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AI art "ストック"
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ストック

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Delmonda

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1girl, solo, idol costume, puffy rounded sleeve cuffs, puffed sleeves, cinched waist, slim waist, above-knee skirt, short skirt, hand on skirt, skirt hold, skirt lift, flared skirt, voluminous skirt, fluffy skirt, pleated skirt, brown hair, shoulder-length hair, side ponytail, small ponytail, hair ribbon, pink ribbon, white crew socks, black mary jane shoes, from below, full body, standing, contrapposto, three-quarter view, looking to the side, light smile, half-closed eyes, head tilt, dutch angle, cobblestone street, outdoor, daytime, sunlight, backlighting, lens flare, cool blue palette, soft warm highlights, From a low three-quarter angle looking up, an ordinary high school girl stands on a cobblestone street, her weight on her right leg with the left knee bent and the toe touching down, hips canted so her tightly cinched waist reads as an exact narrow waist between the puffed bodice and the skirt. Her brown hair, shoulder-length and gathered into a small side ponytail at the left temple, is tied with a pink ribbon that lifts away from her neck in the breeze; a few loose strands cross her cheek. She wears an idol-like costume: the bodice is a fitted top with a rounded neckline, and both sleeves end in round, puffy cuffs that balloon around her wrists, the fabric holding a soft spherical shape; from the cinched waist the skirt falls above the knee in a full circle, its hem irregular and layered. Her right hand is at her hip, fingers pinching the skirt's side seam and lifting it slightly; her left hand is lower and forward, thumb and forefinger gathering the front panel of the skirt, pulling it outward and upward so the pleats fan open and the whole skirt puffs and flares with a fluffy, voluminous breadth, the hem swinging away from her thigh. The lifted skirt shows its underside in shadow; through the opening, one white crew sock and the black strap of a Mary Jane shoe are visible on her right foot, the left foot behind in matching socks and shoes. Her gaze is cast to the side, away from the camera, toward a shop window or passing figure off-frame; her expression is a faint, closed-lip smile with lowered lashes, the tilt of her head making the ponytail swing. Behind her, the street rises in perspective, warm sunlight from the upper left rimming the edges of her hair and sleeve cuffs while the shop fronts fall into cool blue shadow; a cast shadow of her lifted skirt and bent leg falls across the cobblestones to the right, its edge sharpest where the hem is highest. The palette is cool blue-grey stone and shadow with warm gold rim light on the hair, ribbon, and the up-facing surfaces of the puffed cuffs, and the pink ribbon as the one saturated accent. One detail of physics: the lifted skirt's pleats cast thin radial shadows across her thigh, and the hem's shadow on the ground ripples where it crosses the uneven cobblestone seams. Effortlessly bright, a little wistful.
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Original Prompt
袖口は丸く膨らみ、腰はきゅっとした感じで、膝より上の丈のスカートは手でつまんでなくなるべくふんわりとボリューム感があるように膨らんで広がったアイドルみたいな衣装のごく普通の高校生。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of むぎ
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave. The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ
AI artwork
Avatar image of むぎ
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave. The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ
1

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