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化學室的藥物姬

Avatar image of 化學室的藥物姬

化學室的藥物姬

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back view, from behind, 2girls, 1boy, boy sitting on rock, crying, tears, girl comforting him, hand on his back, large tree beside rock, sunset, orange sky, backlit, rim light, silhouette rim, long shadows, wide shot, from below, low angle, outdoor, grass, distant hills, cowboy shot, no text The camera sits low and behind both figures, a wide shot from below so the sunset sky fills the upper half of the frame and the two are seen entirely from the back, their faces hidden from the viewer. On the left of frame the boy sits on a broad grey boulder, hunched forward, shoulders drawn up around his ears, head bowed, both hands braced on the rock beside his thighs with his fingers curled against the stone; his back shakes in a sob, his spine curved, one heel hooked against the boulder's lower face, the other foot flat in the grass. His hair is short and dark, and the low sun rims the crown and the tips of his hair in molten orange. To his right, close enough that their shoulders almost touch, the girl kneels in the grass beside the rock, her knees pressed into the turf, her right hand flat and steady between his shoulder blades, her left hand resting on the stone near his hip so she leans slightly toward him; her long hair falls down her back and swings a little forward over her shoulder toward him, and her head is tilted down and toward the boy as she speaks softly to him, her chin dipped toward his shoulder. The boulder's mass hides their laps; a fringe of grass and small weeds grows against its base. Immediately at the rock's right edge a large tree rises, its trunk thick and dark, its canopy spreading across the right third of the frame, the leaves catching the low sun at their outer edge and going nearly black in the mass's interior. Beyond them a slope of grass drops away to distant hills in layered haze; nothing else stands in the field. The sun sits low and slightly left of the tree, a hard single source behind the subjects, so all their lit edges are rim light -- the boy's shoulders, the girl's hair, the curve of the boulder, the trunk's left side -- while their backs, the rock's camera-side face and the ground in front of them fall into a deep, warm shadow that stretches long toward the lens. Their own shadows reach forward into the grass, elongated and soft-edged. The palette holds to sunset orange and gold in the sky and rim light, warm brown-umber for the trunk and rock, deep olive-green grass cooling into blue-grey hills, with the shadowed figures reading almost as dark silhouettes against the glare. A single mote of dust and a few torn grass blades drift between camera and subjects, lit gold as they cross the sun's line. Quiet sorrow turning toward comfort.
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Original Prompt
一名少年正坐在岩石上哭，旁邊有一名少女正在安慰他，他們背對著畫面，夕陽照在他們身上，在岩石的旁邊有棵大樹
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.49k

