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Mashpotato Johnson
AI art by Mashpotato Johnson on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- Garden gnome with his shirt ripped off wielding an axe walking towards a dark sinister looking grove of trees in an epic walk
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
Show more1 gnome, solo, garden gnome, short stocky build, elderly male, long white beard, big rounded nose, bushy white eyebrows, pointed red conical hat, bare chest, shirtless, muscular hairy chest, torn shirt, ripped-off shirt, ragged shirt hanging from one hand, holding axe, one-handed axe grip, large battle axe, walking, mid-stride, epic dramatic stride, striding towards trees, dark sinister grove, twisted black trees, dense tangled branches, ominous forest, back view, from behind, full body, low angle, from below, dramatic perspective, cinematic composition, dark fantasy, high contrast, rim light, fog, cold blue-green palette, ominous atmosphere, epic
The camera sits low and behind the gnome, tilted up so his short body looms against the sky: a view straight up his back as he strides away from the lens and toward the grove. His red conical hat is seen from beneath and behind, its tip jutting forward; the long white beard spills out past his left cheek, visible only as a fringe of hair escaping the silhouette of his jaw. His bare back and shoulders are broad and knotty with muscle under weathered skin, and the ragged remains of the torn shirt hang bunched from his right fist, the shredded fabric flapping back toward the camera at each step. In his left hand he grips the haft of a battle axe low near the head, the heavy steel head angled forward and slightly across his body, catching the cold light along its honed edge; the haft runs back toward the viewer, foreshortened. His weight is planted on the leading left leg, right heel lifted, boot sole peeling off wet ground, one arm swinging wide for balance, the other steadying the axe. The ground is a strip of sodden grass and mud that recedes toward the grove, and the grove itself fills the far and middle distance: black twisted trunks packed close, branches interlocking into a lattice too dense to see through, trunks leaning inward as if closing a gate. Mist coils between the nearest trunks at ankle height, and the only light comes from behind and above the camera, a cold blue-grey glow that rims the hat's edge, the top of his shoulders and the axe blade, and throws his long shadow forward into the grove where it breaks across the roots. The palette is confined to cold desaturated blue-green in the forest, a deep crimson on the hat, weathered skin tones and grey steel; no warm light anywhere. A single low mist-beaded fern at the frame's right edge curls away from the wind of his passing. Ominous, epic.
Mashpotato Johnson
1 gnome, solo, garden gnome, short stocky build, elderly male, long white beard, big rounded nose, bushy white eyebrows, pointed red conical hat, bare chest, shirtless, muscular hairy chest, torn shirt, ripped-off shirt, ragged shirt hanging from one hand, holding axe, one-handed axe grip, large battle axe, walking, mid-stride, epic dramatic stride, striding towards trees, dark sinister grove, twisted black trees, dense tangled branches, ominous forest, back view, from behind, full body, low angle, from below, dramatic perspective, cinematic composition, dark fantasy, high contrast, rim light, fog, cold blue-green palette, ominous atmosphere, epic
The camera sits low and behind the gnome, tilted up so his short body looms against the sky: a view straight up his back as he strides away from the lens and toward the grove. His red conical hat is seen from beneath and behind, its tip jutting forward; the long white beard spills out past his left cheek, visible only as a fringe of hair escaping the silhouette of his jaw. His bare back and shoulders are broad and knotty with muscle under weathered skin, and the ragged remains of the torn shirt hang bunched from his right fist, the shredded fabric flapping back toward the camera at each step. In his left hand he grips the haft of a battle axe low near the head, the heavy steel head angled forward and slightly across his body, catching the cold light along its honed edge; the haft runs back toward the viewer, foreshortened. His weight is planted on the leading left leg, right heel lifted, boot sole peeling off wet ground, one arm swinging wide for balance, the other steadying the axe. The ground is a strip of sodden grass and mud that recedes toward the grove, and the grove itself fills the far and middle distance: black twisted trunks packed close, branches interlocking into a lattice too dense to see through, trunks leaning inward as if closing a gate. Mist coils between the nearest trunks at ankle height, and the only light comes from behind and above the camera, a cold blue-grey glow that rims the hat's edge, the top of his shoulders and the axe blade, and throws his long shadow forward into the grove where it breaks across the roots. The palette is confined to cold desaturated blue-green in the forest, a deep crimson on the hat, weathered skin tones and grey steel; no warm light anywhere. A single low mist-beaded fern at the frame's right edge curls away from the wind of his passing. Ominous, epic.
