Nov 9, 2026

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AI art "Miria in Dougi Boxing" featuring #The Idolmaster, #Gi, #The Idolmaster Cinderella Girls, #Boxing and #Akagi Miria

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Miria in Dougi Boxing

#The Idolmaster #Gi #The Idolmaster Cinderella Girls #Boxing #Akagi Miria

Published on Nov 9, 2026

Thomas Akito

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character: akagi_miria 1girl, akagi miria, short brown hair, black hair, hair bow, hair ornament, brown eyes, cute face, (((sweaty))), sweat beads on skin, red boxing gloves, white dougi, dougi worn on bare skin, bare chest under dougi, no bra, no underwear, fighting stance, mma stance, karate stance, barefoot, looking at viewer, boxing ring, athletic, toned, toned arms, toned stomach, bare legs, full body, from below, low angle, dutch angle, dynamic pose, clenched fists, guard up, standing on one leg, sweat flying, dark arena, spotlight, rim light, intense, determined From a low angle set slightly off-axis, a single girl stands at the center of a raised boxing ring, seen from just below her eye line so the spotlight above throws her shadow down the canvas toward the lens. She is caught mid-step in a fighting stance: her left foot planted flat and forward over the white ring-line, right foot back and up on the ball of the foot, left knee bent inward, right heel lifted, hips torqued so the right side of her body sinks lower than the left. Her chin is tucked, both red boxing gloves raised in a high guard -- the right glove just under her jaw, the left glove extended a little forward and inward, crossed slightly toward the centerline -- so the gloves frame the lower half of her very round, cute face. Her brown eyes, bright and wide, look straight into the camera with a focused, slightly breathless, faintly pleased expression: lips just parted, one brow a little higher, as if she has just caught your eye between rounds. The white douji is worn directly over her bare skin: the collar sits open around the collarbone, the fabric clings and wrinkles across the chest, and where the lapels part down the center the fabric lies flat against a bare chest with no inner layer, no band, no strap visible anywhere -- just the douji, the body and the sweat. The sleeves are short, so her shoulders and arms are bare and toned, the muscle reading clearly as she holds the guard. Her legs are bare from the thigh down, feet flat or on the ball of the foot on the canvas, toes spread and gripping the surface. Her short brown hair is slightly disheveled and stuck at the temples; the bow and hair ornament sit a little knocked askew above her ear. (((sweaty))): a fine sheen of sweat covers her face, neck, shoulders and the exposed skin of her chest, one strand of hair plastered to her cheek, the douji fabric sticking in damp patches where it touches; a bead of sweat runs down her jaw, another rolls from her hairline, and a few drops hang at the ends of her hair, caught mid-flight where her movement has thrown them. The red boxing gloves are creased at the knuckles and worn just a little shiny in the light. The boxing ring surrounds her: four corner posts with their blue pads in the background, three parallel rows of taut ropes crossing behind her shoulders, the canvas floor pale and scuffed with a white boundary line and a worn center logo. Beyond it the arena falls away into darkness, the only light a bright spotlight overhead plus a cooler rim light from the back edge that picks out the sweat on her shoulders and the edge of the ropes. Beneath her the canvas catches the hard fall of her shadow, and the soles of her bare feet print slightly on the mat where she has pivoted. Palette limited to white fabric, red gloves, warm bronze skin, and the cold blue-white of the spotlight against the black of the arena. Intensely focused and joyously athletic.

Miria in Dougi Boxing

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