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2girls, two girls, sunset, beautiful hill, cliff edge, sitting on cliff edge, dangling legs, swinging legs, standing, light blue off-shoulder miko outfit, light blue hair, long hair, flowing hair, red eyes, red off-shoulder shirt, shorts, red hair, braided hair, single braid, from behind, wide shot, from side, looking at horizon, back view, wind, off-shoulder, side-by-side, standing behind, sky, orange sky, backlighting, silhouette gradient, lens flare, clouds, grass, hill, depth of field, scenery, no text, The camera stands behind the two girls at a slight side angle, a wide shot from behind with a sliver of profile at their cheeks, so the sunset hill fills the upper two thirds and the drop falls open in front of them. On the right-hand side the seated girl is on the cliff edge: hips settled on the grass lip, both thighs over the brink, knees loose, both hands planted flat on the turf just behind her hips taking her weight on locked arms, her light blue long hair loose and streaming in the hill wind and pushed forward over her shoulders by the breeze as she kicks both legs idly back and forth, heels swinging through empty air over the valley. Her light blue off-shoulder miko outfit sits low, baring both shoulders and the nape of her neck, sleeves hanging loose, skirt hem stirring around her calves. To her left and half a step back, so her body edge stands inside the seated girl's shoulder line, the standing girl has her weight on her right leg, left knee slack, one hand loose at her side, the other lifted just above the seated girl's head bent forward as if about to speak or half-reached to steady her. Her red braided hair one thick braid swings across her back, red off-shoulder shirt with bare shoulders and a wide loose neckline, short practical shorts, bare legs braced against the turf. Neither face fully faces the lens; the seated girl's cheek is caught in three-quarter profile as she turns toward the view, and the standing girl's chin is lowered toward her companion. The wind makes visible what you can't see: grass laid flat and combed one direction across the whole hilltop, both girls' hair and shirtsleeves pulled to the left, the seated girl's skirt flattening toward the drop. The sun sits low and slightly right of centre on the horizon as the only light: a deep orange band at the rim, rose and salmon through the middle, and a purple-blue gradient toward the top of sky, thin streaked clouds lit from beneath; the two figures are dark warm rimmed along the shoulders and hair edges, faces in soft shadow, long shadows of the standing girl stretching forward and to the left down the slope. Beyond the cliff edge the hillside falls away into haze with distant ridges stacked in diminishing blue. Palette limited to the sunset's orange, rose and violet, the two girls' cool blue and warm red countering it. Serene, tender.
のらねこ
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ど
wide landscape composition, 2 figures, two young people on separate hilltops, young man, young woman, windswept hair, lifted face, head tilted up, reaching upward, outstretched arm, from below, low horizon, dramatic god rays, sunbeam, golden light, volumetric light, towering cumulonimbus, churning clouds, post-storm sky, rain-soaked land, puddles, reflection, backlighting, rim light, distant figures, scenery, no text Seen from a low camera near the valley floor, the horizon rides low in the frame and two hilltops rise on opposite sides of the picture, the man's hill left and nearer, the woman's hill right and further and smaller with distance, so that a wide saddle of dark land lies open between them. Both stand at the crest in profile-to-three-quarter view, faces fully lifted, chins raised, eyes open and aimed up into the same shaft of light rather than at each other; the man's right arm swings up and out toward the glow with the fingers spread, his weight on his back foot and his coat and hair streaming sideways from the storm's tail wind, while the woman mirrors him on her own crest, one arm raised, the other hand pressed flat to her chest, her skirt and hair pulled the same direction as his. The one golden ray comes down out of the cloud break at a steep diagonal, entering top-right and striking both crests: it lights the underside of both lifted faces, the raised forearms, the crown of both heads and the wet grass at their feet, and it throws their long shadows backward down the slopes away from the viewer; every other surface stays in cool blue-grey storm shade, the hillsides, the wind-bent grass, the whole valley, and the cloud mass above is a wall of churning billowing towers with pale luminous edges where the break opens, brighter than the land beneath it. Down in the valley the wet ground holds the light in scattered puddles, each puddle a small inverted streak of gold that is dimmer and softer-edged and slightly redder than the ray above it, with the sky's bright break shrinking in the nearest puddles and the distant ones only smears of glow; thin standing water runs along the furrows and pools at the low points, and the grass is still bent and beaded from the rain. Palette is disciplined: deep slate blue and rain-green in the entire lower land, warm cream and amber confined to the ray and to everything it touches, the two figures the only small dark warm-rimmed shapes against it. The man reads as a lean young man in a dark soaked jacket, hair blown across his brow; the woman as a slight young woman in a long wind-pressed skirt and light blouse, small at her distance. Painterly anime rendering with broad softened brush edges in the clouds and crisp luminous air in the light shaft, cinematic and full of quiet hope.
どうするどうする？
AI artwork
ど
wide landscape composition, 2 figures, two young people on separate hilltops, young man, young woman, windswept hair, lifted face, head tilted up, reaching upward, outstretched arm, from below, low horizon, dramatic god rays, sunbeam, golden light, volumetric light, towering cumulonimbus, churning clouds, post-storm sky, rain-soaked land, puddles, reflection, backlighting, rim light, distant figures, scenery, no text Seen from a low camera near the valley floor, the horizon rides low in the frame and two hilltops rise on opposite sides of the picture, the man's hill left and nearer, the woman's hill right and further and smaller with distance, so that a wide saddle of dark land lies open between them. Both stand at the crest in profile-to-three-quarter view, faces fully lifted, chins raised, eyes open and aimed up into the same shaft of light rather than at each other; the man's right arm swings up and out toward the glow with the fingers spread, his weight on his back foot and his coat and hair streaming sideways from the storm's tail wind, while the woman mirrors him on her own crest, one arm raised, the other hand pressed flat to her chest, her skirt and hair pulled the same direction as his. The one golden ray comes down out of the cloud break at a steep diagonal, entering top-right and striking both crests: it lights the underside of both lifted faces, the raised forearms, the crown of both heads and the wet grass at their feet, and it throws their long shadows backward down the slopes away from the viewer; every other surface stays in cool blue-grey storm shade, the hillsides, the wind-bent grass, the whole valley, and the cloud mass above is a wall of churning billowing towers with pale luminous edges where the break opens, brighter than the land beneath it. Down in the valley the wet ground holds the light in scattered puddles, each puddle a small inverted streak of gold that is dimmer and softer-edged and slightly redder than the ray above it, with the sky's bright break shrinking in the nearest puddles and the distant ones only smears of glow; thin standing water runs along the furrows and pools at the low points, and the grass is still bent and beaded from the rain. Palette is disciplined: deep slate blue and rain-green in the entire lower land, warm cream and amber confined to the ray and to everything it touches, the two figures the only small dark warm-rimmed shapes against it. The man reads as a lean young man in a dark soaked jacket, hair blown across his brow; the woman as a slight young woman in a long wind-pressed skirt and light blouse, small at her distance. Painterly anime rendering with broad softened brush edges in the clouds and crisp luminous air in the light shaft, cinematic and full of quiet hope.
どうするどうする？

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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