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AI artwork featuring #Sword, #Fighting, #Girl, #Swordsman and #Weapon Master
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Sword, Fighting

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Master the Art! Become a Weapon Master!!
#Sword#Fighting#Girl#Swordsman
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のらねこ

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1girl, solo, yellow coat, off-shoulder, off-shoulder blouse, white blouse, bare shoulders, midriff, navel, black shorts, holding sword, greatsword, swinging, weapon trail, slash effect, motion lines, fighting, monster, multiple monsters, ruined city, rubble, from below, dutch angle, wide shot, dynamic pose, twisted torso, arms up, parted lips, gritted teeth, intense gaze, looking down, foreshortening, debris, dust, sparks, backlight, dramatic lighting, Camera looks up from street level at a steep dutch angle as one young woman twists mid-swing at the center of a collapsed avenue: she is seen three-quarters from her lower left, weight loaded on her back right leg, front left foot skidding through a scuff of rubble, hips rotated ahead of her shoulders so her bare midriff stretches taut between the short black shorts' waistband and the loose off-shoulder blouse whose neckline has slipped down both upper arms, leaving her shoulders and collarbones bare. Her yellow coat billows off her back, one sleeve half fallen to her elbow, hem snapping outward behind her away from the swing. Both hands grip the long hilt of an oversized greatsword, the blade carried through a low rising arc from her right hip toward her upper left, arms extended and shoulders wrenched over; the sword's edge drags an arc of slash light through the air, a crescent of white-hot energy with a pale blue rim trailing behind the steel and scattering fine sparks along the curve. Her jaw is set, teeth just visible, one brow pinched low, eyes narrowed and swung down sideways toward the nearest monster rather than the camera. Three monsters crowd her at uneven distances: a hunched, four-limbed brute in the left foreground thrown back on its heels with one forearm raised against the incoming edge, clawed feet gouging twin furrows in the grit; a taller gaunt creature in the mid-right recoiling with its head snapped away from the light, one arm trailing; and a third smaller shape low behind her right calf, only its back and raised spines catching the rim. Dust lifts in a ring from her skidding foot, and the slash light throws hard shadows of her own legs and the near brute's ribs across the broken asphalt while the creatures' long shadows run toward the right of frame. The ruined city frames them: a gutted office block with its floors exposed in cross-section on the left, a leaning sign column and snapped tram rails on the right, vehicles overturned as burned shells along the curb, all receding in haze toward a horizon of skeletal towers. The only light is a low, cold sun breaking through the dust behind the wreckage, backlighting her hair and the coat's shoulders in a hot amber rim, leaving her face and the front of the blouse in cool shadow, with the slash's own white-blue edge acting as a second, brief source on the sword-side cheek and the brute's muzzle. Palette restricted to dusty greys and umber rubble, her saturated yellow coat as the single loud warm note, black shorts as the deepest value, and the slash's cold blue-white cutting through the middle. Fine airborne grit instead of clean air, cloth and hair dragged opposite the swing's direction, blade thickness rendered in foreshortening so the near edge overhangs her shoulder. Fierce, kinetic.
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Original Prompt
全体:(荒廃した都市、複数の魔物と戦ってる), 大剣を振り回している、斬撃のエフェクト、黒い短パン、へそ出しのオフショルダーのブラウス、黄色いコート
Mode
flash
Size
1104 x 1824

