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吉田晴樹

吉

吉田晴樹

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high angle, from above, looking down, bird's-eye view, 1girl, solo, high school girl, school uniform, seiza, sitting on carpet, looking back, looking up at viewer, over shoulder, smile, closed-mouth smile, one eye slightly narrowed, small face in frame, long legs, very long legs, long thighs, healthy legs, tall female, 180cm, statuesque, large build, long torso, bare thighs, pleated skirt, carpet, indoors, her room, foreshortening, wide-angle lens distortion, Shot from directly above, the camera high over the room and tilted down so the floor fills the frame. A single tall high-school girl sits seiza on a plush low-pile carpet, seen from the top-down: because the camera looks down the length of her body, her face reads small at the far end of the frame while her legs read huge and near, the thighs running long toward the lens in strong foreshortening, the knees pressed together on the carpet, shins folded flat under her, calves and ankles tucked behind her. She is turned back toward the viewer, chin lifted over her shoulder, both hands resting lightly on the fronts of her thighs above the knees, her weight settled on her heels. Her uniform is a dark navy sailor-style top with a white collar, a pleated skirt fanned out around her hips in a ring on the carpet, and dark knee-high socks; her long, healthy legs are bare from the skirt hem to the sock cuffs, the skin smooth and firm, faintly compressed where her shins meet the carpet and her knees press down. Her hair is black, long, and tied back, with a few strands escaping toward the camera. She smiles warmly up at the lens, one eye a touch narrowed, chin tilted, the smile reaching her eyes. Light comes from a window off-frame to one side, soft and warm, falling across the carpet in a broad band and casting her shadow long and short-limbed across the floor in the direction the light travels; the room behind her is a tidy bedroom with a low shelf, a cushion, and a soft rug edge, kept quiet and uncluttered so her legs stay the largest, most detailed shape in the frame. Palette of navy, white, warm wood, and soft cream carpet. Intimate and playful.
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Original Prompt
女子高生。身長180㎝大柄スタイル抜群。制服姿。彼女の部屋の中、彼女は絨毯の上で正座をして、座っている。俯瞰の視点。彼女はこちらを振り返り笑顔である。彼女の顔を小さく、彼女の脚を大きくして描く。彼女はとても脚が長い。特に太もも部分が長い。健康的な脚である。
Mode
flash
Size
1632 x 1232
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.99k

