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AI artwork featuring #PixAI Halloween 2026
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El Fez

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
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El Fez

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character: olive_oyl_(popeye) 1girl, solo, olive oyl, extremely tall, extremely thin, lanky, long neck, narrow shoulders, spindly arms, spindly legs, oversized feet, black hair, hair bun, angular face, large nose, seated, chaise longue, elegant bedroom chaise, hand on hip, head tilt, self-satisfied expression, smug, closed-lip smile, half-closed eyes, vintage silk dressing gown, nightgown, bare feet, looking at viewer, portrait, full body, 1920s newspaper cartoon style, expressive ink outlines, restrained colors, period-appropriate illustration techniques, charmingly exaggerated anatomy, vintage illustrated theatrical glamour A vertical portrait of a single extremely tall, exceptionally thin and lanky woman seated on an elegant bedroom chaise. The scene is drawn in a 1920s newspaper-cartoon idiom with expressive ink outlines, restrained colors and period-appropriate illustration techniques. The composition is full-body: her oversized feet reach to the lower edge and her hair bun sits just below the top edge. The chaise upholstered in pale dusty rose sits angled slightly across the frame from lower left to upper right, its curved scroll-arm at the left end just behind her hip and a rolled bolster cushion behind her back. She is perched at the near end of the chaise rather than reclining, one leg folded up beneath her and the other extended along the seat, her oversized foot pointing down toward the foreground. Her extremely long, exceptionally thin body is drawn as a supple S-curve: narrow shoulders dropped and pushed back, elongated neck stretched upward, head tilted sharply to one side. One spindly arm bends at the elbow and places her hand flat on her hip with the fingers splayed; the other spindly arm is raised and draped lightly along the chaise's back. Both spindly legs stay visible so her exaggeratedly large feet read clearly against the floor. Her angular face — long narrow cheeks, a large pointed nose, small sharp chin — carries a self-satisfied, closed-lip smile, with her eyelids lowered halfway in a studied, alluring look and one eyebrow arched higher than the other. The alluring expression is only partly successful: the raised eyebrow and the tension in the shoulder give her a faintly awkward, gawky charm that undercuts the pose. She is dressed in a tasteful vintage silk dressing gown with a long lapel and a loose sash knotted at the waist over a simple pale nightdress visible at the collar and hem; both feet are bare. Light comes from a single warm lamp off frame at frame left, so the planes of her angular face are lit from the left with soft shadow falling across the right of her neck and into the folds of the gown's silk, which catches a low sheen along the shoulder. The palette is restrained: dusty rose, warm cream, ink black, muted teal and a little dull gold, with her black hair and the ink outlines providing the darkest notes, and the background a soft, sparsely detailed bedroom wall with the suggestion of a framed picture and a curtain fold behind her. The fabric of the dressing gown bunches where her hip hand presses into it and the cushion visibly compresses under her weight, making the seat's give visible. Quiet, self-satisfied charm.
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Original Prompt
A lovingly illustrated vintage cartoon portrait of Olive Oyl, faithfully retaining the original 1920s E.C. Segar character design from Thimble Theatre. She is extremely tall, exceptionally thin and lanky, with an elongated neck, narrow shoulders, spindly arms and legs, oversized feet, distinctive black hair in a bun, and her unmistakable angular facial features. Olive is seated on an elegant bedroom chaise, attempting an exaggerated Hollywood glamour pose. She has one hand resting on her hip, her head tilted, and a thoroughly self-satisfied expression. Her expression conveys someone making an enormous effort to appear sophisticated and alluring, with just a hint of her naturally awkward personality showing through. She wears a tasteful vintage silk dressing gown over a simple nightdress. 1920s newspaper cartoon meets vintage illustrated theatrical glamour. Expressive ink outlines, restrained colors, period-appropriate illustration techniques, charmingly exaggerated anatomy. Preserve the original character's proportions. Do not modernize or beautify her design.