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.00k

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1girl, solo, fighting, multiple monsters, monster, dark fantasy, ruined city, desolate, destroyed cityscape, dark blue kimono, japanese clothes, red obi, wide obi, black aura, dark aura, jet-black aura, silver hair, gradient hair, long hair, very long hair, flowing hair, expressionless, blank stare, serious, dignified, valiant, slash, sword slash, energy slash effect, from side, close-up, cowboy shot, dynamic angle, dutch angle, motion blur, depth of field, dark blue palette, red accent, night, backlighting, looking at another, parted lips, closed mouth, Shot from close in and slightly below at a hard dutch angle, a single girl fills the left two-thirds of the frame in the middle of a diagonal downward slash, her body twisted through the strike with her right shoulder driven forward and her left hip counterweighting behind, the long tail of her silver hair whipping across her back in a gradient from bright silver at the crown to deep grey-blue at the tips, strands torn sideways by the force of her own swing. The dark blue kimono strains at the shoulder seam, its hem and sleeve flaring outward from the movement, and the broad red obi is cinched tight at her waist, its knot pulled to one side, not a fold out of place. Her face is turned in profile toward the right of the frame, eyes flat and half-lidded, brows level, lips a straight neutral line, jaw set: no anger, no fear, only a calm, dignified resolve. She is ringed by several monsters crowding out of the ruined city behind and to her right, their hunched shapes overlapping in the depth of field, claws and jaws caught in the half-second before they close on her. One of them is already at the inside edge of her arc, and her white-knuckled hands grip the hilt low; she looks past her own blade into the nearest creature's eyes, and its head is snapping back as it registers her, teeth bared. The slash itself is a crescent of white-hot light tearing along the sword's path, the air along it smeared with motion blur. A jet-black aura boils over her and pours outward from her body in ragged tongues, curling up around the blue fabric and around the red obi. Everything nearby leans toward her: the aura's tongues trail away from the swing, and the silver hair and the kimono hem are dragged in the same direction. The ruined city is compressed into a shallow background by the close camera: toppled concrete, snapped rebar, hollow glassless windows, rubble spilling across a cracked street, all simplified into big dark silhouettes. The only light is a cold, hard backlight from behind and above the ruins, which rims her shoulders, the silver top of her hair, and the crest of the slash in white, leaving her face and the front of her kimono in deep shadow; the aura swallows the light instead of catching it, and the monsters read as black masses against the pale sky glow. Palette: deep dark blue, near-black, cold grey concrete, with red confined to the obi and a thin red reflection sliding across the slash's edge. Late dusk, dust hanging in the air. Cold and merciless.
のらねこ
#long hair#white hair#Weapon
AI artwork
n
1girl, solo, 20 years old adult woman, adult, full body, dynamic pose, mid-swing slash, sword swing, holding katana, katana with black handle, black lacquered sheath, slender slightly curved blade, matte blade, non-reflective blade, sword belt at waist, black high-collared cropped tactical jacket, white low-cut tight top, low-cut neckline, cleavage, black pleated miniskirt, black over-the-knee socks, black short boots, bare thighs, thin silver collar band around neck, very long straight jet black hair, waist-length hair, hair flowing, side-swept bangs partly covering right eye, dark blue eyes, sharp upturned eyes, large almond eyes, long thick eyelashes, glossy lips, small chin, light makeup, fair skin, beautiful feminine face, cool expressionless face, intense gaze, large breasts, F-cup, narrow waist, wide hips, slender hourglass figure, large insectoid alien monster, layered dark purple carapace, bone blade forelimbs, monster lunging at her, ruined city street, collapsed elevated highway, abandoned rusted cars, buildings covered in dark purple alien chitin, pulsing veins, drifting spores, dusty sunbeams, debris flying, sci-fi cyberpunk, dutch angle, from side, from below, foreshortening, motion blur, depth of field Shot from below and slightly to her right in a hard dutch angle, the frame tilts so the collapsed elevated highway shears down from the upper left corner to the lower right and the ruined street runs away beneath it; she fills the frame from black boots to the top of her flowing hair, mid-swing and caught halfway through the arc. Her weight is planted on her left boot, the right leg swept back in a wide stance with only the toe of that boot touching cracked asphalt; her hips twist away from the camera while her shoulders whip toward it, so the hourglass line of narrow waist to wide hips reads through the turn. Both hands are on the katana: right fist locked on the black-wrapped handle at the pommel, left hand a little higher on the grip, wrists crossed over so the slender slightly curved blade is already past the horizontal and slicing downward toward the lower right of the frame. The blade is completely matte black-grey steel — a dull, non-reflective surface with no light bleeding off its edge, no glow, no energy trail, only a thin bright line along the spine where it catches one sunbeam. The black lacquered sheath hangs thrust through the sword belt at her waist, swinging out behind her left hip with the momentum. Her face is held in perfect cool blankness: lids level over dark blue upturned eyes, no frown, no snarl, lips glossy and parted a bare millimetre, small chin level — and the intensity lives entirely in the fixed line of her gaze, which is locked on the monster's bone blade forelimb, not on the lens. The side-swept bangs slide across and partly cover her right eye as they lift; the very long straight jet black hair streams out to her left in one heavy rope of strands, broken into fine separate threads at the tips, the whole mass dragged sideways by the swing. The insectoid monster lunges from the right foreground, close to the lens and partly cropped by the frame edge so it looms larger than she does — layered dark purple carapace plates overlapping down its thorax, wet-looking joints, one bone blade forelimb thrust forward low at her legs and the other raised high, both limbs foreshortened toward the viewer in sharp perspective. Its mass and her blade meet in the empty air between them. Debris answers the lunge: chunks of broken concrete, roof gravel and a bent car door flung up from the road, hanging in the air at different distances, some blurred near the lens. Dust smears where the bone limb drags through it. The street is medium-scale and intimate to the fight: rusted abandoned cars nosed into the curb on both sides, their windows gone and their flanks eaten with orange corrosion, and the buildings along the edges are crusted in dark purple alien chitin whose pulsing veins of dull violet light run up the facades and disappear into the collapsed highway above. Dusty sunbeams cut through the jagged gaps in the elevated deck and the ruined rooftops in discrete visible shafts, the only light source — a warm dirty amber inside the beams, cold violet in the shadow behind them, and absolute shadow in the collapsed underpass. Pale drifting spores hang in the sunbeams as small particulate clouds streaming out of the chitin growths on the nearest wall, faintly luminous white-violet specks that are the one bright element in the dark air. Palette disciplined to jet black, bone white, fair skin and warm dust amber against dark purple chitin and violet vein-light, nothing else admitted. Dust settles only on the upward-facing surfaces — the flat roofs of the rusted cars, the top of her sheath, the top planes of the monster's carapace plates — and every edge catches light from above. Lethal, electric.
Nox
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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