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AI art "紅閻魔 桃" featuring #Bikini, #Fate series, #pink bikini, #Fate/Grand Order and #Beni-enma
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紅閻魔 桃

#Fate series#Fate/Grand Order#Beni-enma
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character: beni-enma, copyright: megami_magazine megami magazine, chromatic aberration, childlike eyes, harada_takehito, beni-enma, full body, standing, red hair, low ponytail, red eyes, pink plate bikini made of peach fruit shapes, shape of a whole ripe peach fruit seen from the front, plump nearly-round outline, soft full and bulbous, two rounded cheeks, a shallow vertical crease groove running down the center, small shallow dimple at the top center, sides curving smoothly outward, bottom tapering to a soft blunt rounded tip, no sharp point, symmetrical, solid glossy pink plates with smooth rounded edges, bikini top made of two separate peach-shaped plates, bikini bottom made of a single peach-shaped plate (not panty-style, solid peach plate with thin string ties), looking up at viewer, upturned eyes, gentle smile, blush stickers on cheeks, arms behind back, hands behind back, legs crossed while standing, fidgeting shyly, embarrassed and bashful, photo studio, studio photoshoot, large backdrop screen displaying a sunflower field behind her, soft studio lighting, detailed, clean lineart Full body, straight-on eye-level studio view, the whole figure head to feet inside the frame with the backdrop filling everything behind her. She stands centered but not square: weight sunk into her right hip, both knees bent inward, left leg crossed in front of the right at the ankle so the right calf presses into the left and only the toe of the left bare foot takes any weight; both arms are drawn back and clasped behind her waist, elbows tucked, which pulls her shoulders back and pushes her chest slightly forward. Her head tips down while both red eyes roll up under raised brows to meet the viewer — a targeted, pleading upward gaze — and a small closed-lip smile sits under it, the corners barely turned up, cheeks flushed. Two glossy sticker decals of blush sit on her cheeks as flat oval patches catching the key light. Her long very long red hair is gathered into a low ponytail at the nape, the tail falling heavy down her back, bangs parted over her forehead, a few loose strands brushing her shoulder; the ponytail swings slightly to one side as she shifts her weight, moving across the backdrop. Her bikini is built from solid glossy pink peach-shaped plates: the top is exactly two separate peach plates, each roughly the shape of a peach seen from the front — a plump, nearly round outline, full and bulbous, two rounded cheeks, a shallow vertical crease groove running down the center, a small shallow dimple at the top center, sides curving smoothly outward and the bottom tapering to a soft blunt rounded tip, never a point — sitting symmetrically on her chest with smooth rounded edges and a thin tie passing under the ribs and around the back. The bottom is a single, identical peach-shaped plate, covering her waist, with a small, shallow indentation at the top center, smoothly curving sides, and a tapered, rounded tip, tied at both sides with a thin tie; the crease groove reads down the center front. Nothing else is worn — no hat, no wide sleeves, no kimono, no other cloth anywhere on the body. Behind her a large backdrop screen, a wide canvas sheet on a stand, is printed with a sunflower field: yellow heads and green stalks rising into a warm sky, the printed horizon slightly lower than her waist so that she stands in front of the flowers. Soft studio lighting from a large softbox high camera-left wraps her face and the tops of the pink plates, a cool fill and a bright rim from behind right edge her red hair and shoulders; the lighting stands and a reflector edge into the frame at the far right, the floor is a seamless grey-white sweep with a soft contact shadow under both feet and a faint reflection of the plates' gloss on it. High-saturation palette of red hair, pink plates and the yellow-green backdrop, warm key against cool fill, crisp cel-shaded blocks with sharp angular silhouette edges and clean lineart. Strong red-cyan chromatic aberration rings the contour of her hair, her shoulders and the plates near the frame edges, sharpening at the borders. Bashful, dazzling.
Show Parameters
Original Prompt
megami magazine, chromatic aberration, childlike eyes, harada_takehito, beni-enma, full body, standing, red hair, low ponytail, red eyes, pink plate bikini made of peach fruit shapes, shape of a whole ripe peach fruit seen from the front, plump nearly-round outline, soft full and bulbous, two rounded cheeks, a shallow vertical crease groove running down the center, small shallow dimple at the top center, sides curving smoothly outward, bottom tapering to a soft blunt rounded tip, no sharp point, symmetrical, solid glossy pink plates with smooth rounded edges, bikini top made of two separate peach-shaped plates, bikini bottom made of a single peach-shaped plate (not panty-style, solid peach plate with thin string ties), looking up at viewer, upturned eyes, gentle smile, blush stickers on cheeks, arms behind back, hands behind back, legs crossed while standing, fidgeting shyly, embarrassed and bashful, photo studio, studio photoshoot, large backdrop screen displaying a sunflower field behind her, soft studio lighting, detailed, clean lineart Full body, straight-on eye-level studio view, the whole figure head to feet inside the frame with the backdrop filling everything behind her. She stands centered but not square: weight sunk into her right hip, both knees bent inward, left leg crossed in front of the right at the ankle so the right calf presses into the left and only the toe of the left bare foot takes any weight; both arms are drawn back and clasped behind her waist, elbows tucked, which pulls her shoulders back and pushes her chest slightly forward. Her head tips down while both red eyes roll up under raised brows to meet the viewer — a targeted, pleading upward gaze — and a small closed-lip smile sits under it, the corners barely turned up, cheeks flushed. Two glossy sticker decals of blush sit on her cheeks as flat oval patches catching the key light. Her long very long red hair is gathered into a low ponytail at the nape, the tail falling heavy down her back, bangs parted over her forehead, a few loose strands brushing her shoulder; the ponytail swings slightly to one side as she shifts her weight, moving across the backdrop. Her bikini is built from solid glossy pink peach-shaped plates: the top is exactly two separate peach plates, each roughly the shape of a peach seen from the front — a plump, nearly round outline, full and bulbous, two rounded cheeks, a shallow vertical crease groove running down the center, a small shallow dimple at the top center, sides curving smoothly outward and the bottom tapering to a soft blunt rounded tip, never a point — sitting symmetrically on her chest with smooth rounded edges and a thin tie passing under the ribs and around the back. The bottom is a single, identical peach-shaped plate, covering her waist, with a small, shallow indentation at the top center, smoothly curving sides, and a tapered, rounded tip, tied at both sides with a thin tie; the crease groove reads down the center front. Nothing else is worn — no hat, no wide sleeves, no kimono, no other cloth anywhere on the body. Behind her a large backdrop screen, a wide canvas sheet on a stand, is printed with a sunflower field: yellow heads and green stalks rising into a warm sky, the printed horizon slightly lower than her waist so that she stands in front of the flowers. Soft studio lighting from a large softbox high camera-left wraps her face and the tops of the pink plates, a cool fill and a bright rim from behind right edge her red hair and shoulders; the lighting stands and a reflector edge into the frame at the far right, the floor is a seamless grey-white sweep with a soft contact shadow under both feet and a faint reflection of the plates' gloss on it. High-saturation palette of red hair, pink plates and the yellow-green backdrop, warm key against cool fill, crisp cel-shaded blocks with sharp angular silhouette edges and clean lineart. Strong red-cyan chromatic aberration rings the contour of her hair, her shoulders and the plates near the frame edges, sharpening at the borders. Bashful, dazzling.
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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