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吉
high angle, from above, looking down, bird's-eye view, 1girl, solo, high school girl, school uniform, seiza, sitting on carpet, looking back, looking up at viewer, over shoulder, smile, closed-mouth smile, one eye slightly narrowed, small face in frame, long legs, very long legs, long thighs, healthy legs, tall female, 180cm, statuesque, large build, long torso, bare thighs, pleated skirt, carpet, indoors, her room, foreshortening, wide-angle lens distortion, Shot from directly above, the camera high over the room and tilted down so the floor fills the frame. A single tall high-school girl sits seiza on a plush low-pile carpet, seen from the top-down: because the camera looks down the length of her body, her face reads small at the far end of the frame while her legs read huge and near, the thighs running long toward the lens in strong foreshortening, the knees pressed together on the carpet, shins folded flat under her, calves and ankles tucked behind her. She is turned back toward the viewer, chin lifted over her shoulder, both hands resting lightly on the fronts of her thighs above the knees, her weight settled on her heels. Her uniform is a dark navy sailor-style top with a white collar, a pleated skirt fanned out around her hips in a ring on the carpet, and dark knee-high socks; her long, healthy legs are bare from the skirt hem to the sock cuffs, the skin smooth and firm, faintly compressed where her shins meet the carpet and her knees press down. Her hair is black, long, and tied back, with a few strands escaping toward the camera. She smiles warmly up at the lens, one eye a touch narrowed, chin tilted, the smile reaching her eyes. Light comes from a window off-frame to one side, soft and warm, falling across the carpet in a broad band and casting her shadow long and short-limbed across the floor in the direction the light travels; the room behind her is a tidy bedroom with a low shelf, a cushion, and a soft rug edge, kept quiet and uncluttered so her legs stay the largest, most detailed shape in the frame. Palette of navy, white, warm wood, and soft cream carpet. Intimate and playful.
吉田晴樹
AI artwork
吉
overhead view, from above, high angle, looking up, looking back over shoulder, looking at viewer, smile, closed mouth, one girl, solo, seiza, sitting on carpet, school uniform, serafuku, sailor collar, white shirt, red neckerchief, pleated skirt, long legs, very long legs, long thighs, healthy legs, tall female, slender, long hair, black hair, straight hair, carpet, bedroom, indoor, warm light, foreshortening, top-down perspective Shot from directly above: the camera looks straight down into a girl's bedroom, and the whole frame is carpet — a soft cream low-pile rug filling the floor edge to edge, faint vacuum strokes and one shallow depression where a chair leg once pressed. The girl sits at the center of that rug in seiza, shins flat beneath her, the tops of her feet pressed down and her toes together behind her, knees together and slightly forward, hips settled back onto her heels. Because the camera is above her, her height of 180 cm reads as length: her torso foreshortens toward the lens while her legs run long and diagonal across the lower half of the frame, thighs stretched out by the seiza fold so that the skirt's pleats are pulled taut over the longest part of her, knee to hem, and her calves and bare ankles show healthy, even tone below. She wears a navy sailor uniform: white short-sleeve blouse, navy sailor collar with two white stripes lying flat between her shoulder blades, a red neckerchief knotted at the throat with its ends fallen forward over her chest, and a navy pleated skirt fanned in a neat half-circle on the carpet around her hips. Her black hair is long and straight, and from this angle it spills forward over one shoulder and pools on the rug in a dark glossy fan, a few strands lifted where her turn swings them. She has twisted at the waist to look back up over her right shoulder at the viewer: chin tipped back, one cheek compressed against her shoulder, both eyes open and aimed straight up into the lens, a warm closed-lip smile with the corners pushed up, one brow slightly higher than the other. Her right hand rests flat on the carpet beside her hip, fingers spread and pressing shallow dents into the pile; her left hand lies palm-down on her own thigh, holding the skirt hem down. Late afternoon light comes in from a window off-frame at the upper left: it lays a bright parallelogram across the rug, catches the top of her head, her shoulders and the front of her thighs, and throws her own compressed shadow tight and small to the lower right of her body, short because the light is nearly overhead. Around the edges of the shot the room stays secondary — the corner of a low bed with a folded blanket, a pale wooden shelf, a potted plant leaning toward the window — all warm cream, navy and soft wood tones, with the red of the neckerchief the single saturated accent. Quiet, sunny, at ease.
吉田晴樹
AI artwork
吉
