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Ni Ke (Nike)

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Ni Ke (Nike)

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character: fujimaru_ritsuka_(female) solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2) A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again. Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills. Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
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Original Prompt
(8k, best quality, masterpiece:1.2),solo girls,enmaided,18years old, full body,standing,the Western-style guest rooms. victorian maid dress(outfit)={Silk,tight clothes,black victorian maid dress,Gold-embroidered trim,layered dress,too many frills,long sleeves, bell sleeves, very long dress,maxi skirt,juliet sleeves,very wide sleeves,sleeves past wrists,white petticoat,frilled skirt,frilled apron, frilled shirt collar,white gloves,frilled gloves,An apron with a chest panel,white apron,long apron,Black tights,A skirt long enough to cover the ankles,black mary janes.loafers,white Maid's Cap.white Maid's Hat,collar jewel,earrings,}, bow =｛（white Gigantic bowtie:1.5.） at the neckline,back bow,white hair bow,glove bow,｝ ,fujimaru ritsuka (female), ritsuka, short hair, orange hair, ahoge, one side up, yellow eyes, breasts,
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1408 x 1408
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
nk
character: fujimaru_ritsuka_(female) solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2) A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again. Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills. Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
AI artwork
nk
character: fujimaru_ritsuka_(female) solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2) A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again. Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills. Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
#Fate series#Fate/Grand Order#Ritsuka Fujimaru (Female)
AI artwork
nk
character: fujimaru_ritsuka_(female) solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2) A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again. Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills. Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
AI artwork
nk
character: fujimaru_ritsuka_(female) solo, 1girl, full body, standing, 18 years old, maid, enmaided, victorian maid dress, black silk dress, tight dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, juliet sleeves, very wide sleeves, sleeves past wrists, very long dress, maxi skirt, skirt covering ankles, white petticoat, frilled skirt, frilled apron, long apron, white apron, apron with chest panel, frilled shirt collar, white gloves, frilled gloves, glove bow, black tights, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, gigantic white bowtie at neckline, back bow, white hair bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, western-style guest room interior, from below, dutch angle, standing on one leg, hand on own hip, outstretched arm, head tilt, looking to the side, light smile, half-closed eyes, (8k, best quality, masterpiece:1.2) — seen from a low, gently canted camera that puts the whole room's height behind her, the young woman in the black Victorian maid dress stands full-figure in the middle of a Western-style guest room, her weight settled onto her left leg so that the right knee bends and the right toe touches down in a black Mary Jane loafer just ahead of the other foot, the long maxi skirt and white petticoat dragging their frilled hem all the way across the floor to hide her ankles completely. Her right arm is flung out and slightly upward in a presenting gesture, the fingers of the white frilled glove spread and the glove's own small white bow riding at the cuff; her left hand rests on her hip, pressing into the layered frills of the white apron and pulling the long apron panel a little crooked over the black tights beneath. The gigantic white bowtie at her neckline swallows the frilled shirt collar, its loops overflowing the shoulders, the collar jewel pinned at its center and a single earring swinging below each ear. The bell-shaped Juliet sleeves are wide enough to swallow her wrists and hang past her hands in heavy black silk, their inner lining catching the window light; gold-embroidered trim edging every layer of the frilled skirt flashes as the dress turns with her hips, and the back bow at her waist strains outward behind her, its white loops billowing because she has just turned. Her short orange hair, one side tied up in a scrunchie, has a single ahoge springing and bending against the pale wall molding, the white hair bow pinned above the gathered side, and the white maid's cap perched on the crown with its ribbon ends hanging loose. Her yellow eyes cut sideways toward the tall windows, half-lidded and amused, one corner of her mouth lifted in a light smile; she is looking at nothing in particular through the room. The guest room is a high-ceilinged Western suite: striped wallpaper above a dark dado rail, a tall multi-paned window at the left casting cold daylight that falls across the left side of her dress, stripes of brightness sliding over the gold trim and dying in the black silk folds; a chandelier hangs unlit out of frame top, a marble-topped console stands behind her right shoulder with a brass candlestick, and a section of panelled door frames the far right edge. Foreground floorboards run toward the camera and blur, the wallpaper pattern softens with distance, and the only hard edges are on her: crisp gold thread against black, and the white apron's frills doubled over the room's cooler blues and greys. Deep blacks in the sleeves and tights, warm orange of the hair, and cold light on the window side make the palette; slight red seam of the earring nearest the camera. Elegant, faintly mischievous.
Ni Ke (Nike)

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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