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句点むら寿司

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句点むら寿司

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1girl, solo, full body, full-body shot, from below, dutch angle, long hair, blonde hair, wavy hair, hair flowing in the wind, large eyes, emerald eyes, green eyes, curvy, full bust, wide hips, soft body, thick thighs, smile, grin, wink, one eye closed, cheerful, open mouth, peace sign, v, hand up, arm up, one leg up, raised leg, knee bent, standing on one leg, dynamic pose, looking at viewer, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, frilled collar, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, paper tear, horizontal tear line, torn image, midriff cutout, chest cutout, white bra, white panties, underwear only, exposed navel, night, concert stage, stage lights, spotlight, lens flare, glowstick, audience silhouette, backlighting, rim light, depth of field, cinematic lighting, A full-body shot taken from a low, slightly tilted angle so the girl reads tall and buoyant against the stage haze. She is the single figure in frame, centered but not squared to the camera: her weight rides on her straight left leg, her right knee is lifted and bent, the right thigh swinging forward with the white boot hanging mid-air, toe pointed, and her right hand lifts a peace sign right beside her cheek, two fingers spread, palm turned toward the lens. Her left arm hangs relaxed with the elbow slightly back. Her head tilts a touch toward her raised hand; her right eye is squeezed shut in a cheerful wink, the left emerald-green eye wide and bright and aimed straight down the barrel of the lens under a lifted brow, her mouth open in a sunny grin. Long wavy blonde hair lifts and streams to her left in the stage draft, strands crossing her jaw and one lock swinging across the collar of her costume; the layered teal-and-white skirt swings out from the lifted knee, its hem rippling below the knees, and the white tights and boots catch the light along their front edges. Her costume fully covers her everywhere the image is intact: a high neckline ringed with soft white frills at the throat, a teal vest fitted over a white blouse, long white sleeves ending in teal ribbons tied at the cuffs, and the long layered teal-and-white skirt falling below the knees over white tights down into white boots. Then, in the same pose, unchanged and continuous -- the same lifted knee, the same peace sign, the same streaming hair -- the picture itself is torn: a ragged paper-tear line runs horizontally across the whole width of the image, passing through the center, its ripped white fibers and curled edges lying flat across the frame. Around her chest the tear opens a hole in the paper; around her hips a second torn-away patch crosses her waist. Inside those two ragged openings the paper is gone and so is the costume beneath it -- at the chest only a simple white bra, at the hips only plain white panties -- revealing a soft, curvy body with a full bust and wide hips and a bare midriff between the two tears. Her body lines up perfectly through the openings, the skin tones matching at every torn edge, so the intact and torn zones read as one continuous photograph with paper ripped off its surface; the curled white edges of the tears cast thin shadows onto the skin they uncover. Behind and below her: a night concert stage, deep near-black air, banks of spotlights on the rig above flaring into anamorphic lens flares across the top of the frame, cold teal beams cutting down at her shoulders and a warm white key raking her front so the blonde hair glows at its rim; the stage floor throws a long soft shadow back and to her right. Below the stage edge, an audience is a dark silhouette mass, hundreds of teal and white glow sticks waving as short bright streaks, their light bouncing a pale teal up onto the hem of her skirt and the underside of her chin. The palette is closed to teal, white, blonde gold and deep stage black, with the bare skin of the two torn openings the only other tone. Glow-stick reflection smears across the polished floor only where the beams strike it. Effortlessly bright, stage-lit pop.
