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AI art "Post-show diner"
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Post-show diner

Avatar image of Dermot

Dermot

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A full body shot, eye-level view of a stunning young woman in her 20s with an Amazonian build, sitting sideways in a red vinyl diner booth. She has deep brown skin, sapphire blue layered shag hair, and soulful dark brown eyes, gazing sultry at the viewer. She wears a matte black satin corset with blood-red laces, a black-and-red tartan pleated miniskirt with a studded leather belt and wallet chain, black fishnet tights with a ladder rip on her left thigh, black-and-red striped arm warmers, and checkered sneakers. Her right hand holds a cherry milkshake straw to her pursed lips, while her left hand rests on a notebook of lyrics. The 24-hour diner setting features cracked red booths, a checkerboard floor, a glowing jukebox, and a rotating pie case, with rain streaking the windows and a red neon "open all night" sign buzzing outside. The style is a tinted sketch with visible pencil linework and crosshatching on white paper, using a restrained palette of ink black, grey, blood red, and sapphire blue, with red neon light casting a warm ruby glow over her skin and attire.
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Original Prompt
A full-body, eye-level illustration of a young woman in her 20s, an emo girl in a booth of a 24-hour diner after the show, her notebook full of new lyrics about the boy who never called. The vibe is emo, and the whole image feels romantic, wistful and boldly seductive, blood red, black lace and heartbreak at three a.m.. She is lovely and gorgeous, with an Amazonian build: very tall, with broad shoulders, strong, defined muscle throughout, a narrow waist, wide hips and powerful thighs, big, strong and curved at once, a striking, gentle giant who towers over every crowd she joins, and large, full breasts. She has deep brown skin with a warm, satiny finish, an oval face with high cheekbones, a small, softly rounded nose and full, soft lips, dark, straight brows, and large, soulful dark brown eyes with long lashes. Her expression is dreamy and seductive, her full lips pursed round a straw and her dark eyes soft and sultry under her fringe. Her hair is a layered shag: shoulder-length hair cut into lots of choppy, feathered layers, with volume and texture at the crown, piecey wispy ends flicking out around her face and neck, and a light, shaggy fringe, and its colour is a sapphire blue: a deep, rich, jewel-toned blue with a glassy shine. She wears a fitted corset top of matte black satin, laced up the front with a ribbon of blood-red satin through silver eyelets, on two thin straps, its sweetheart neckline cut low and pushing up her full breasts, and its boned body cinching her narrow waist and ending at the top of her hips. A short pleated miniskirt of black-and-red tartan wool sits on her wide hips with a wide black leather belt studded with two rows of silver pyramid studs slung across it and a silver wallet chain looping to the side, its hem ending high on her powerful thighs, and a pair of black fishnet tights, ripped open in a long ladder up her left thigh, cover her legs, so that her shoulders, her arms above the warmers, the deep cleavage above the sweetheart neckline and her thighs through the torn fishnet are bare. Arm warmers striped in black and blood red cover her forearms, checkered slip-on sneakers in black and white canvas are on her feet, she wears a thin black velvet choker with a tiny silver heart charm at the front, and her phone is a silver slider phone with a little red-and-black skull charm swinging from its strap, lying face up on the table. Her makeup is late-night emo: a thick black liner smudged softly all the way round her eyes, heavy black lashes, a dusting of silver glitter on her lids, groomed dark brows, a satiny glow on her cheekbones and a blood-red lip. Her short nails are painted a chipped, glossy black, with the ring finger of each hand painted blood red. The setting is a 24-hour roadside diner in the small hours, packed with period detail: a long row of booths upholstered in cracked red vinyl with chrome edges runs down the wall of big plate-glass windows, and a chrome counter lined with red vinyl stools faces an open kitchen pass with an order wheel of paper tickets. The floor is a worn black-and-white checkerboard, a jukebox glows by the door with its rows of song cards, and a tall, lit glass pie case on the counter turns slowly with cherry, lemon and chocolate pies on its shelves. Her table holds a cherry milkshake in a tall fluted glass with whipped cream and a red straw, a plate of fries, a sticky ketchup bottle, a chrome napkin dispenser and her open lyrics notebook covered in band names and inked hearts. In the next booth her bandmates sleep slumped against each other in hoodies, a tired waitress in a pink uniform pours coffee from a glass pot at the counter, and a red neon sign reading 'open all night' buzzes in the window over the wet, empty parking lot outside, where the band's battered van waits under a lamp. Rain streaks the glass. In the foreground, softly out of focus, the chrome rim of the next table and a coffee mug cross the lower left corner, and a plastic menu and a few crumpled lyric drafts lie on the seat at the lower right. She sits sideways in the red vinyl booth with her body turned three-quarters toward the viewer, her back against the window wall and her knees drawn up onto the seat, her checkered slip-ons planted on the cushion and the torn fishnet on her thigh catching the light. Her lyrics notebook rests open against her knees under her left hand, a black pen between her fingers, and her right hand holds the cherry milkshake to her lips as she sips through the red straw. Her sapphire shag falls in soft, choppy layers around her face, a few strands across one eye, and she gazes at the viewer over the straw with her soft, sultry eyes. The glowing red neon of the 'open all night' sign in the window beside her is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in deep, warm ruby, glows on her blood-red lips, puts two small red catchlights in her dark eyes and pours over her bare shoulders, the black satin corset, the deep cleavage above the sweetheart neckline, the tartan skirt and the fishnet on her thighs. The much weaker cool white glow of the lit pie case on the counter lays a soft, silvery rim along the other side of her face and the edge of her hair. The neon flashes on the silver eyelets of the corset, the studs of her belt, the wallet chain and the milkshake glass, and slides a glassy, jewel-blue shine over her sapphire hair. Her deep brown skin takes a warm, satiny sheen wherever the light reaches, with a red glow along her collarbones and her thighs. The rest of the diner fades into soft, loosely hatched grey. Tinted Sketch style: loose, visible pencil and ink sketch linework with crosshatching and unfinished construction lines left in, the background sketched in lighter, looser strokes over plain white paper, minimal shading built mostly from hatching density, deliberately restrained colour, near-greyscale with only selective tinted accents, and a raw, illustrative finish closer to a coloured-pencil and ink croquis than a finished painting, the neon left as a single wash of red over the pencil and the diner drawn in fast, hatched grey strokes, her sapphire hair the one cool colour. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every silver eyelet and red ribbon of the lace-up satin corset, the pleats of the tartan mini, the studded belt and wallet chain, the ladder in the fishnet tights, the striped arm warmers, the checkered slip-ons, the velvet heart choker, the lyrics notebook and its inked hearts, the cherry milkshake, the red vinyl booths, the checkerboard floor, the jukebox and the turning pie case drawn sharply and precisely. The palette is restrained and romantic-dark: ink black and pencil grey, blood red and cherry red, chrome silver, warm deep brown skin and sapphire blue hair.
Mode
standard
Size
960 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.84k

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