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AI art "エイダ・ウォン" featuring #Resident Evil and #Ada Wong
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エイダ・ウォン

最近上映された実写版よかったですね 悪手を踏み抜いていく主人公に笑いつつも、時々びっくりしてはポップコーンを零しちゃいましたw

#Resident Evil#Ada Wong
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Nakatetsu

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character: ada_wong ada wong, 1girl, solo, black hair, short bob, bob cut, brown eyes, red dress, holster, jewelry, from below, close-up, looking down at viewer, head tilt, half-closed eyes, smug, light smile, arms crossed, from side, dutch angle, upper body, dark background, dramatic lighting, Shot from below and slightly to her left with a sharp dutch tilt, the frame cropped tight to her upper body and head, the woman with the black chin-length bob tips her head and looks down the lens over one shoulder. Her weight settles onto her back hip so her torso slants across the tilted horizon; the front foot carries nothing visible in the crop and her arms are folded high across her chest, the upper arm of the near side draped over the far forearm, fingers of her near hand curled loosely around her own sleeve, knuckles resting on the fabric of the red dress. The red dress rides closed to her collarbone, its shoulder seam pulled by the crossed arms into a shallow diagonal fold that runs toward the armpit and vanishes under the crossing arm; a shoulder holster strap and its small holster edge show against the dress at her near ribs and disappear behind her folded forearm. Small jewellery at her ear and throat catches the light. Her eyes are half lowered, lids heavy, the brown irises aimed straight at the viewer, one brow slightly higher than the other and the near lip corner lifted a few millimetres in a lopsided smile; a shallow breath moves her chest once under the crossed arms, and a strand of the bob slides forward across her cheekbone with the head tilt while the rest of the hair stays rigid around her jaw. A single hard key light comes from below and in front of her, thrown off a near unseen source at frame bottom: it lights the underside of her chin, the jawline, the lower lip and the two undersides of the crossed forearms, catches a specular line on the holster edge and on the metal of the small earring, and leaves the top of her skull, the top of the bob and the far side of her face in a solid fall of shadow -- all shadow shapes are clean, she casts no distinct silhouette since nothing behind her is lit. The background is a flat, unlit dark soot-grey field with no scenery; the only depth cue is the fall of the key light falling off on the far plane of her face. Palette held to black hair, deep red dress and its darker shadowed folds, warm skin that reddens slightly along the lit jaw, muted brown eyes, cool grey behind, and a pinpoint of warm metal at ear and throat -- nothing else admitted. Detail budget on the eyes, the lips and the folds the crossed arms press into the dress, with the impasto-smooth shading kept simple away from the face. Smug, effortlessly cool.
Show Parameters
Original Prompt
ada wong,
Mode
ultra
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: ada_wong 1girl, solo, ada_wong, short black hair, brown eyes, red dress, holster, jewelry, from below, cowboy shot, dutch angle, looking to the side, contrapposto, hand on hip, half-closed eyes, light smile, arm support, looking off-camera, Shot from below at a slight dutch tilt, a lone woman in a deep red dress dominates the frame from knee to above the crown, her body angled three-quarters away with her weight sunk into her right hip and her left leg taking the support, gold jewelry glinting at her ears and throat. Her right hand rests flat against her hip at the crest of the dress, fingers relaxed and slightly splayed; her left arm hangs close, knuckles grazing the holster where it sits low against her thigh, the strap drawing taut across the fabric. Her chin tilts a fraction toward her far shoulder and her lids lower halfway, gaze sliding off to the left edge of frame past the viewer rather than meeting it — a faint closed-lip smile that reads as knowing rather than warm. The dress falls in heavy matte folds, the collar sitting open at the throat, and the one bit of physics to trust: dust motes caught in the backlight drift and settle only on the upward-facing plane of her exposed shoulder and the top edge of the holster, never on the undersides of the folds. A single low warm key light rakes from frame-left, catching the left edge of her jaw, the rise of her cheekbone and the sheen of the red fabric there, while the right side of her face and the front of the dress sink into cool shadow; a weak cool rim traces her crown and shoulder from behind, no other light source anywhere. The background is a seamless dark charcoal field, empty and featureless, holding nothing but her silhouette. Palette: deep red, black hair, warm skin, a thin line of gold, and charcoal shadow, nothing else admitted. Quiet, coolly composed.
Van 2
AI artwork
Avatar image of Bryan Luna
1girl, solo, Shino Sosaki, mature female, tall slender adult woman, dark brown hair in a short bob with a swept fringe, hazel eyes, slight confident half-lidded expression, sexy tight dress, sleeveless bodycon dress, deep neckline, mid-thigh hem, glossy dark wine-red fabric stretched taut over the hips, black high heels, standing, arms folded under her chest, weight on her right leg, head tilted, looking down at viewer, from below, low angle, close-up, cowboy shot, one hand flat on her own hip, sharp side lighting, deep red and warm charcoal palette. The camera is planted low and close, looking up at her: she fills the frame from mid-thigh to above her head, the low angle giving her height and a level gaze down the lens, her chin dipped so her eyes travel down to meet the viewer under her own brow. Her weight sits on her right leg, the left knee softened and slightly forward, so the tight sheath of the dress pulls diagonally across her thighs and one hip rides higher; her left hand rests flat on that hip with the fingers spread and the fabric dimpling at each fingertip, her right arm folded up under her chest with the forearm pressing the material so the dress seams strain along the fold. Her shoulders are square to the low lens but her head tilts to her right, fringe swinging across her brow. The dress is the whole subject: a glossy dark wine-red bodycon sheath that hugs her torso and hips with no slack anywhere, the knit stretched so the light runs down it in one long continuous highlight along her left hip, the hem stopping at mid-thigh with a slight upward creep on the hip that carries her weight; the fabric is pulled taut enough that her posture is legible through it -- the line of her hip, the narrowing of her waist, the crease where she folds her arm. The texture is the tell: where the cloth is stretched, the sheen is sharp and cool; where it relaxes at her waist and under the fold of her arm, the same fabric goes matte and reads a shade darker. A single hard light source stands low and to the right of frame, raking across her: it catches the front plane of the dress as a hot, narrow vertical highlight, picks out the silver of her eye whites and the edge of her jaw, and leaves the left side of her face, her left arm and the back half of the dress in a deep, warm shadow with no fill. Beyond her, the background is a seamless unlit sweep of near-black warm charcoal, no props, nothing to read -- just enough falling-off of the red light to suggest a wall far behind her. The only cool note in the frame is that stretched sheen on the fabric against her warm skin. Her eyes stay on the viewer, lid heavy, one corner of her mouth barely lifted -- poise, not invitation. Effortlessly composed.
Bryan Luna
#Resident Evil#Ada Wong

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