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AI art "お前ら座ってんじゃねえぞっ！" featuring #Macross, #Macross 7, #Mylene Jenius and #Nekki Basara

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お前ら座ってんじゃねえぞっ！

#Macross #Macross 7 #Mylene Jenius #Nekki Basara

Published on Nov 8, 2026

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つぶあんマシマシ

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character: mylene_jenius, nekki_basara, copyright: macross 2girls, mylene jenius, nekki basara, live stage, concert, on stage, low angle, from below, red bustier, shoulder pads, white headband, pink hair, very long hair, long hair, floating hair, green eyes, hair ornament, brown hair, short hair, spiked hair, brown eyes, sunglasses, black jacket, open jacket, dress shirt, fingerless gloves, singing, holding microphone, holding guitar, mid-performance, dynamic pose, foreshortening, dutch angle, stage lights, spotlight, looking at viewer, open mouth, grin, :d, head tilt, arms up, smoke, confetti The camera sits at stage-floor level and tilts slightly into a dutch angle, looking steeply up at two performers on a raised live stage, so both figures are foreshortened from below: boots huge in the bottom of the frame, torsos receding upward, heads small against the rig above them. On the left of the frame, closer to the lens, the pink-haired girl leans out over the monitor edge; her very long pink hair floats loose and drifts sideways in the heat coming off the footlights, and a small hair ornament rides at one side of it. She wears a red bustier that clamps her ribs, rigid shoulder pads flaring the line of each shoulder into a hard wedge, and a white headband pulled low across her brow, pressed into the pink strands. Her left knee is planted on the lip of the stage and her right hand is braced flat on the monitor's top edge, fingers splayed, weight carried on that arm; her chin is thrown back so the headband catches the light, her green eyes look down the lens, and her mouth is open mid-shout into the microphone she grips in her right fist, its cable trailing over her wrist. To her right and a half-step behind, the brown-haired man with short spiked hair stands with his guitar pulled across his hip, both feet planted wide apart, boots gripping the stage deck. Dark sunglasses mask his eyes, the lenses throwing back two small hot reflections of the lighting rig. His black jacket hangs open over a dress shirt, the sleeves pushed back, and fingerless gloves leave his fingertips bare on the fretboard; his left hand chokes a chord high on the neck while his right hand is caught just after the downstroke, the strings still blurred. His head is tipped back and turned toward the girl, jaw dropped in a full open-mouthed yell, grin breaking at the corner. Stage architecture frames them: a truss of lamps overhead throwing hard beams down and past the lens, a wedge monitor at floor level, cables taped in runs across the deck, and behind them a dark wall of speakers, the whole rear of the stage falling into black. The stage lights are the only source — white-hot from directly above and the front edge, magenta and amber spill from the side cans rimming both figures' hair and shoulders, hard-edged shadows dropping straight down the deck beneath them. Between the two bodies a haze machine keeps a thin sheet of smoke low over the floor, and it is the beams that show the air: visible shafts stabbing down through the smoke, the dust in them lit into bright grain. Palette is red, white, black and hot magenta, with the girl's pink hair as the warmest note against the cold black of the speaker wall. Sweat sheen on both faces and the leather of the gloves, fabric straining at the shoulder pads. Loud, electric.

お前ら座ってんじゃねえぞっ！

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