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Avatar image of FUERZASDRAGON 2

FUERZASDRAGON 2

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2boys, no humans, close-up, extreme close-up, from behind, from below, comic panel, comic book illustration, anime-style shading, hard cel shadows, aggressive hand squeezing, gripping, man's buttocks, green sweater, grey pants, green vertical stripes, green horizontal stripes, plaid patterned pants, grey floor, bushes in background, no face, no head in frame, cropped at lower back, cropped above the knee, hands only, male hands, tense knuckles, fabric creases, toned shading, dramatic downlight, gray-green palette A comic panel cropped so tight that the man's buttocks fill almost the whole frame: seen from behind and slightly below, the view climbs from the top of one thigh (the legs cut off by the bottom edge just below the seat) up across the grey trousers, where green vertical and horizontal stripes cross into a full plaid grid over both cheeks, up to the green sweater bunched and riding up at the lower back. Nothing above the lower back exists in the frame -- no head, no shoulders, no face, no second face anywhere. From the near-left a man's hand comes in flat from the foreground, palm fully planted on the near cheek, fingers splayed wide and digging deep, fingertips sinking into the cloth and dragging the striped fabric into four deep strained furrows while the thumb hooks hard against the opposite cheek's edge; the knuckles stand out pale and taut, the wrist bending sharply to show the forearm's tendons, and the whole hand is angled as if driven by a man standing directly in front of him out of sight, leverage coming from behind the viewer's shoulder. The aggressive grip dents both cheeks inward toward the middle seam, stretching the plaid so the stripes bow around each finger and the cloth pulls tight with radiating creases at every contact point. Behind the figure a low hedge of dark bushes fills the upper background band, and beneath his feet a plain grey floor extends forward, the seam of the trouser seat lowest and nearest the lens. Light comes from above and slightly behind the camera, throwing hard anime-style cel shadows: a deep shadow shelf under the sweater hem, shadow wedges between each digging finger, cheeks lit in two soft gradient bands and dark at the outer edges, the cast shadow of the hand smeared long and soft across the floor at the lower right. Palette limited to the green sweater, the green stripes and the grey cloth and floor, cool and slightly desaturated, comic-shaded with crisp inked edges. Tense, mean.
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Original Prompt
Genera una imagen, Podrías darle color a esa imagen por favor se supone que la imagen es de una viñeta de un cómic donde se ve una mano apretando fuertemente el glúteo de un hombre que usa suéter verde pantalón gris con rayas verdes verticales y horizontales en todo su pantalón. Si puedes detrás poner la imagen bueno de fondo que se vean algunos arbustos y el piso color gris y que el color de que tenga sombras también que se vea que sea un cómic de sombras de estilo anime. Que la imagen solo se vea la parte de glúteo del hombre o sea que se vea ese acercamiento a solo el glúteo que no se vea el rostro de nadie y la mano apretando por como si estuviera delante de él un hombre que le esté apretando muy fuerte el glúteo de una forma agresiva. Que se vea por favor un acercamiento más cerca que se vea menos la parte de la pierna del hombre este por favor que esté muy de cerca que sí se ve que sea el glúteo nada más que la mayor parte de la imagen la la esté abarcando un el glúteo del hombre por favor
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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Avatar image of FUERZASDRAGON 2
extreme close-up, 2 subjects, male focus, buttocks, buttock close-up, close-up, from behind, hand grabbing buttock, strong grip, squeezing, hand from front, reaching around from front, green sweater, sweater hem, grey pants, green striped pants, vertical stripes, horizontal stripes, plaid pattern, green plaid, fabric taut over flesh, fingers pressing into fabric, knuckle indentation, bushes, foliage, grey floor, pavement, blurred background, depth of field, shallow focus, daylight, harsh sunlight, no text, androgynous The camera sits low and slightly to one side, very close behind a man's hips: an extreme close-up in which one cotton-clad buttock fills the great majority of the frame, curving up out of the bottom edge to the top third and bulging toward the lens, so that the body of the wearer is cropped away above the hip and to both sides. His trousers are mid-grey woven cloth printed with a grid of thin green stripes, vertical and horizontal, crossing into small squares; the diagonal pull of the pose stretches the grid wider over the crown of the cheek and compresses it into dense fine lines where the fabric tucks into the crease. The garment sits tight and thin enough that the shape underneath reads clearly -- a broad shallow plane, a soft fold at the low outer edge, the seam running down the middle of the frame. From the front -- from the far side, not from behind him -- a single male hand arrives around his hip and clamps onto the cheek. The wrist enters from the right of frame past the man's hip bone, forearm foreshortened as it reaches back toward the lens, so the perspective alone proves the arm comes from someone standing in front of him and wrapping around. Four fingers press deep into the upper curve of the cloth, the fingertips curling over the far contour, each phalanx lifting a taut ridge of fabric between them; the thumb digs in below, dragging the plaid into a fan of stretched lines and gathering the cloth into a tight horizontal crease beneath the grip. The knuckles are knit bone-white, the pads of the fingers pale where they drive in, and a darker shadow pools in the pocket the squeezing hand hollows out of the cheek's underside. Barely visible at the left edge, above and beyond the hip, is the lower edge of a green knit sweater -- just a wedge of ribbed hem and the suggestion of a torso behind it, the man in front leaning in to make the reach, the rest of him cropped out of frame. Behind everything, thrown far out of focus, the top quarter of the frame holds a ragged clump of dark bushes with lit leaf edges, and in the low left corner a narrow sliver of flat grey floor shows between the bushes' shadow and the frame edge -- nothing else, no horizon, no sky. One hard low sun from the upper right rakes across the subject: it lights the crest of the squeezed cheek with a broad soft highlight, catches the green threads in the plaid so they glow brighter on the lit side, and throws the entire left flank of the buttock and the underside of the hand into deep shade. The hand's own cast shadow falls in a hard-edged band across the fabric to the left of the grip, and the squeezing fingers' contact makes the cloth dimple and fold inward at five precise points. Palette held to mid-grey, sage green and the warm grey of skin, with the out-of-focus green of the bushes repeating the stripes. Tense, close, startlingly intimate.
FUERZASDRAGON 2

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