Show Parameters
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.22k

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AI artwork
Avatar image of 句点むら寿司
1girl, solo, full body, full-body shot, from below, dutch angle, long hair, blonde hair, wavy hair, hair flowing in the wind, large eyes, emerald eyes, green eyes, curvy, full bust, wide hips, soft body, thick thighs, smile, grin, wink, one eye closed, cheerful, open mouth, peace sign, v, hand up, arm up, one leg up, raised leg, knee bent, standing on one leg, dynamic pose, looking at viewer, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, frilled collar, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, paper tear, horizontal tear line, torn image, midriff cutout, chest cutout, white bra, white panties, underwear only, exposed navel, night, concert stage, stage lights, spotlight, lens flare, glowstick, audience silhouette, backlighting, rim light, depth of field, cinematic lighting, A full-body shot taken from a low, slightly tilted angle so the girl reads tall and buoyant against the stage haze. She is the single figure in frame, centered but not squared to the camera: her weight rides on her straight left leg, her right knee is lifted and bent, the right thigh swinging forward with the white boot hanging mid-air, toe pointed, and her right hand lifts a peace sign right beside her cheek, two fingers spread, palm turned toward the lens. Her left arm hangs relaxed with the elbow slightly back. Her head tilts a touch toward her raised hand; her right eye is squeezed shut in a cheerful wink, the left emerald-green eye wide and bright and aimed straight down the barrel of the lens under a lifted brow, her mouth open in a sunny grin. Long wavy blonde hair lifts and streams to her left in the stage draft, strands crossing her jaw and one lock swinging across the collar of her costume; the layered teal-and-white skirt swings out from the lifted knee, its hem rippling below the knees, and the white tights and boots catch the light along their front edges. Her costume fully covers her everywhere the image is intact: a high neckline ringed with soft white frills at the throat, a teal vest fitted over a white blouse, long white sleeves ending in teal ribbons tied at the cuffs, and the long layered teal-and-white skirt falling below the knees over white tights down into white boots. Then, in the same pose, unchanged and continuous -- the same lifted knee, the same peace sign, the same streaming hair -- the picture itself is torn: a ragged paper-tear line runs horizontally across the whole width of the image, passing through the center, its ripped white fibers and curled edges lying flat across the frame. Around her chest the tear opens a hole in the paper; around her hips a second torn-away patch crosses her waist. Inside those two ragged openings the paper is gone and so is the costume beneath it -- at the chest only a simple white bra, at the hips only plain white panties -- revealing a soft, curvy body with a full bust and wide hips and a bare midriff between the two tears. Her body lines up perfectly through the openings, the skin tones matching at every torn edge, so the intact and torn zones read as one continuous photograph with paper ripped off its surface; the curled white edges of the tears cast thin shadows onto the skin they uncover. Behind and below her: a night concert stage, deep near-black air, banks of spotlights on the rig above flaring into anamorphic lens flares across the top of the frame, cold teal beams cutting down at her shoulders and a warm white key raking her front so the blonde hair glows at its rim; the stage floor throws a long soft shadow back and to her right. Below the stage edge, an audience is a dark silhouette mass, hundreds of teal and white glow sticks waving as short bright streaks, their light bouncing a pale teal up onto the hem of her skirt and the underside of her chin. The palette is closed to teal, white, blonde gold and deep stage black, with the bare skin of the two torn openings the only other tone. Glow-stick reflection smears across the polished floor only where the beams strike it. Effortlessly bright, stage-lit pop.
句点むら寿司
AI artwork
Avatar image of 句点むら寿司
1girl, solo, full body, full-body shot, from below, dutch angle, long hair, blonde hair, wavy hair, hair flowing in the wind, large eyes, emerald eyes, green eyes, curvy, full bust, wide hips, soft body, thick thighs, smile, grin, wink, one eye closed, cheerful, open mouth, peace sign, v, hand up, arm up, one leg up, raised leg, knee bent, standing on one leg, dynamic pose, looking at viewer, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, frilled collar, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, paper tear, horizontal tear line, torn image, midriff cutout, chest cutout, white bra, white panties, underwear only, exposed navel, night, concert stage, stage lights, spotlight, lens flare, glowstick, audience silhouette, backlighting, rim light, depth of field, cinematic lighting, A full-body shot taken from a low, slightly tilted angle so the girl reads tall and buoyant against the stage haze. She is the single figure in frame, centered but not squared to the camera: her weight rides on her straight left leg, her right knee is lifted and bent, the right thigh swinging forward with the white boot hanging mid-air, toe pointed, and her right hand lifts a peace sign right beside her cheek, two fingers spread, palm turned toward the lens. Her left arm hangs relaxed with the elbow slightly back. Her head tilts a touch toward her raised hand; her right eye is squeezed shut in a cheerful wink, the left emerald-green eye wide and bright and aimed straight down the barrel of the lens under a lifted brow, her mouth open in a sunny grin. Long wavy blonde hair lifts and streams to her left in the stage draft, strands crossing her jaw and one lock swinging across the collar of her costume; the layered teal-and-white skirt swings out from the lifted knee, its hem rippling below the knees, and the white tights and boots catch the light along their front edges. Her costume fully covers her everywhere the image