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- Original Prompt
- A full-body, eye-level illustration of a young woman of 19, a fae-blooded witch of present-day New York, at home in her loft above the occult shop after hours of spellwork, curled up in the window, a cup of tea in her hands. The vibe is urban fantasy, and the whole image feels bold, mysterious and openly sultry, black lace, tea steam and fairy-light. She is lovely and gorgeous, with a pear-shaped build: average height, with narrow shoulders, slim arms and a slim upper body, a small waist, very wide hips, a full, rounded bottom and very thick thighs, soft and lush below her slender waist, with a quick, light, fearless way of moving, and large, full breasts. She has fair, light skin with a soft, luminous finish, a soft oval face with high, rounded cheekbones, a small, upturned nose and full, glossy lips, and large, luminous violet eyes under softly curved dark brows, framed with long, dark lashes. Her expression is sultry and drowsy, a soft, lazy smile on her lips and her violet eyes heavy-lidded and warm. Her hair is very long, wavy hair: soft, even S-shaped waves from the crown all the way down, one unbroken length falling past her shoulders and waist, down to her knees, full and flowing, with a centre part and no bangs, and its colour is a mint green: a pale, soft, cool pastel green like mint ice cream. She wears only a lingerie set of black lace: a soft bralette of scalloped black lace embroidered with tiny moths in mint-green thread, with thin satin straps and a little silver crescent charm at the centre, and high-cut briefs of the same black lace embroidered with moths, cut high on her very wide hips with scalloped edges, so that her shoulders, her arms, the upper curves of her full breasts, her soft midriff, her very wide hips and her very thick thighs are bare. a silver crescent-moon pendant set with a small mint-green stone that glows softly from within, on a fine chain at her throat, a fine line of rune tattoos running down the inside of her left forearm, faintly glowing mint green, thick silver rings crowd her fingers, her bare feet rest on the sill, and in her hands is a big ceramic mug of steaming tea. Her makeup is late-night soft: a smudged violet liner, a little leftover glitter on her cheekbones, a rosy flush and a glossy plum balm on her lips. Her nails are almond-shaped, painted a glossy black with a tiny mint-green crescent moon on each ring finger. The setting is her loft above the occult shop in Greenwich Village in present-day New York, packed with detail: a tall, arched window of old brick with a wide, deep wooden sill looks down over the wet side street, its sill crowded with potted ferns, trailing ivy, little cacti and a bowl of crystals. Bundles of dried herbs hang from a beam overhead, stacks of old grimoires and paperbacks stand on the floor, and a brass bed with a patchwork quilt in plum and green fills the far corner under strings of dried roses. On a side table by the window a lamp made from a big glass jar holds a tiny winged fairy who glows gold and taps crossly on the glass, and a black cat with mint-green eyes is curled on a velvet cushion beside her. Outside the window a pink neon sign for an all-night diner glows across the street. In the foreground, softly out of focus, a trailing ivy pot and a stack of grimoires cross the lower left corner, and the black cat on its velvet cushion sits at the lower right. She sits sideways on the wide windowsill with her body turned three-quarters toward the viewer, her back against one side of the brick arch, her knees drawn up together and her bare feet planted on the sill. Both her hands cradle the steaming mug of tea against her knees, the steam curling up past her chin, and her head leans back against the brick. Her very long mint-green hair falls in soft waves over her shoulders and down along the sill, its ends curling round her bare feet and spilling over the edge, and she smiles at the viewer over the mug with her lazy, heavy-lidded eyes. The warm, golden glow of the tiny fairy shining in the glass jar lamp beside the window is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in a soft, glittering gold, glows on her glossy plum lips, puts a bright golden catchlight in each of her violet eyes and pours over her shoulders, the black lace, the upper curves of her breasts, her midriff, her hips and her very thick thighs. The much weaker hot pink glow of the diner's neon sign across the street lays a soft rosy rim through the glass along the right side of her face, her drawn-up knees and the edge of her hair. The fairy light picks out every scallop and mint-green moth in the black lace, gleams on the glazed mug and her silver rings and turns the curling steam into gold. Her fair skin takes a warm, luminous sheen wherever the light reaches, with a soft glow along her collarbones, her knees and her thighs. The loft behind her bleeds into rich plum, green and gold colour. Neon Vivid style: sharp, clean internal linework while her outer silhouette blends softly into the neon around her with colour bleed, painterly edges and a thin coloured outline rather than a hard black line, a vivid, highly saturated palette throughout, and a high-energy poster-illustration finish with strong warm-cool colour contrast, the gold fairy light and the pink neon meeting in vivid warm-cool contrast through the glass. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every scallop and embroidered mint-green moth of the black lace bralette and high-cut briefs, the silver crescent charm, the glowing crescent pendant and rune tattoos, the steaming mug, the brick-arched window and its crowded sill of ferns, ivy and crystals, the glowing fairy in her glass jar, the black cat on its velvet cushion, the hanging herbs, the stacked grimoires, the brass bed and the pink diner sign drawn sharply and precisely. The palette is vivid and cosy: fairy gold, neon pink, plum and fern green, black lace, fair skin and mint-green hair.
- Mode
- standard
- Size
- 1280 x 960
Model & LoRA used
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