the left and right planes of his cheeks. The bride on the left is the taller of the two — warm golden-blonde hair swept up and pinned back, a cream bridal gown with a scooped neckline, her right hand gripping the man's left upper arm just below the shoulder, her left hand lifted and flattened against his chest, her eyes squeezed shut in the kiss, lashes fanned, her cheekbone compressed and dimpling where it presses his skin. The bride on the right is shorter, deep chestnut-brown hair falling loose past her jaw, an amber-tinted gown with a plunging neckline that shows the soft upper curve of her cleavage between the fabric edges, both her hands cupped on the man's right shoulder and the back of his neck, her eyes also shut, one heel lifted off the ground with the lean. Between them the man's torso is broad and steady, his weight sunk back on his heels, chin slightly raised, and his eyes are wide open: each pupil has become a solid glossy heart, the two hearts bright and slightly asymmetric in size, the whites gleaming, his mouth open in a delighted slack grin, hot colour across both cheeks and the bridge of his nose, his own arms hanging loose and forgotten at his sides. Contact is continuous and enumerated — the two women's lips, his two cheeks, their fingers on his sleeve and nape, their shoulders overlapping his. All three heads tilt toward the centre so the group reads as a triangle, the brides' hair swinging forward into his collar with the lean.
Behind and around them a single heart-shaped frame of light encloses the trio: a luminous ribbon-like outline of warm gold tracing a large heart whose lower point sits below the frame's bottom edge and whose lobes arc above their heads, the glow soft and blooming, brightest along its inner edge so that a rim of light spills onto the tops of their hair and the shoulders nearest the frame. The band of light casts a faint warm bounce on the skin it faces while the shadows under chins and inside the necklines stay deep brown. Small hearts float in the air around them — a scattering of solid and outlined hearts, some blurred and near the lens, some crisp, drifting in from the corners at different sizes, a few catching the gold glow along one edge. Light is frontal and warm from the frame itself, the only source; beyond it the ground falls to a deep olive-brown green.
Palette is disciplined: warm golden yellow and cream for the frame glow and the garments' highlights, pale butter-cream for skin highlights, amber and deep brown for the two brides' hair and the shadowed folds, dark olive green for the ground and the negative space beyond the heart. Background is a flat cream-to-gold wash inside the heart shape with the olive darkness outside it, so the lit heart silhouette separates cleanly from the field. Cel-shaded with clean outlines, flat high-contrast fills, minimal simple shadows, and hand-drawn TV-anime frame crispness.
A detail of physics to hold: the two brides' lips compress his cheeks enough to dimple them, and each woman's hair, swinging forward, has been flattened against his jaw where it has landed, tiny strands sticking to the skin. Overwhelmingly affectionate, joyfully excessive.
息耐者カール
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