is intact: a high neckline ringed with soft white frills at the throat, a teal vest fitted over a white blouse, long white sleeves ending in teal ribbons tied at the cuffs, and the long layered teal-and-white skirt falling below the knees over white tights down into white boots. Then, in the same pose, unchanged and continuous -- the same lifted knee, the same peace sign, the same streaming hair -- the picture itself is torn: a ragged paper-tear line runs horizontally across the whole width of the image, passing through the center, its ripped white fibers and curled edges lying flat across the frame. Around her chest the tear opens a hole in the paper; around her hips a second torn-away patch crosses her waist. Inside those two ragged openings the paper is gone and so is the costume beneath it -- at the chest only a simple white bra, at the hips only plain white panties -- revealing a soft, curvy body with a full bust and wide hips and a bare midriff between the two tears. Her body lines up perfectly through the openings, the skin tones matching at every torn edge, so the intact and torn zones read as one continuous photograph with paper ripped off its surface; the curled white edges of the tears cast thin shadows onto the skin they uncover. Behind and below her: a night concert stage, deep near-black air, banks of spotlights on the rig above flaring into anamorphic lens flares across the top of the frame, cold teal beams cutting down at her shoulders and a warm white key raking her front so the blonde hair glows at its rim; the stage floor throws a long soft shadow back and to her right. Below the stage edge, an audience is a dark silhouette mass, hundreds of teal and white glow sticks waving as short bright streaks, their light bouncing a pale teal up onto the hem of her skirt and the underside of her chin. The palette is closed to teal, white, blonde gold and deep stage black, with the bare skin of the two torn openings the only other tone. Glow-stick reflection smears across the polished floor only where the beams strike it. Effortlessly bright, stage-lit pop.
句点むら寿司
AI artwork
Avatar image of 句点むら寿司
1girl, solo, full-body shot, full body, dynamic composition, night concert stage, idol, long wavy blonde hair, hair flowing in the wind, large emerald-green eyes, soft curvy figure, full bust, wide hips, wide hip, lively idol pose, arms up, v, peace sign, peace sign beside face, one eye closed, wink, cheerful, open mouth, smile, standing on one leg, raised leg, knee bent, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, torn paper effect, horizontal tear across image, ripped center, torn opening at hips, white panties, clothes vanishing at tear, identical pose across tear, seamless continuity across tear, dramatic spotlights, stage lights, lens flare, glow sticks, teal glow sticks, white glow sticks, audience silhouette, from below, dutch angle A full-body shot from a low, slightly tilted angle: a single original idol girl at center stage, seen head to boots against the black of a night concert hall. The camera sits below her raised knee, looking up so the spotlight cones and the dome of the stage rise behind her, and the composition tips a few degrees off plumb for momentum. She balances on her right leg, weight driven through the ball of her right boot, left leg lifted with the knee bent and the white boot hanging relaxed at calf height, the long layered skirt swinging out from the lifted knee and settling again in soft teal and white tiers that end below her knees. Her left hand is up beside her cheek, index and middle finger raised in a peace sign, the teal cuff ribbon at that wrist flicked outward; her right arm is flung out and slightly back, sleeve ballooning, so her torso twists open toward the lens. Long wavy blonde hair lifts sideways in the stage draft, strands crossing the spotlight beams and catching a rim of light along the wave crests. Her left eye squeezes shut in a cheerful wink and her right emerald-green eye is wide and bright, aimed past the lens into the crowd; her mouth is open in a laughing grin, chin up. The white blouse and its high neckline of white frills sit closed and modest at her throat, the teal vest drawn over it, everything fully covering and clean-lined. Across the whole width of the picture, at hip height, runs a torn paper line: the image itself is ripped horizontally through its center, the tear jagged and fibrous, the two edges curling back by a millimetre with a thin white paper core visible along the rip, and the far left and far right of the frame split apart along that same broken seam. At the hips the tear opens wider, a ragged hole around her waist. There, exactly where the rip overlaps her body, the costume is simply gone -- no skirt fabric, no blouse, no vest over that band of skin, the torn edges of cloth cut clean along the paper's ragged contour -- and she wears only plain white panties there, the wide curve of her hips fully exposed, the elastic sitting at the hip bone. Everything the tear does not overlap remains the cute magical-girl idol outfit. The pose does not break: the lifted knee, the twist of the waist, the peace sign at her cheek are continuous across the rip, the paper edge passing behind the raised boot and across her hip without displacing a single limb, her body washed uniformly by the same stage light on both sides of the seam. Lighting is a hard, cold key from two spotlights high in front of the stage, one teal and one white, striking her from above-left and above-right so her blonde hair, her cheekbone and the lifted boot hold bright edges while the undersides of her skirt fall into deep shadow; a lens flare streaks diagonally across the upper right where the beam clips the haze. In the pit below her, the audience is a black silhouetted mass of bodies and raised arms, a field of teal and white glow sticks swaying in the dark, their light a low rim on the nearest shoulders and a faint teal bounce under the stage lip. The atmosphere is thick with stage fog that makes the beams and the flares visible, and the palette is held to teal, white, blonde gold against absolute black. Thrilling, electric.
