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シティハンターの二人(2)
シティハンターの二人(2) AI art by 桂 on PixAI. Tags: Ryo Saeba, City Hunter, Back-to-back. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- 夜の摩天楼のビル街背景。 anime coloring, flat color, 1980s (style), character A: saeba ryou,1male, black hair, shirt, short hair, jacket, brown hair, red shirt, black eyes, weapon, blue jacket, gun, crossover, holding weapon, holding gun, handgun, brown eyes, character B: makimura kaori, 1girl, 勝ち気。精悍。男勝り。細身。
- Mode
- pro
- Quality Tag
- masterpiece, high detail, perfect eyes,, ﹝Prompts﹞
- Size
- 1232 x 1632
- Sampling Method
- Euler
- Negative
- (((((pubic hair)))), lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Prompt Helper
Model & LoRA used
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character: revy_(black_lagoon), rock_(tezuka_osamu), copyright: black_lagoon
2girls, 1boy, 2people, back-to-back, standing back to back, revy, rock, cigarette in mouth, smoking, holding weapon, gun, sword cutlass, dual wielding pistols, two guns, fingerless gloves, black gloves, black tank top, crop top, denim shorts, long hair, brown hair, ponytail, brown eyes, short hair, shirt, jacket, cigarette in hand, holding cigarette, looking into distance, gazing into distance, looking away, from behind, from below, wide shot, cinematic, night
The camera sits low behind the pair, tilted slightly upward, so both figures are framed from behind and from the side: a woman with a long brown ponytail and a man with short dark hair stand pressed back to back at the center of a narrow night alley, their spines aligned, shoulders overlapping, the crowns of their heads nearly level. She is on the right, seen in a three-quarter back view; her weight rests on her left leg, right hip dropped, the black denim of her shorts creased at the seat, the black tank top pulling tight across her shoulder blades. A lit cigarette juts from the corner of her mouth, its cherry glowing orange and throwing a thin curl of smoke that drifts up past her cheek. Both her hands are filled: the Sword Cutlass pistol in her right hand hangs angled down and out to the side, its muzzle toward the wet gutter, and the second matching pistol in her left rests across her lower back, the barrel almost grazing his hip. Black fingerless gloves split at the knuckles; the exposed fingertips are pale against the dark steel.
He is on the left, seen in a three-quarter back view, chin already turned away to the far end of the street. His white shirt is open at the collar, the dark jacket hanging from his shoulders with its hem lifted by the draft. His right hand hangs low at his side with a cigarette pinched between index and middle finger, the ember at hip height, a gray line of smoke rising across the back of his thigh. His eyes, hidden from this angle, are fixed on the distant mouth of the alley; his head is tilted just enough that the line of his jaw is visible in profile and his gaze clearly points outward, not back at her. Her head is turned the other way, but her eyes are angled toward him over her shoulder without fully turning, watching him rather than the street.
Their backs meet at a single continuous contact line from the shoulder blades down to the lower back; the fabric of his jacket bunches where her spine presses into it, and her drawn shoulders lift slightly with each drag on the cigarette. The alley is a narrow corridor of wet brick and drainpipe, the pavement darkened and glossy with rain, faint reflections of the two glowing cigarette embers stretched vertically across the puddles. The only light sources are the two cigarette cherries, one high at her mouth and one low at his hand, plus a distant cold fluorescent sign at the far end of the alley spilling a thin blue-green haze over the wet ground; everything nearer falls into dense shadow, the darkness behind them absolute, their heads and shoulders rimmed by the faint glow of her ember and the top edges of their shoulders, no cast shadows on the ground except the pair of long, faint shapes thrown away from the far sign. Palette of black, wet slate, denim indigo, warm orange and one cold green highlight; nothing else admitted. Crisp cel linework with hard shadow edges and a restrained night palette, quiet, coiled tension.
mizukisiho
「背中を預けた、雨の新宿」
ドングリ
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