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AI art "Fart"
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Fart

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Ирина Котова

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1girl, solo, police uniform, police hat, short navy skirt, black pantyhose, butt focus, ass emphasis, from behind, looking back, over shoulder, standing, bent over slightly, one hand on desk edge, farting, gas, green cloud, comedic, blush, embarrassed, winking, one eye closed, open mouth, city police office, desk, filing cabinet, paperwork, evening office, warm lamp light, tag nameplate, glossy rendering, high finish, soft lighting, smooth gradients The camera sits low and behind her, a compact wide-angle view from hip height so the desk edge cuts across the lower third and her silhouette reads from the back: a young woman in a fitted navy police uniform, short-sleeved shirt tucked at the waist, belt with a square buckle, badge on the left chest, peaked cap tilted slightly back, and a short navy skirt that flares over emphasized hips, black pantyhose sheathed taut over the curve of her backside. She is caught mid-moment, weight on her left leg, right hip cocked out and her right hand braced flat on the desk corner beside a stack of case folders, while her upper body twists so her chin turns over her right shoulder and her face comes into three-quarter view: short dark brown bob hair swinging forward past her cheek, brows knitted, one eye squeezed shut in a wink and the other wide with a mortified sparkle, mouth open in a small startled "oh," a hot blush blooming from cheekbone to ear. Behind her, a pale green cloud puffs outward from beneath the skirt hem where the fabric lifts and creases, curling in soft cauliflower billows that drift up past the belt line and thin out toward the filing cabinet; the nearest folds catch the lamp light and the far side of the cloud falls darker and softer, a realistic sign of gas density. The office around her is compact and lived-in: a steel desk with scattered forms and a pen cup, a swivel chair pushed back a hand's width as if she just stood, a wall clock, a corkboard of pinned notices, and a nameplate on the desk edge reading "OFFICER" in raised block letters, tilted so the perspective foreshortens it. Warm desk lamp light comes from the left front, the only strong source, rimming the top of her cap, the curve of her hip and the leading edge of the cloud, while the far wall and the corner behind the filing cabinet sink into soft amber shadow with a single long cast shadow of her legs stretching right across the floor. The palette stays disciplined: navy and charcoal for the uniform, black for the hose and the belt, cream for the paperwork and the walls, one warm amber pool of lamplight, and pale sickly green admitted only for the cloud. Her gaze cuts sideways over her shoulder toward the viewer, half embarrassed, half daring. Glossy, high-finish anime rendering with blended warm skin gradients and soft lighting throughout; mischievous, gleefully crude.
Show Parameters
Original Prompt
Farting and ass anime girl police
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова
AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова
AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова
AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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