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AI art "和風な獣耳っ娘たちの夜" featuring #Kemonomimi, #Japanese clothes, #Red eyes, #Torn clothes, #Big Boobs, #blue hair, #Black pantyhose and #Hakama
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和風な獣耳っ娘たちの夜

青色の髪と可愛い獣耳が特徴の三人娘。和室の灯りに照らされた姿がとても色っぽくて、つい見入ってしまいました。破れた衣装から覗く肌もセクシーで、それぞれの個性が輝いていますね！気に入ったらいいねとフォローをお願いします。コメントで感想も聞かせてくださいね。

#Kemonomimi#Japanese clothes#Red eyes#Torn clothes#Big Boobs#blue hair#Black pantyhose#Hakama
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マキマキ

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3girls, multiple girls, three original characters, female, petite, flat chest except as noted, nsfw, huge breasts, cleavage, wolf ears, animal ears, blue hair, red eyes, tsurime, upturned eyes, fang, wolf cut hair, spiky hair, flipped hair ends, girl 1: wolf cut short spiky blue hair, blue and black miko outfit, open-sided kimono, wide sleeves, black leggings, black boots, long boots, girl 2: long blue hair, flipped hair ends, blue and black miko outfit, open-sided kimono, torn leggings, black boots, long boots, girl 3: short blue hair, flipped hair ends, red and white miko outfit, open-sided kimono, torn leggings, geta, breast milk, milk stains on clothes, wet clothes, lactation, indoors, japanese room, tatami, night, dark, shoji, paper lantern, dim lighting, warm light, from below, low angle, wide shot, cowboy shot, standing, looking at viewer, half-closed eyes, blush, sweat, seductive_smile, heavy_breathing The view is a low, upward-tilted wide shot inside a night-time Japanese room, camera set close to the tatami and angled up so the three wolf-eared girls stand above it, their figures rising against the dark ceiling beams and the pale rectangles of closed shoji. Three girls stand in a loose triangle: on the left, girl 1, her cropped spiky blue hair sticking out in stiff flipped points around her wolf ears, narrow tsurime red eyes catching the lantern light; in the centre-back, girl 2, her long blue hair flipping up at the ends where it falls past her shoulders; on the right, girl 3, short flipped blue hair, the same red tsurime eyes, a small fang on her lower lip. Each has tall wolf ears pricked upright, blue fur tipped darker at the points, one ear of the rightmost girl swivelled toward the shoji. Girl 1 and girl 2 wear blue and black miko outfits cut open at the sides, the panels hanging apart to bare the flank; girl 1's black leggings are intact and run into black long boots laced to the knee; girl 2's black leggings are torn at the thigh, ragged edges parting over bare skin above her black long boots. Girl 3 wears a red and white miko outfit, also open at the sides, the white fabric slipping off one shoulder, her black torn leggings ripped at the knee, and her feet set in tall wooden geta, toes gripping the straps. All three are heavily built at the chest, the fabric of their miko tops stretched taut and dark with seeped breast milk: two wet crescents spreading through the blue cloth on girl 1, through the black panel on girl 2, and a pale milky bloom across the white of girl 3's robe, the damp patches glossy where the lantern catches them, one slow drop gathering at the hem of girl 3's sleeve. Girl 1's weight rests on her right boot, left knee bent, one hand hooked in the open edge of her robe; girl 2 stands square and tall, chin lifted, hands loose at her sides; girl 3 has turned her hips three-quarters toward the camera, one geta lifted slightly off the tatami, her fingers pressed flat to the wet fabric over her chest. All three look down at the viewer from under lowered lids, mouths slightly parted, breath visible as faint warmth in the cool night air; girl 2's tongue touches the corner of her lip, girl 1's brow arches, girl 3's cheek is flushed. Behind them the room is deep and quiet: tatami mats receding in dark parallel lines, a low table, a folded futon, a single paper lantern on the floor at the left throwing warm amber light upward across their faces, thighs and the undersides of their sleeves, while the upper walls and the ceiling beams stay deep in shadow; the only light source is that lantern, and beyond its pool the room falls to near-black. Vivid saturated blues and reds against the warm brown and charcoal of the room. Clean cel-shaded rendering with high color saturation and sharp edges, crisp anime linework, ultra-detailed. Quiet, charged heat.
