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AI artwork featuring #Kantai Collection and #Shimakaze
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Shimakaze, Kantai Collection

AI art by HD7 HD7 on PixAI. Made with Tsubaki.3 Flash.

#Kantai Collection#Shimakaze
h7

HD7 HD7

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character: shimakaze_(kancolle), copyright: kantai_collection 1girl, solo, shimakaze \(kancolle\), long blonde hair, hairband, hair ornament, grey eyes, yellow eyes, blue eyes, brown eyes, elbow gloves, white gloves, skirt, striped thighhighs, highleg, extremely colorful, ornate, opulent, gold leaf ornamentation, gold leaf mosaic, swirling golden arabesques, dense floral pattern, geometric checkerboard band, decorative flat ornament field, standing, head tilted, one hand raised, hand near hair ornament, looking to the side, sideways glance, half-closed eyes, light smile, from below, cowboy shot, dutch angle, vertical composition, viewed from slightly below on a tilted dutch angle, a single girl stands at three-quarter turn, her weight sunk into her right hip so the striped left thigh slopes long and straight and the right knee bends soft against it, one white-gloved hand lifted to touch the hair ornament at her temple, the elbow-gloved forearm crossing up past her jaw, and her chin tipped a little toward the raised wrist so that the grey-yellow eyes cut sideways past the glide of her own fingertips toward a point just off frame — not the lens, a lower, distant something, and her smile stays faint, one lip corner lifted a half degree higher than the other, one lid lowered more than its twin. her long blonde hair swings with the head tilt, a pale heavy ribbon of it sweeping across the shoulder the turn exposes, the bangs parted by the hairband and the twin tails of it falling behind the arm that lifts. the skirt flares and the hem cants with the hip, the stripes of the thighhighs run unbroken up the highleg line, and every fabric edge reads crisply because the ornament leaves the silhouette bare at the perimeter. behind her and around her the field is wall, not sky: an unbroken profusion of gold leaf and multicolored pattern, floral rosettes in crimson and viridian and lapis packed between spiraling gold arabesques, a band of small geometric checkerboard squares crossing low behind the hip, rectangles of mosaic glitter stacked to the frame edges — every shape flat, decorative, contradictory in scale, no linear perspective in any of it, so the girl is the only volume and reads as though laid on a dazzling printed surface. the whole surface glows with its own light, warm gilt radiance coming from the ornament itself rather than from any lamp, and it falls on her as a bloom from behind and to the left: the hair's left edge catches a hot gold rim, gold flecks spark in the whites of the thighhighs' lit stripes, and the shadow under her chin and in the fold of the lifted sleeve goes the deep greenish-black characteristic of strongly backlit gold. color is unfettered — gold and ochre in the leaf, cobalt and teal in her eyes and the skirt's dark panels, vermilion and crocus and jade tossed through the flowers, the blonde hair the warmest and highest-luminance note in the picture, nothing muted, nothing restricted. the ornamentation stays decorative and surface-flat, dense at the border, thinning around the figure so that the unpatterned skin and glove and striped stocking are the picture's still center. the raised arm's sleeve hangs with one soft crease where the elbow bends — the one live cloth detail in a field of pure design. quietly luminous, sumptuous.
Show Parameters
Original Prompt
グスタフ・クリムト風イラスト、島風（艦隊これくしょん）、極彩色、華やか、
Mode
flash
Size
720 x 1280
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.28k