Mashpotato Johnson
1 gnome, solo, garden gnome, short stocky build, elderly male, long white beard, big rounded nose, bushy white eyebrows, pointed red conical hat, bare chest, shirtless, muscular hairy chest, torn shirt, ripped-off shirt, ragged shirt hanging from one hand, holding axe, one-handed axe grip, large battle axe, walking, mid-stride, epic dramatic stride, striding towards trees, dark sinister grove, twisted black trees, dense tangled branches, ominous forest, back view, from behind, full body, low angle, from below, dramatic perspective, cinematic composition, dark fantasy, high contrast, rim light, fog, cold blue-green palette, ominous atmosphere, epic
The camera sits low and behind the gnome, tilted up so his short body looms against the sky: a view straight up his back as he strides away from the lens and toward the grove. His red conical hat is seen from beneath and behind, its tip jutting forward; the long white beard spills out past his left cheek, visible only as a fringe of hair escaping the silhouette of his jaw. His bare back and shoulders are broad and knotty with muscle under weathered skin, and the ragged remains of the torn shirt hang bunched from his right fist, the shredded fabric flapping back toward the camera at each step. In his left hand he grips the haft of a battle axe low near the head, the heavy steel head angled forward and slightly across his body, catching the cold light along its honed edge; the haft runs back toward the viewer, foreshortened. His weight is planted on the leading left leg, right heel lifted, boot sole peeling off wet ground, one arm swinging wide for balance, the other steadying the axe. The ground is a strip of sodden grass and mud that recedes toward the grove, and the grove itself fills the far and middle distance: black twisted trunks packed close, branches interlocking into a lattice too dense to see through, trunks leaning inward as if closing a gate. Mist coils between the nearest trunks at ankle height, and the only light comes from behind and above the camera, a cold blue-grey glow that rims the hat's edge, the top of his shoulders and the axe blade, and throws his long shadow forward into the grove where it breaks across the roots. The palette is confined to cold desaturated blue-green in the forest, a deep crimson on the hat, weathered skin tones and grey steel; no warm light anywhere. A single low mist-beaded fern at the frame's right edge curls away from the wind of his passing. Ominous, epic.
Mashpotato Johnson
1boy, solo, garden gnome, short stocky old man, long white beard, tall pointed red hat, bare-chested, muscular hairy barrel torso, torn shirt, shredded shirt hanging from one wrist, holding axe, one-handed axe grip, walking forward, from behind, over-shoulder composition, looking back, looking ahead at grove, dark sinister grove, twisted trees, reaching branches, clawing branches, menacing treeline, low angle, wide shot, dutch angle, night, fog, backlighting, rim light, deep green and black palette, red hat accent, horror
Seen from behind and slightly below, a short, stocky old gnome strides away from the camera up a narrow dirt path, his broad bare back filling the near foreground while his head is turned a little to the right so his profile shows: a long white beard swinging forward over one bare shoulder, a bushy white brow pulled down, and a tall pointed red hat whose tip bends back toward the viewer. His shoulders are knotted and hairy, spine ridge catching the light, and his right fist is closed around a wood-chopping axe carried low at his hip, the haft angled forward and the steel head hanging heavy, one blunt glint on its edge. What is left of his shirt hangs in ribbons -- one torn sleeve still looped around his left wrist, a shred of collar hooked at the back of his neck -- and the loose strips trail behind him, blown back off his body by his own forward motion, so they stream toward the camera while he walks away. His left arm swings free, fingers splayed, and his boots bite into the damp earth: heel lifted on the back foot, weight driving onto the front leg, a scuff of disturbed soil and a bent fern crushed where he has just stepped. Ahead, the grove closes the top of the frame -- black trunks packed tight, branches bent into hooks and reaching hands that lean in over the path from both sides, one low bough crooking down as if to grab, roots humped across the trail like knuckles. A cold low moon sits behind the treeline, so the grove is a wall of silhouette and the gnome is rimmed in pale light along his shoulders, hat and axe edge, the front of the grove drowning in darkness; mist pools at the roots and the light does not reach the ground inside the trees. Palette held to wet black-green, cold grey mist and the single red of the hat and the blood-warm steel. Compositions tilts a few degrees off level, tightening the path into the dark. Quiet dread.
Mashpotato Johnson
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