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nsfw、オリジナルキャラクター3人 【オリジナルキャラクター1】 【美少女、幼女】、【青髪、ウルフヘア、跳ねた髪型】、【つり目、赤い瞳】、【狼耳】、【青と黒の横が開いた巫女服、黒色のスパッツ、黒のロングブーツ】、【爆乳】。 【オリジナルキャラクター2】 【美少女、幼女】、【青髪、ロングヘア、跳ねた髪型】、【つり目、赤い瞳】、【狼耳】、【青と黒の横が開いた巫女服、黒色の破けたスパッツ、黒のロングブーツ】、【爆乳】。 【オリジナルキャラクター3】 【美少女、幼女】、【青髪、ショートヘア、跳ねた髪型】、【つり目、赤い瞳】、【狼耳】、【赤と白の横が開いた巫女服、黒色の破けたスパッツ、下駄】、【爆乳】。 背景は夜の和室。 母乳が服に滲んでいる。 高品質アニメ塗り、超高精細、美麗イラスト、最高品質、超詳細、鮮やかな色彩、アニメスタイル
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pro
Quality Tag
﹝Prompts﹞
Size
1824 x 1104
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: musashi_(azur_lane), shinano_(azur_lane), amagi_(cv)_(azur_lane), copyright: azur_lane, azur_lane_3girls character: shinano_(azur_lane), musashi_(azur_lane), amagi(cv)_(azur_lane), copyright: azur_lane 3girls, multiple girls, shinano (azur lane), musashi (azur lane), amagi (azur lane), fox ears, animal ear fluff, multiple tails, long hair, very long hair, grey hair, white hair, blue eyes, black hair, purple hair, yellow eyes, brown hair, purple eyes, facial mark, hair ornament, blunt bangs, japanese clothes, kimono, bare shoulders, white thighhighs, wide sleeves, black gloves, fur trim, magatama necklace, low neckline, prayer beads, jewelry, from above, sitting, seiza, tatami, indoors, shoji, three-quarter view, head tilt, leaning back, crossed legs, closed eyes, half-closed eyes, looking down, hand on another's head, hair spread out, tail curl, low light, warm light, golden hour Shot from above, the camera angled steeply down into a tatami room so the three fox-eared women read as a loose diagonal, heads toward the upper-left, hems fanning toward the lower-right, all three fully in frame with floor beyond them at the top edge. The low evening sun comes through a shoji screen off-frame right, breaking the room into warm amber bars and cool indigo bands lying across the tatami weave; the paper's lattice casts a long soft shadow grid across the floor and up over their clothes, and where each lit bar crosses a shoulder the silk glows while the shadowed bars go deep blue. Shinano is lowest and nearest, seated back on her heels with her weight settled on her right hip, head tilted back against her piled white-grey hair, eyes half closed in a sleepy downward look; her white kimono has slipped to bare both shoulders, sleeves pooled open across the mat, her long white thighhighs pale against the straw, and her many tails sprawl in a slow fan behind her, the largest one curling forward around her hip so its tip rests near her knee. Musashi sits above and to her left in three-quarter view, one knee raised with her forearm draped over it, leaning back on her other hand; her black-purple hair spills over one shoulder and down across the mat, her dark fur-trimmed kimono falls open at the low neckline, the magatama beaded necklace hanging forward away from her chest under gravity, prayer beads looped loosely around the raised forearm, black gloves flexing as she shifts; her yellow eyes look down and to the side at Shinano with an easy, unreadable calm. Amagi lies reclined at the far right of the diagonal, propped on one elbow with her chin tipped toward the ceiling, brown hair and blunt bangs spread wide across the tatami, her black gloves folded over her stomach, wide kimono sleeves fallen open behind her bare shoulders and one fox ear flopped half back; her purple eyes drift toward the other two, mouth faintly amused. The three tails and ear-fluffs move in the same current of air, drifting toward the shoji screen, and the nearest tail tips lift slightly as the light warms. The frame holds no one standing, nothing bright beyond the one sunlit screen edge, the rest of the room sinking to deep blue shadow; the mood is drowsy and opulent and quietly indolent.
Іван Матвєєв
#Azur Lane#Amagi

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2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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