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AI artwork
h7
character: shimakaze_(kancolle), copyright: kantai_collection 1girl, solo, shimakaze \(kancolle\), long blonde hair, hairband, hair ornament, grey eyes, yellow eyes, blue eyes, brown eyes, elbow gloves, white gloves, skirt, striped thighhighs, highleg, extremely colorful, ornate, opulent, gold leaf ornamentation, gold leaf mosaic, swirling golden arabesques, dense floral pattern, geometric checkerboard band, decorative flat ornament field, standing, head tilted, one hand raised, hand near hair ornament, looking to the side, sideways glance, half-closed eyes, light smile, from below, cowboy shot, dutch angle, vertical composition, viewed from slightly below on a tilted dutch angle, a single girl stands at three-quarter turn, her weight sunk into her right hip so the striped left thigh slopes long and straight and the right knee bends soft against it, one white-gloved hand lifted to touch the hair ornament at her temple, the elbow-gloved forearm crossing up past her jaw, and her chin tipped a little toward the raised wrist so that the grey-yellow eyes cut sideways past the glide of her own fingertips toward a point just off frame — not the lens, a lower, distant something, and her smile stays faint, one lip corner lifted a half degree higher than the other, one lid lowered more than its twin. her long blonde hair swings with the head tilt, a pale heavy ribbon of it sweeping across the shoulder the turn exposes, the bangs parted by the hairband and the twin tails of it falling behind the arm that lifts. the skirt flares and the hem cants with the hip, the stripes of the thighhighs run unbroken up the highleg line, and every fabric edge reads crisply because the ornament leaves the silhouette bare at the perimeter. behind her and around her the field is wall, not sky: an unbroken profusion of gold leaf and multicolored pattern, floral rosettes in crimson and viridian and lapis packed between spiraling gold arabesques, a band of small geometric checkerboard squares crossing low behind the hip, rectangles of mosaic glitter stacked to the frame edges — every shape flat, decorative, contradictory in scale, no linear perspective in any of it, so the girl is the only volume and reads as though laid on a dazzling printed surface. the whole surface glows with its own light, warm gilt radiance coming from the ornament itself rather than from any lamp, and it falls on her as a bloom from behind and to the left: the hair's left edge catches a hot gold rim, gold flecks spark in the whites of the thighhighs' lit stripes, and the shadow under her chin and in the fold of the lifted sleeve goes the deep greenish-black characteristic of strongly backlit gold. color is unfettered — gold and ochre in the leaf, cobalt and teal in her eyes and the skirt's dark panels, vermilion and crocus and jade tossed through the flowers, the blonde hair the warmest and highest-luminance note in the picture, nothing muted, nothing restricted. the ornamentation stays decorative and surface-flat, dense at the border, thinning around the figure so that the unpatterned skin and glove and striped stocking are the picture's still center. the raised arm's sleeve hangs with one soft crease where the elbow bends — the one live cloth detail in a field of pure design. quietly luminous, sumptuous.
HD7 HD7
#Kantai Collection#Shimakaze
AI artwork
h7
character: shimakaze_(kancolle), copyright: kantai_collection upper body shot, solo, shimakaze \(kancolle\), gustav klimt style, art nouveau decorative frame, gold leaf ornament, mosaic pattern, vivid polychromatic colors, ornate, gorgeous, long blonde hair, twin tails, white hairband, hair ornament, grey eyes, looking at viewer, white elbow gloves, bare shoulders, gold mosaic background, patterned flat decorative ground, profile, dutch angle, close-up, open mouth, :d, blush, one eye closed, arms up, outstretched arm, head tilt, An upper-body shot seen from a low three-quarter angle, tilted slightly off-level so the figure rises diagonally across the frame: a young woman with very long blonde hair tied into twin tails that stream up and outward as if lifted by a warm updraft, a white hairband holding the crown, a small ornament pinned above one ear, long side locks falling across her cheeks. A broad flat gold-leaf mosaic field fills the entire background, tessellated in warm ochre, vermilion, viridian, cobalt and violet tesserae, spiraling in art-nouveau whorls that curl behind her shoulders and frame her silhouette; a few of those whorls read as flattened spiral motifs rather than as landscape, so the whole picture sits on an ornamental plane with no horizon or depth of room. Her body turns three-quarters to the frame while her face snaps back toward the viewer, chin lifted, one eye squeezed shut and the other wide and bright grey, mouth open in a delighted laugh, cheeks flushed warm coral. Both arms are flung up and out, the white elbow gloves pulled taut over her forearms, the left glove's cuff dimpled where the wrist bends — the fingertips of one hand just graze the top edge of the crop and are cut by it. Her bare shoulders and collarbones catch the light, and she wears nothing at the throat; the dress area is cropped at the chest so only the upper bodice is visible. Everything decorative — the hairband, the broad ribbon-like shaping of the twin tails, the spiral mosaic — is flattened into Klimt's mosaic logic, while her skin and hair keep a soft, softly modelled edge against that hard gold ground. Light: a single warm key comes from the upper left, so the lit side of her face, her shoulders and the tops of both gloves glow while cool violet-and-jade reflected colour from the mosaic creeps into the shadow under her chin and along the right side of her neck; the gold field itself is self-luminous, refusing to cast a shadow, so no cast shadow of her falls on it. The one piece of physics: the fine gold-leaf tesserae nearest her hair pick up a faint warm kiss of reflected light and glitter brighter than the tesserae far from her, so the mosaic visibly brightens as it approaches her. Palette is entirely committed to saturated polychromy against gold — no neutral greys, no muted ground. Effortlessly radiant, gorgeously ornamental.
HD7 HD7

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