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Miss Fortune
Show Parameters
- Original Prompt
- a crimson-haired woman sitting on a horse, saddled, wearing a cowboy hat and a cow-print vest. She's extremely pretty and beautiful, with curled hair, and a curvy figure. Her back is arched, and she's looking down at the viewer with a sultry smile. She's wearing mascara and brown cowboy pants with frills. She's wearing brown cowboy boots with star-shaped spurs, and golden buckles. The point of view should be low, focused on her boots.
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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1girl, solo, horse, sitting on horse, saddled, cowboy hat, crimson hair, curly hair, long curly hair, curvy figure, wide hips, thick thighs, cow-print vest, brown pants, frilled pants, brown cowboy boots, star-shaped spurs, golden buckles, mascara, sultry smile, looking down, looking at viewer, arched back, from below, low angle, foreshortening, extreme foreshortening, boots in foreground, boot focus, cowboy shot, western theme, soft warm sunlight,
A steep low-angle view from just above the ground, the camera practically at hoof level in front of the horse so that the woman's brown cowboy boots dominate the lower foreground, hugely foreshortened: the near boot's toe box pushed almost against the lens, its leather creased across the vamp, the second boot planted an arm's length behind it, its star-shaped spur and golden buckle catching the light on the outer ankle strap, all of it in crisp focus while the rest of her recedes upward through the frame. She sits astride a saddled horse seen from the front-quarter beneath the barrel of its chest; the fringed leather saddle skirt and stirrup hang over the horse's flank, and the stirrup leather runs down toward her instep, her boot heel hooked lightly against it. From there the perspective climbs her legs: brown cowboy pants with flared frilled cuffs gathered over the boot shafts, the ruffled hem swaying in short scallops over the leather, the brown fabric stretched taut over wide hips and thick thighs where they straddle the saddle horn, cinching in at a narrow waist so the hourglass reads clearly, and swelling up into the cow-print vest — the black-on-white hide pattern wrapping the curved front panels, its lower edge skipping over the hip bones. Above the vest, a cowboy hat brim cuts a broad dark crescent across her brow. Long crimson hair, set in full loose curls, tumbles down past her shoulders on one side and over the vest on the other, individual ringlets lifting a little in the dry breeze and backlit into glowing red threads at their edges. Her back is arched so the spine hollows and the chest projects forward, chin dropped sharply toward the camera; her eyes are heavy-lidded and fixed directly on the viewer from under the brim, lashes thickly blackened with mascara, one corner of the mouth pulled up into a slow sultry smile, a held beat rather than a grin. One gloved-free hand rests on the saddle horn, knuckles loose, thumb hooked; the other gathers a lock of crimson curl against her hip, elbow winged out. Her bent-knee and shifted seat place her weight on the right stirrup, hips tilted a little off square.
The light comes from a low western sun to her rear-left, so her boots sit in the near foreground in cool half-shadow while the brim throws a hard line across her cheekbones, catching the white of the vest and the star spurs in hot gold; a long soft shadow of horse and rider sweeps forward across the dusty ground toward the camera, and the dust the hooves have kicked up hangs in the beam as bright suspended motes. Behind her a bleached wooden corral fence and the flat empty plain fall out of focus, the sky a pale hot gradient of straw and dusty blue; palette confined to crimson, black-and-white hide, leather browns, gold and sun-bleached earth. Sun-worn leather grain, horsehair sheen, and the matte felt of the hat get the detail budget, riding trousers and hat outweighed by the creased boot leather at the bottom of the frame. Low, sun-baked and confident.