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of El Fez
character: olive_oyl_(popeye) 1girl, solo, olive oyl, extremely tall, extremely thin, lanky, long neck, narrow shoulders, spindly arms, spindly legs, oversized feet, black hair, hair bun, angular face, large nose, seated, chaise longue, elegant bedroom chaise, hand on hip, head tilt, self-satisfied expression, smug, closed-lip smile, half-closed eyes, vintage silk dressing gown, nightgown, bare feet, looking at viewer, portrait, full body, 1920s newspaper cartoon style, expressive ink outlines, restrained colors, period-appropriate illustration techniques, charmingly exaggerated anatomy, vintage illustrated theatrical glamour A vertical portrait of a single extremely tall, exceptionally thin and lanky woman seated on an elegant bedroom chaise. The scene is drawn in a 1920s newspaper-cartoon idiom with expressive ink outlines, restrained colors and period-appropriate illustration techniques. The composition is full-body: her oversized feet reach to the lower edge and her hair bun sits just below the top edge. The chaise upholstered in pale dusty rose sits angled slightly across the frame from lower left to upper right, its curved scroll-arm at the left end just behind her hip and a rolled bolster cushion behind her back. She is perched at the near end of the chaise rather than reclining, one leg folded up beneath her and the other extended along the seat, her oversized foot pointing down toward the foreground. Her extremely long, exceptionally thin body is drawn as a supple S-curve: narrow shoulders dropped and pushed back, elongated neck stretched upward, head tilted sharply to one side. One spindly arm bends at the elbow and places her hand flat on her hip with the fingers splayed; the other spindly arm is raised and draped lightly along the chaise's back. Both spindly legs stay visible so her exaggeratedly large feet read clearly against the floor. Her angular face — long narrow cheeks, a large pointed nose, small sharp chin — carries a self-satisfied, closed-lip smile, with her eyelids lowered halfway in a studied, alluring look and one eyebrow arched higher than the other. The alluring expression is only partly successful: the raised eyebrow and the tension in the shoulder give her a faintly awkward, gawky charm that undercuts the pose. She is dressed in a tasteful vintage silk dressing gown with a long lapel and a loose sash knotted at the waist over a simple pale nightdress visible at the collar and hem; both feet are bare. Light comes from a single warm lamp off frame at frame left, so the planes of her angular face are lit from the left with soft shadow falling across the right of her neck and into the folds of the gown's silk, which catches a low sheen along the shoulder. The palette is restrained: dusty rose, warm cream, ink black, muted teal and a little dull gold, with her black hair and the ink outlines providing the darkest notes, and the background a soft, sparsely detailed bedroom wall with the suggestion of a framed picture and a curtain fold behind her. The fabric of the dressing gown bunches where her hip hand presses into it and the cushion visibly compresses under her weight, making the seat's give visible. Quiet, self-satisfied charm.
El Fez
#PixAI Halloween 2026
AI artwork
Avatar image of El Fez
character: olive_oyl_(popeye) 1girl, solo, olive oyl, extremely tall, extremely thin, lanky, long neck, narrow shoulders, spindly arms, spindly legs, oversized feet, black hair, hair bun, angular face, large nose, seated, chaise longue, elegant bedroom chaise, hand on hip, head tilt, self-satisfied expression, smug, closed-lip smile, half-closed eyes, vintage silk dressing gown, nightgown, bare feet, looking at viewer, portrait, full body, 1920s newspaper cartoon style, expressive ink outlines, restrained colors, period-appropriate illustration techniques, charmingly exaggerated anatomy, vintage illustrated theatrical glamour A vertical portrait of a single extremely tall, exceptionally thin and lanky woman seated on an elegant bedroom chaise. The scene is drawn in a 1920s newspaper-cartoon idiom with expressive ink outlines, restrained colors and period-appropriate illustration techniques. The composition is full-body: her oversized feet reach to the lower edge and her hair bun sits just below the top edge. The chaise upholstered in pale dusty rose sits angled slightly across the frame from lower left to upper right, its curved scroll-arm at the left end just behind her hip and a rolled bolster cushion behind her back. She is perched at the near end of the chaise rather than reclining, one leg folded up beneath her and the other extended along the seat, her oversized foot pointing down toward the foreground. Her extremely long, exceptionally thin body is drawn as a supple S-curve: narrow shoulders dropped and pushed back, elongated neck stretched upward, head tilted sharply to one side. One spindly arm bends at the elbow and places her hand flat on her hip with the fingers splayed; the other spindly arm is raised and draped lightly along the chaise's back. Both spindly legs stay visible so her exaggeratedly large feet read clearly against the floor. Her angular face — long narrow cheeks, a large pointed nose, small sharp chin — carries a self-satisfied, closed-lip smile, with her eyelids lowered halfway in a studied, alluring look and one eyebrow arched higher than the other. The alluring expression is only partly successful: the raised eyebrow and the tension in the shoulder give her a faintly awkward, gawky charm that undercuts the pose. She is dressed in a tasteful vintage silk dressing gown with a long lapel and a loose sash knotted at the waist over a simple pale nightdress visible at the collar and hem; both feet are bare. Light comes from a single warm lamp off frame at frame left, so the planes of her angular face are lit from the left with soft shadow falling across the right of her neck and into the folds of the gown's silk, which catches a low sheen along the shoulder. The palette is restrained: dusty rose, warm cream, ink black, muted teal and a little dull gold, with her black hair and the ink outlines providing the darkest notes, and the background a soft, sparsely detailed bedroom wall with the suggestion of a framed picture and a curtain fold behind her. The fabric of the dressing gown bunches where her hip hand presses into it and the cushion visibly compresses under her weight, making the seat's give visible. Quiet, self-satisfied charm.
