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AI art "trick or treat"
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character: saten_ruiko yoneyama mai (style), saten ruiko, a Japanese-style thick-painted character illustration on a white background with low-saturation warm gray tones, 5:7 vertical aspect ratio, close-up half-body shot, slightly high angle viewpoint, the character's body and head are gently tilted, creating diagonal lines between the shoulder line, the line of the eyes, and the collar, the top of the head is near the upper edge, the waist is naturally cropped at the lower edge, with only a small amount of clean white space around the edges. One hand is raised from the left side of the screen to the eye, with the index and middle fingers spread into a horizontal V-sign, the fingertips near the outer corner of the eye, the palm facing the camera, other fingers naturally curled, the wrist and part of the forearm extending beyond the frame; the other arm hangs relaxed at the side. Eyelids are slightly lowered, gaze directed at the viewer, lips slightly parted, cheeks with a pale red flush, presenting a relaxed, slightly sleepy and playful expression as if in a candid photo. <Hair is smoky ash brown, fluffy at the top, thick bangs divided into unevenly wide strands sweeping across the eyebrows and eyes, short hair on both sides curving inward against the cheeks, layered flicked-out ends at the back, with a few longer thin strands by the neck.><Eyes are deep rose brown, the upper part of the iris is close to ink black, the lower edge has soft dark reddish-brown reflections, with a few small white highlights, skin tone is pale pinkish-white, with low-saturation rose pink under the eyes and on the cheeks.>Wearing a loose grayish-brown checkered short-sleeved top, the wide collar has a simplified ribbed structure, one side of the collar hangs naturally low, revealing the shoulder, the fabric forms soft folds at the waist and chest due to the body tilt; the checks consist of horizontal and vertical stripes of similar gray shades, bending with the fabric rather than being mechanically flat, with only a small amount of dark lower garment visible below. Background remains pure white, without scenes, props, or text, visual density is concentrated on the face and gesture, the white gaps between the hair, arm, and sleeve form a clear outline rhythm, the character and the raised hand appear as if painted directly on white paper. Overall use of a limited palette of warm gray, smoky brown, pale pinkish-white, and deep gray-black, with the dark red in the eyes and pink on the cheeks as restrained warm focal points, colors are soft and close to grayscale. Light enters softly from the upper left front, face, fingers, and shoulders remain bright, with the area under the bangs, side of the nose, jaw, and side of the neck defined by gray-pink and light brown blocks to show volume; hair highlights are low-contrast light gray-brown strokes of varying lengths, dark areas of clothing are neutral-warm deep gray, retaining several clear fold boundaries, without strong rim light or heavy shadows. Using a painting style combining opaque gouache and digital flat brushes, shaping directly with wide and loose color blocks, hair strands laid according to growth direction, fingers and facial features moderately refined, clothing retains obvious layered painting, smudging, and generalized brushstrokes; outlines use thin dark brown-gray lines, partially broken, covered by color, or redrawn, retaining slight sketching marks, avoiding uniform outlining, individual hair strand rendering, or smooth airbrush gradients. Maintain natural portrait perspective, the palm near the camera is only moderately enlarged, space is established through the occlusion of fingers, bangs, cheeks, and shoulders, without relying on photographic bokeh. Overall presents the casualness and intimacy of a contemporary Japanese daily character sketch, frozen in the moment of tilting the head and making a hand gesture, post-processing retains only subtle brush textures and soft edges, without heavy grain or complex filters, forming a simple and vivid visual memory with smoky gray stray hair, the V-sign gesture by the eye, pale blush, and wide-collar checkered top.
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yoneyama mai (style), saten ruiko,绘制成白底、低饱和暖灰色调的日系人物厚涂插画,采用约5:7纵向画幅,近距离半身取景,视点略高,人物身体与头部轻轻侧倾,使肩线、眼睛连线和衣领形成相互呼应的斜线,头顶靠近上缘,腰部在下缘自然截断,四周仅保留少量干净留白。一只手从画面左侧抬至眼旁,食指与中指展开成横向V字,指尖靠近眼尾,掌心朝向镜头,其余手指自然弯曲,手腕与部分前臂超出画框;另一条手臂放松垂在身侧。眼睑微垂,视线望向观者,嘴唇轻轻张开,面颊泛着浅淡红晕,呈现随手拍照时轻松、略带困倦的俏皮神情。<头发为烟灰褐色,头顶蓬松,厚实刘海分成宽窄不一的发束,斜掠眉眼,两侧短发贴着面颊内弯,后侧发尾分层外翘,颈旁留几缕较长的细束。><眼睛呈深玫瑰棕色,虹膜上半部接近墨黑,下缘带柔暗的红褐色反光,配少量细小白色亮点,肤色为浅粉白,眼下与脸颊带低饱和玫瑰粉色。>身穿宽松的灰褐色格纹短袖上衣,宽阔领缘带有简化的罗纹结构,一侧领口自然垂低,露出肩部,布料随身体倾斜在腰侧和胸前形成松软折面;格纹由深浅相近的灰色横竖条带组成,顺着衣料弯折,不做机械平铺,下方仅露出少量深色下装。背景保持纯白,不添加场景、道具或文字,画面密度集中于面孔与手势,头发、手臂和衣袖之间的白色空隙形成清楚的轮廓节奏,人物与抬手动作像从白纸上直接绘出。整体采用暖灰、烟褐、浅粉白与深灰黑的有限色板,以眼睛中的暗红和面颊粉色作为克制的暖色焦点,色彩柔和、接近灰阶。光线从左上前方柔和照入,面部、手指与肩部保持明亮,刘海下、鼻侧、下颌和颈侧以灰粉与淡褐色块交代体积;头发亮面为低对比度的浅灰褐色长短笔道,衣料暗面为中性偏暖的深灰,保留几处清楚的折面边界,不使用强烈轮廓光或厚重投影。采用不透明水粉与数字平头笔刷相结合的绘画方式,以宽而松动的色块直接塑形,发束顺着生长方向铺陈,手指与五官适度收细,衣物则保留明显的叠涂、擦抹与概括笔触;轮廓使用纤细的深褐灰色线条,局部断开、被颜色覆盖或重新描出,保留轻微起稿痕迹,避免均匀描边、逐根描发与光滑喷枪渐变。保持自然人像透视,靠近镜头的手掌只适度放大,空间通过手指、刘海、脸颊与肩部的遮挡建立,不依赖摄影虚化。整体呈现当代日系日常角色画稿的随性与亲近感,凝固在歪头比出手势的一瞬,后期仅保留细微笔刷纹理和柔软边缘,不添加浓重颗粒或复杂滤镜,以烟灰色碎发、眼旁V字手势、浅淡腮红和宽领格纹上衣形成简洁鲜明的视觉记忆。
Mode
pro
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

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