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くるくるおめめのうさぎ獣人さん

くるくるおめめのうさぎ獣人さん AI art by ジャリル on PixAI. Tags: Furry, standing, Suspenders, Golden eyes, Hammer, Holding. Made with Tsubaki.3.

ふわふわな耳とくるんとした目がたまらない、うさぎの獣人くんのイラストです！大きなハンマーを担いでいるギャップがすごく可愛くて、つい夢中で描いちゃいました。気に入ってもらえたら嬉しいな。いいねとフォロー、コメントもお待ちしてます！

#Kemonomimi #Furry #standing #Suspenders #Golden eyes #Hammer #Holding #Rabbit Ears #Animal feet #Sarashi

Published on Nov 9, 2026

ジャリル

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character: bilac_(shangri-la_frontier), copyright: shangri-la_frontier low angle, from below, full body, 1girl, solo, furry female, anthro rabbit, brown rabbit, dark brown fur all over body, wavy textured fur, fluffy fur, long cheek fur tufts, brown hair, yellow eyes, round eyes, thick rounded eyebrows, confident expression, smug, cat mouth, :3, fluffy rabbit ears, tall ears, digitigrade legs, beast legs, petite, slim torso, slim upper arms, thick forearms, sarashi, bandage wraps, orange pants, suspenders, thick pants, gloves, giant hammer, silver hammer head, square hammer face, black handle, holding hammer, standing, looking at viewer, full body, low angle A low angle shot from near the floor, tilted up so the small figure towers over the lens and the pale studio ground rushes away behind her heels. She stands with her weight thrown onto her right leg and her left hip cocked out, a short three-heads-tall silhouette whose two long fluffy ears rise a head and a half above her crown and catch the light along their wavy fur; the left ear tips sideways while the right stays bolt upright, so the dark brown mass of ear fur reads balanced and jaunty rather than symmetrical. Her head is tipped down toward the viewer, the long cheek tufts flaring out either side of a narrow muzzle, cat-mouth furrow curling into a :3 shape, and her round yellow eyes look straight into the lens, the pupils catching its reflection; the thick rounded brows sit heavy and high, one nudged a little above the other in a dare. Her bare slim upper arms are crossed at the forearms, the thick furred forearms stacked one over the other, and the gloved hands grip the black handle of the giant hammer where it rests across her shoulders -- the shaft running diagonally behind her neck, the huge silver square-faced head hanging out on her left side, well above her, its flat bright face turning a little toward the camera so the square reads square. Beneath the hammer her slim torso leans back, a strip of the off-white sarashi winding flat around her midriff in overlapping bands, the ends tucked in and the fur crushed flat at its edges; the orange work pants flare broadly and the suspenders run in two taut straps over her shoulders, kinked where the hammer shaft presses the left one. The thick legs spread in a sturdy stance with the hock joints angled back, the pant cuffs hanging wide and heavy down past the hocks so the dark brown fur of the ankles and the long narrow paws poke out beneath them. All fur is dense wavy dark brown, lit from a single high studio lamp behind camera-left: its warm light skims the hammer head's silver square face, the tops of the ears, the tops of the forearms and the front of the sarashi, while the undersides of the muzzle, the under-tufts of the ears and the deep folds of the pants sink into a soft cool shadow; her cast shadow pools tight at her feet because the light comes from nearly overhead. The background is an empty seamless dark slate sweep with nothing in it, the floor and wall meeting in a soft gradient, so the satin silver and the orange pants are the only colours in the frame. Effortlessly plucky and quietly stylish.

くるくるおめめのうさぎ獣人さん

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