th8y
1girl, solo, horse, sitting on horse, saddled, cowboy hat, crimson hair, curly hair, long curly hair, curvy figure, wide hips, thick thighs, cow-print vest, brown pants, frilled pants, brown cowboy boots, star-shaped spurs, golden buckles, mascara, sultry smile, looking down, looking at viewer, arched back, from below, low angle, foreshortening, extreme foreshortening, boots in foreground, boot focus, cowboy shot, western theme, soft warm sunlight,
A steep low-angle view from just above the ground, the camera practically at hoof level in front of the horse so that the woman's brown cowboy boots dominate the lower foreground, hugely foreshortened: the near boot's toe box pushed almost against the lens, its leather creased across the vamp, the second boot planted an arm's length behind it, its star-shaped spur and golden buckle catching the light on the outer ankle strap, all of it in crisp focus while the rest of her recedes upward through the frame. She sits astride a saddled horse seen from the front-quarter beneath the barrel of its chest; the fringed leather saddle skirt and stirrup hang over the horse's flank, and the stirrup leather runs down toward her instep, her boot heel hooked lightly against it. From there the perspective climbs her legs: brown cowboy pants with flared frilled cuffs gathered over the boot shafts, the ruffled hem swaying in short scallops over the leather, the brown fabric stretched taut over wide hips and thick thighs where they straddle the saddle horn, cinching in at a narrow waist so the hourglass reads clearly, and swelling up into the cow-print vest — the black-on-white hide pattern wrapping the curved front panels, its lower edge skipping over the hip bones. Above the vest, a cowboy hat brim cuts a broad dark crescent across her brow. Long crimson hair, set in full loose curls, tumbles down past her shoulders on one side and over the vest on the other, individual ringlets lifting a little in the dry breeze and backlit into glowing red threads at their edges. Her back is arched so the spine hollows and the chest projects forward, chin dropped sharply toward the camera; her eyes are heavy-lidded and fixed directly on the viewer from under the brim, lashes thickly blackened with mascara, one corner of the mouth pulled up into a slow sultry smile, a held beat rather than a grin. One gloved-free hand rests on the saddle horn, knuckles loose, thumb hooked; the other gathers a lock of crimson curl against her hip, elbow winged out. Her bent-knee and shifted seat place her weight on the right stirrup, hips tilted a little off square.
The light comes from a low western sun to her rear-left, so her boots sit in the near foreground in cool half-shadow while the brim throws a hard line across her cheekbones, catching the white of the vest and the star spurs in hot gold; a long soft shadow of horse and rider sweeps forward across the dusty ground toward the camera, and the dust the hooves have kicked up hangs in the beam as bright suspended motes. Behind her a bleached wooden corral fence and the flat empty plain fall out of focus, the sky a pale hot gradient of straw and dusty blue; palette confined to crimson, black-and-white hide, leather browns, gold and sun-bleached earth. Sun-worn leather grain, horsehair sheen, and the matte felt of the hat get the detail budget, riding trousers and hat outweighed by the creased boot leather at the bottom of the frame. Low, sun-baked and confident.
th8y
1girl, solo, horse, sitting on horse, saddled, cowboy hat, crimson hair, curly hair, long curly hair, curvy figure, wide hips, thick thighs, cow-print vest, brown pants, frilled pants, brown cowboy boots, star-shaped spurs, golden buckles, mascara, sultry smile, looking down, looking at viewer, arched back, from below, low angle, foreshortening, extreme foreshortening, boots in foreground, boot focus, cowboy shot, western theme, soft warm sunlight,
A steep low-angle view from just above the ground, the camera practically at hoof level in front of the horse so that the woman's brown cowboy boots dominate the lower foreground, hugely foreshortened: the near boot's toe box pushed almost against the lens, its leather creased across the vamp, the second boot planted an arm's length behind it, its star-shaped spur and golden buckle catching the light on the outer ankle strap, all of it in crisp focus while the rest of her recedes upward through the frame. She sits astride a saddled horse seen from the front-quarter beneath the barrel of its chest; the fringed leather saddle skirt and stirrup hang over the horse's flank, and the stirrup leather runs down toward her instep, her boot heel hooked lightly against it. From there the perspective climbs her legs: brown cowboy pants with flared frilled cuffs gathered over the boot shafts, the ruffled hem swaying in short scallops over the leather, the brown fabric stretched taut over wide hips and thick thighs where they straddle the saddle horn, cinching in at a narrow waist so the hourglass reads clearly, and swelling up into the cow-print vest — the black-on-white hide pattern wrapping the curved front panels, its lower edge skipping over the hip bones. Above the vest, a cowboy hat brim cuts a broad dark crescent across her brow. Long crimson hair, set in full loose curls, tumbles down past her shoulders on one side and over the vest on the other, individual ringlets lifting a little in the dry breeze and backlit into glowing red threads at their edges. Her back is arched so the spine hollows and the chest projects forward, chin dropped sharply toward the camera; her eyes are heavy-lidded and fixed directly on the viewer from under the brim, lashes thickly blackened with mascara, one corner of the mouth pulled up into a slow sultry smile, a held beat rather than a grin. One gloved-free hand rests on the saddle horn, knuckles loose, thumb hooked; the other gathers a lock of crimson curl against her hip, elbow winged out. Her bent-knee and shifted seat place her weight on the right stirrup, hips tilted a little off square.
