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AI art "No sleep, just work"
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No sleep, just work

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Dermot

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A medium full shot, eye-level anime illustration portrays a gorgeous woman in her 30s, a 1940s private detective, sitting on the edge of a brass bed in her dim apartment. She has a heart-shaped face, smoky grey-green eyes, and a burgundy Italian bob; she wears glossy black satin longline lingerie with lace trim, a matching garter belt, and a gold wristwatch. She is posed three-quarters to the viewer, clutching a black telephone receiver between her shoulder and cheek while her right hand fans out black-and-white case photographs. The bedroom is filled with noir details: a nightstand with a lamp, a smouldering cigarette in an ashtray, a snub-nosed revolver, and a corkboard with red string. The atmosphere is mysterious and sultry, lit by a warm bedside lamp and a blinking red neon sign from the window. The visual style features bold, crisp black ink outlines with fine crosshatching and a high-contrast, near-monochrome palette, accented only by deep burgundy red in her hair, lips, and the neon glow.
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Original Prompt
A medium full shot, eye-level illustration of a woman in her 30s, a private detective of 1940s Los Angeles, alone in her apartment in the small hours with the case that will not let her sleep. The vibe is noir detective, and the whole image feels mysterious, intimate and openly sultry, black satin, cigarette smoke and a late telephone call. She is lovely and gorgeous, with an hourglass build: average height, with shoulders level with her hips, a softly toned body, a very narrow waist, wide, rounded hips and full thighs, the waist-to-hip curve sharply pronounced and every line of her slow, smoky and poised, and small, perky breasts. She has fair, light skin with a smooth, creamy finish, a heart-shaped face with high, sculpted cheekbones, a small, straight nose and full, bow-shaped lips, and large, smoky grey-green eyes under softly sculpted brows, framed with long, dark lashes. Her expression is sultry and thoughtful, a slow half-smile on her softened burgundy lips and her smoky grey-green eyes heavy-lidded and sharp. Her hair is an Italian bob: a full, jaw-length bob with soft, rounded volume and weight swinging at the ends, the hair thick and bouncy with a gentle inward bend, parted slightly to one side, and its colour is a burgundy: a deep, dark wine red with purple undertones. She wears only 1940s lingerie of glossy black satin: a longline bra with softly pointed, stitched cups edged in black lace, ending in a smooth band just below her ribs, and high-waisted briefs of the same black satin with a lace trim, rising to her navel and hugging her very narrow waist and her wide, rounded hips. A garter belt of black satin with four slim straps sits over the briefs, its straps hanging loose against her thighs, and a gold wristwatch circles her left wrist, so that her shoulders, her arms, her collarbones, the soft tops of her small breasts above the lace, the bare strip of her midriff below the band, her hips at the edges of the briefs and her full thighs are bare. Her fedora hangs on the brass bedpost beside her. Her makeup is worn soft by the late hour: a softened black winged liner, slightly smudged lashes, bare, creamy cheeks and a burgundy lip worn down to a soft stain. Her nails are long and rounded, lacquered a deep, glossy burgundy red. The setting is the bedroom of her small apartment above a downtown street in the 1940s, packed with period detail: a brass bed with a rumpled quilt of oyster satin and two plump pillows stands against a wall of faded rose-patterned paper. A nightstand holds a lamp with a pleated silk shade, a black telephone with its cord curling to her hand, a glass ashtray with a smouldering cigarette, a glass of rye and her snub-nosed revolver lying beside a box of shells. Across the room a cork board is pinned with case photographs, newspaper clippings and a map criss-crossed with red string, and a wooden cabinet radio glows softly beside it. A tall window with a half-drawn roller blind frames a blinking neon sign across the street, and her trench coat lies thrown over a wooden chair. A thin haze of smoke hangs under the ceiling. In the foreground, softly out of focus, the glass of rye and the ashtray cross the lower left corner, and a scatter of case photographs lies on the quilt at the lower right. She sits on the edge of the brass bed with her body turned three-quarters toward the viewer, her knees together and angled toward the viewer, her back straight and her shoulders square. The receiver of the black telephone is tucked between her left shoulder and her cheek, and her right hand fans a handful of black-and-white case photographs before her like a winning hand of cards, while her left hand rests on the quilt. Her burgundy bob falls softly against the receiver and her jaw, and she glances at the viewer over the photographs with heavy-lidded, sharp eyes. The warm, low glow of the bedside lamp with its pleated silk shade on the nightstand to her right is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in a soft, warm gold, glows on her softened burgundy lips, puts a round warm catchlight in each of her grey-green eyes and pours over her shoulders, the black satin cups and band, the strip of her midriff, the satin briefs and her thighs. The much weaker red glow of the blinking neon sign through the window lays a thin red rim along the left side of her face and her arm. The lamplight slides in sharp highlights over the glossy satin, gleams on the brass bed and the telephone receiver and catches the curl of smoke from the ashtray. Her fair skin takes a warm, creamy sheen wherever the light reaches, with a soft glow along her collarbones, her midriff and her thighs. The far wall and its case board fall away into deep ink shadow. Sharp Ink style: bold, crisp black ink outlines with confident line-weight variation and fine crosshatching, shading that swings between flat cel blocks and denser inked hatching rather than soft gradients, a high-contrast, near-monochrome palette with a single bold accent colour, and a graphic, poster-clean finish like a coloured manga cover, the lamp glow cut out of the dark room with crisp hatching at its edges. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every stitched cup and lace edge of the black satin longline bra, the high-waisted satin briefs and the garter belt and its straps, the gold watch, the black telephone and its coiled cord, the fanned case photographs, the brass bed and satin quilt, the pleated lamp, the revolver and box of shells, the cork case board and its red string and the neon window drawn sharply and precisely. The palette is near-monochrome and intimate: ink black, paper white and smoke grey, with one bold accent of deep burgundy red in her hair, her lips and the neon, fair skin and burgundy hair.
Mode
standard
Size
960 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.84k

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