El Fez
#PixAI Halloween 2026
AI artwork
Avatar image of El Fez
character: olive_oyl_(popeye) 1girl, solo, olive oyl, extremely tall, extremely thin, lanky, long neck, narrow shoulders, spindly arms, spindly legs, oversized feet, black hair, hair bun, angular face, large nose, seated, chaise longue, elegant bedroom chaise, hand on hip, head tilt, self-satisfied expression, smug, closed-lip smile, half-closed eyes, vintage silk dressing gown, nightgown, bare feet, looking at viewer, portrait, full body, 1920s newspaper cartoon style, expressive ink outlines, restrained colors, period-appropriate illustration techniques, charmingly exaggerated anatomy, vintage illustrated theatrical glamour A vertical portrait of a single extremely tall, exceptionally thin and lanky woman seated on an elegant bedroom chaise. The scene is drawn in a 1920s newspaper-cartoon idiom with expressive ink outlines, restrained colors and period-appropriate illustration techniques. The composition is full-body: her oversized feet reach to the lower edge and her hair bun sits just below the top edge. The chaise upholstered in pale dusty rose sits angled slightly across the frame from lower left to upper right, its curved scroll-arm at the left end just behind her hip and a rolled bolster cushion behind her back. She is perched at the near end of the chaise rather than reclining, one leg folded up beneath her and the other extended along the seat, her oversized foot pointing down toward the foreground. Her extremely long, exceptionally thin body is drawn as a supple S-curve: narrow shoulders dropped and pushed back, elongated neck stretched upward, head tilted sharply to one side. One spindly arm bends at the elbow and places her hand flat on her hip with the fingers splayed; the other spindly arm is raised and draped lightly along the chaise's back. Both spindly legs stay visible so her exaggeratedly large feet read clearly against the floor. Her angular face — long narrow cheeks, a large pointed nose, small sharp chin — carries a self-satisfied, closed-lip smile, with her eyelids lowered halfway in a studied, alluring look and one eyebrow arched higher than the other. The alluring expression is only partly successful: the raised eyebrow and the tension in the shoulder give her a faintly awkward, gawky charm that undercuts the pose. She is dressed in a tasteful vintage silk dressing gown with a long lapel and a loose sash knotted at the waist over a simple pale nightdress visible at the collar and hem; both feet are bare. Light comes from a single warm lamp off frame at frame left, so the planes of her angular face are lit from the left with soft shadow falling across the right of her neck and into the folds of the gown's silk, which catches a low sheen along the shoulder. The palette is restrained: dusty rose, warm cream, ink black, muted teal and a little dull gold, with her black hair and the ink outlines providing the darkest notes, and the background a soft, sparsely detailed bedroom wall with the suggestion of a framed picture and a curtain fold behind her. The fabric of the dressing gown bunches where her hip hand presses into it and the cushion visibly compresses under her weight, making the seat's give visible. Quiet, self-satisfied charm.
El Fez
#PixAI Halloween 2026

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