The light comes from a low western sun to her rear-left, so her boots sit in the near foreground in cool half-shadow while the brim throws a hard line across her cheekbones, catching the white of the vest and the star spurs in hot gold; a long soft shadow of horse and rider sweeps forward across the dusty ground toward the camera, and the dust the hooves have kicked up hangs in the beam as bright suspended motes. Behind her a bleached wooden corral fence and the flat empty plain fall out of focus, the sky a pale hot gradient of straw and dusty blue; palette confined to crimson, black-and-white hide, leather browns, gold and sun-bleached earth. Sun-worn leather grain, horsehair sheen, and the matte felt of the hat get the detail budget, riding trousers and hat outweighed by the creased boot leather at the bottom of the frame. Low, sun-baked and confident.
th8y
1girl, solo, horse, sitting on horse, saddled, cowboy hat, crimson hair, curly hair, long curly hair, curvy figure, wide hips, thick thighs, cow-print vest, brown pants, frilled pants, brown cowboy boots, star-shaped spurs, golden buckles, mascara, sultry smile, looking down, looking at viewer, arched back, from below, low angle, foreshortening, extreme foreshortening, boots in foreground, boot focus, cowboy shot, western theme, soft warm sunlight,
A steep low-angle view from just above the ground, the camera practically at hoof level in front of the horse so that the woman's brown cowboy boots dominate the lower foreground, hugely foreshortened: the near boot's toe box pushed almost against the lens, its leather creased across the vamp, the second boot planted an arm's length behind it, its star-shaped spur and golden buckle catching the light on the outer ankle strap, all of it in crisp focus while the rest of her recedes upward through the frame. She sits astride a saddled horse seen from the front-quarter beneath the barrel of its chest; the fringed leather saddle skirt and stirrup hang over the horse's flank, and the stirrup leather runs down toward her instep, her boot heel hooked lightly against it. From there the perspective climbs her legs: brown cowboy pants with flared frilled cuffs gathered over the boot shafts, the ruffled hem swaying in short scallops over the leather, the brown fabric stretched taut over wide hips and thick thighs where they straddle the saddle horn, cinching in at a narrow waist so the hourglass reads clearly, and swelling up into the cow-print vest — the black-on-white hide pattern wrapping the curved front panels, its lower edge skipping over the hip bones. Above the vest, a cowboy hat brim cuts a broad dark crescent across her brow. Long crimson hair, set in full loose curls, tumbles down past her shoulders on one side and over the vest on the other, individual ringlets lifting a little in the dry breeze and backlit into glowing red threads at their edges. Her back is arched so the spine hollows and the chest projects forward, chin dropped sharply toward the camera; her eyes are heavy-lidded and fixed directly on the viewer from under the brim, lashes thickly blackened with mascara, one corner of the mouth pulled up into a slow sultry smile, a held beat rather than a grin. One gloved-free hand rests on the saddle horn, knuckles loose, thumb hooked; the other gathers a lock of crimson curl against her hip, elbow winged out. Her bent-knee and shifted seat place her weight on the right stirrup, hips tilted a little off square.
The light comes from a low western sun to her rear-left, so her boots sit in the near foreground in cool half-shadow while the brim throws a hard line across her cheekbones, catching the white of the vest and the star spurs in hot gold; a long soft shadow of horse and rider sweeps forward across the dusty ground toward the camera, and the dust the hooves have kicked up hangs in the beam as bright suspended motes. Behind her a bleached wooden corral fence and the flat empty plain fall out of focus, the sky a pale hot gradient of straw and dusty blue; palette confined to crimson, black-and-white hide, leather browns, gold and sun-bleached earth. Sun-worn leather grain, horsehair sheen, and the matte felt of the hat get the detail budget, riding trousers and hat outweighed by the creased boot leather at the bottom of the frame. Low, sun-baked and confident.
th8y
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