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- Original Prompt
- yoneyama mai (style), saten ruiko,绘制成白底、低饱和暖灰色调的日系人物厚涂插画,采用约5:7纵向画幅,近距离半身取景,视点略高,人物身体与头部轻轻侧倾,使肩线、眼睛连线和衣领形成相互呼应的斜线,头顶靠近上缘,腰部在下缘自然截断,四周仅保留少量干净留白。一只手从画面左侧抬至眼旁,食指与中指展开成横向V字,指尖靠近眼尾,掌心朝向镜头,其余手指自然弯曲,手腕与部分前臂超出画框;另一条手臂放松垂在身侧。眼睑微垂,视线望向观者,嘴唇轻轻张开,面颊泛着浅淡红晕,呈现随手拍照时轻松、略带困倦的俏皮神情。<头发为烟灰褐色,头顶蓬松,厚实刘海分成宽窄不一的发束,斜掠眉眼,两侧短发贴着面颊内弯,后侧发尾分层外翘,颈旁留几缕较长的细束。><眼睛呈深玫瑰棕色,虹膜上半部接近墨黑,下缘带柔暗的红褐色反光,配少量细小白色亮点,肤色为浅粉白,眼下与脸颊带低饱和玫瑰粉色。>身穿宽松的灰褐色格纹短袖上衣,宽阔领缘带有简化的罗纹结构,一侧领口自然垂低,露出肩部,布料随身体倾斜在腰侧和胸前形成松软折面;格纹由深浅相近的灰色横竖条带组成,顺着衣料弯折,不做机械平铺,下方仅露出少量深色下装。背景保持纯白,不添加场景、道具或文字,画面密度集中于面孔与手势,头发、手臂和衣袖之间的白色空隙形成清楚的轮廓节奏,人物与抬手动作像从白纸上直接绘出。整体采用暖灰、烟褐、浅粉白与深灰黑的有限色板,以眼睛中的暗红和面颊粉色作为克制的暖色焦点,色彩柔和、接近灰阶。光线从左上前方柔和照入,面部、手指与肩部保持明亮,刘海下、鼻侧、下颌和颈侧以灰粉与淡褐色块交代体积;头发亮面为低对比度的浅灰褐色长短笔道,衣料暗面为中性偏暖的深灰,保留几处清楚的折面边界,不使用强烈轮廓光或厚重投影。采用不透明水粉与数字平头笔刷相结合的绘画方式,以宽而松动的色块直接塑形,发束顺着生长方向铺陈,手指与五官适度收细,衣物则保留明显的叠涂、擦抹与概括笔触;轮廓使用纤细的深褐灰色线条,局部断开、被颜色覆盖或重新描出,保留轻微起稿痕迹,避免均匀描边、逐根描发与光滑喷枪渐变。保持自然人像透视,靠近镜头的手掌只适度放大,空间通过手指、刘海、脸颊与肩部的遮挡建立,不依赖摄影虚化。整体呈现当代日系日常角色画稿的随性与亲近感,凝固在歪头比出手势的一瞬,后期仅保留细微笔刷纹理和柔软边缘,不添加浓重颗粒或复杂滤镜,以烟灰色碎发、眼旁V字手势、浅淡腮红和宽领格纹上衣形成简洁鲜明的视觉记忆。
- Mode
- pro
- Size
- 1232 x 1632
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Model & LoRA used
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