overhead view, from above, high angle, looking up, looking back over shoulder, looking at viewer, smile, closed mouth, one girl, solo, seiza, sitting on carpet, school uniform, serafuku, sailor collar, white shirt, red neckerchief, pleated skirt, long legs, very long legs, long thighs, healthy legs, tall female, slender, long hair, black hair, straight hair, carpet, bedroom, indoor, warm light, foreshortening, top-down perspective Shot from directly above: the camera looks straight down into a girl's bedroom, and the whole frame is carpet — a soft cream low-pile rug filling the floor edge to edge, faint vacuum strokes and one shallow depression where a chair leg once pressed. The girl sits at the center of that rug in seiza, shins flat beneath her, the tops of her feet pressed down and her toes together behind her, knees together and slightly forward, hips settled back onto her heels. Because the camera is above her, her height of 180 cm reads as length: her torso foreshortens toward the lens while her legs run long and diagonal across the lower half of the frame, thighs stretched out by the seiza fold so that the skirt's pleats are pulled taut over the longest part of her, knee to hem, and her calves and bare ankles show healthy, even tone below. She wears a navy sailor uniform: white short-sleeve blouse, navy sailor collar with two white stripes lying flat between her shoulder blades, a red neckerchief knotted at the throat with its ends fallen forward over her chest, and a navy pleated skirt fanned in a neat half-circle on the carpet around her hips. Her black hair is long and straight, and from this angle it spills forward over one shoulder and pools on the rug in a dark glossy fan, a few strands lifted where her turn swings them. She has twisted at the waist to look back up over her right shoulder at the viewer: chin tipped back, one cheek compressed against her shoulder, both eyes open and aimed straight up into the lens, a warm closed-lip smile with the corners pushed up, one brow slightly higher than the other. Her right hand rests flat on the carpet beside her hip, fingers spread and pressing shallow dents into the pile; her left hand lies palm-down on her own thigh, holding the skirt hem down. Late afternoon light comes in from a window off-frame at the upper left: it lays a bright parallelogram across the rug, catches the top of her head, her shoulders and the front of her thighs, and throws her own compressed shadow tight and small to the lower right of her body, short because the light is nearly overhead. Around the edges of the shot the room stays secondary — the corner of a low bed with a folded blanket, a pale wooden shelf, a potted plant leaning toward the window — all warm cream, navy and soft wood tones, with the red of the neckerchief the single saturated accent. Quiet, sunny, at ease.
吉田晴樹
AI artwork
吉
overhead view, from above, high angle, looking up, looking back over shoulder, looking at viewer, smile, closed mouth, one girl, solo, seiza, sitting on carpet, school uniform, serafuku, sailor collar, white shirt, red neckerchief, pleated skirt, long legs, very long legs, long thighs, healthy legs, tall female, slender, long hair, black hair, straight hair, carpet, bedroom, indoor, warm light, foreshortening, top-down perspective Shot from directly above: the camera looks straight down into a girl's bedroom, and the whole frame is carpet — a soft cream low-pile rug filling the floor edge to edge, faint vacuum strokes and one shallow depression where a chair leg once pressed. The girl sits at the center of that rug in seiza, shins flat beneath her, the tops of her feet pressed down and her toes together behind her, knees together and slightly forward, hips settled back onto her heels. Because the camera is above her, her height of 180 cm reads as length: her torso foreshortens toward the lens while her legs run long and diagonal across the lower half of the frame, thighs stretched out by the seiza fold so that the skirt's pleats are pulled taut over the longest part of her, knee to hem, and her calves and bare ankles show healthy, even tone below. She wears a navy sailor uniform: white short-sleeve blouse, navy sailor collar with two white stripes lying flat between her shoulder blades, a red neckerchief knotted at the throat with its ends fallen forward over her chest, and a navy pleated skirt fanned in a neat half-circle on the carpet around her hips. Her black hair is long and straight, and from this angle it spills forward over one shoulder and pools on the rug in a dark glossy fan, a few strands lifted where her turn swings them. She has twisted at the waist to look back up over her right shoulder at the viewer: chin tipped back, one cheek compressed against her shoulder, both eyes open and aimed straight up into the lens, a warm closed-lip smile with the corners pushed up, one brow slightly higher than the other. Her right hand rests flat on the carpet beside her hip, fingers spread and pressing shallow dents into the pile; her left hand lies palm-down on her own thigh, holding the skirt hem down. Late afternoon light comes in from a window off-frame at the upper left: it lays a bright parallelogram across the rug, catches the top of her head, her shoulders and the front of her thighs, and throws her own compressed shadow tight and small to the lower right of her body, short because the light is nearly overhead. Around the edges of the shot the room stays secondary — the corner of a low bed with a folded blanket, a pale wooden shelf, a potted plant leaning toward the window — all warm cream, navy and soft wood tones, with the red of the neckerchief the single saturated accent. Quiet, sunny, at ease.
吉田晴樹

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2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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