句点むら寿司
#The Idolmaster
AI artwork
Avatar image of 句点むら寿司
1girl, solo, full body, full-body shot, from below, dutch angle, long hair, blonde hair, wavy hair, hair flowing in the wind, large eyes, emerald eyes, green eyes, curvy, full bust, wide hips, soft body, thick thighs, smile, grin, wink, one eye closed, cheerful, open mouth, peace sign, v, hand up, arm up, one leg up, raised leg, knee bent, standing on one leg, dynamic pose, looking at viewer, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, frilled collar, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, paper tear, horizontal tear line, torn image, midriff cutout, chest cutout, white bra, white panties, underwear only, exposed navel, night, concert stage, stage lights, spotlight, lens flare, glowstick, audience silhouette, backlighting, rim light, depth of field, cinematic lighting, A full-body shot taken from a low, slightly tilted angle so the girl reads tall and buoyant against the stage haze. She is the single figure in frame, centered but not squared to the camera: her weight rides on her straight left leg, her right knee is lifted and bent, the right thigh swinging forward with the white boot hanging mid-air, toe pointed, and her right hand lifts a peace sign right beside her cheek, two fingers spread, palm turned toward the lens. Her left arm hangs relaxed with the elbow slightly back. Her head tilts a touch toward her raised hand; her right eye is squeezed shut in a cheerful wink, the left emerald-green eye wide and bright and aimed straight down the barrel of the lens under a lifted brow, her mouth open in a sunny grin. Long wavy blonde hair lifts and streams to her left in the stage draft, strands crossing her jaw and one lock swinging across the collar of her costume; the layered teal-and-white skirt swings out from the lifted knee, its hem rippling below the knees, and the white tights and boots catch the light along their front edges. Her costume fully covers her everywhere the image is intact: a high neckline ringed with soft white frills at the throat, a teal vest fitted over a white blouse, long white sleeves ending in teal ribbons tied at the cuffs, and the long layered teal-and-white skirt falling below the knees over white tights down into white boots. Then, in the same pose, unchanged and continuous -- the same lifted knee, the same peace sign, the same streaming hair -- the picture itself is torn: a ragged paper-tear line runs horizontally across the whole width of the image, passing through the center, its ripped white fibers and curled edges lying flat across the frame. Around her chest the tear opens a hole in the paper; around her hips a second torn-away patch crosses her waist. Inside those two ragged openings the paper is gone and so is the costume beneath it -- at the chest only a simple white bra, at the hips only plain white panties -- revealing a soft, curvy body with a full bust and wide hips and a bare midriff between the two tears. Her body lines up perfectly through the openings, the skin tones matching at every torn edge, so the intact and torn zones read as one continuous photograph with paper ripped off its surface; the curled white edges of the tears cast thin shadows onto the skin they uncover. Behind and below her: a night concert stage, deep near-black air, banks of spotlights on the rig above flaring into anamorphic lens flares across the top of the frame, cold teal beams cutting down at her shoulders and a warm white key raking her front so the blonde hair glows at its rim; the stage floor throws a long soft shadow back and to her right. Below the stage edge, an audience is a dark silhouette mass, hundreds of teal and white glow sticks waving as short bright streaks, their light bouncing a pale teal up onto the hem of her skirt and the underside of her chin. The palette is closed to teal, white, blonde gold and deep stage black, with the bare skin of the two torn openings the only other tone. Glow-stick reflection smears across the polished floor only where the beams strike it. Effortlessly bright, stage-lit pop.
句点むら寿司

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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