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AI artwork featuring #Dungeons & Dragons
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Dungeons & Dragons

#Dungeons & Dragons
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copyright: warhammer_fantasy character reference sheet, 1boy, Tyrion, elf, high elf, male elf, long straight silver-white hair, hair past shoulders, pointed ears, sharp elven features, high cheekbones, clean-shaven, tall lean muscular build, teal-blue eyes, stern noble expression, raised chin, level gaze, ornate silver filigree plate armor, pauldrons with dragon motifs, engraved breastplate, fine sapphire-blue surcoat, high collar, mail sleeves, gauntleted hands, sword at hip, magical sword, full body, multiple views, front view, side view, three-quarter view, back view, head close-up portrait, arms crossed, hand resting on sword pommel, from front, from side, from behind, looking at viewer, looking to the side, static pose, neutral ground, muted parchment ground, Warhammer Old World art style, painterly grimdark fantasy illustration, visible oil texture, heavy chiaroscuro, desaturated palette, weathered metals, character design sheet layout, A character reference sheet in the grim, weathered Old World manner, drawn as a full sheet rather than a single scene: one tall male elf warrior presented in several views at once, arranged on a muted parchment-toned ground with no environment at all -- no sky, no floor, no landscape, only a faint neutral field so that the figure and its colors carry the entire image. Down the left of the sheet stands the full front view: he is well over six feet, lean and broad-shouldered, weight settled onto his left leg with the right hip dropped slightly, so that the long silver-white hair falling past his shoulders swings a little toward his left and the edge of his surcoat hangs straight. His arms are crossed over the engraved breastplate, the right gauntlet folded over the left forearm, and the fingers of his left hand rest loose on the pommel of the long sword at his hip. His chin is lifted a fraction, teal-blue eyes level and cool, mouth closed and flat at the corners, and the whole bearing is that of a soldier who has never once needed to raise his voice. Beside that, a three-quarter view from his right side repeats the face and the armor at a slight turn, showing the high cheekbones, the pointed ear cut clear of the hair, the sharp jaw clean-shaven, and the tall flared collar of the surcoat; here his right hand is lifted, thumb and forefinger pinching the edge of the collar to settle it, the gauntlet's silver knuckles catching a highlight. A narrow profile view follows, in which the nose and brow read as a single sharp line, the eyes fixed somewhere past the sheet's edge, the pauldron with its coiled dragon motif thrust forward and the mail sleeve bunching at the elbow. On the right of the sheet a back view stands with the hair falling in a straight bright curtain to the shoulder blades, the cape of sapphire-blue cloth caught over one shoulder and pinned, the plate of the back and the sword scabbard angled down behind the leg, and the whole spine of the armor drawn edge to edge. Crowning the sheet, a head close-up in three-quarter turn: the eyes look a little to his left, not at the viewer, one brow very slightly raised, a thin scar-like wear in the silver of the brow plate above, the lips pressed. The armor is everywhere the same object: ornate silver filigree over darkened steel, engraved scrollwork on the breastplate, rivets and rivet-chips visible at the edges, the metal tarnished in the seams and polishing to a hard cold shine on the upward faces. The sapphire-blue surcoat and cape are the single strong color and sit only there, over a palette of hammered pewter, bone-white, ash and dull gold. Light comes from the upper left of the sheet as a single studio shaft, so it strikes the left cheek, the left pauldron and the flat of the drawn sword, throws a hard cast shadow down and to the right across the parchment behind each figure, and leaves the right side of the face and the inner folds of the cape in deep warm shadow. Fine dust hangs in the shaft of light, and where the sword's flat catches it the blade throws a thin cold reflection brighter than any painted silver on the sheet. Hair and cloth are always drawn with their own weight: the silver-white strands splay at the crown where they leave the scalp, the cape's fibers show at its hem, and each view keeps the same proportions as the others. Grim, dignified, Old World stillness.
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请根据中古战锤的画风与设定，画泰瑞昂的人设图
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flash
Size
1104 x 1824
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copyright: warhammer_fantasy character reference sheet, 1boy, Tyrion, elf, high elf, male elf, long straight silver-white hair, hair past shoulders, pointed ears, sharp elven features, high cheekbones, clean-shaven, tall lean muscular build, teal-blue eyes, stern noble expression, raised chin, level gaze, ornate silver filigree plate armor, pauldrons with dragon motifs, engraved breastplate, fine sapphire-blue surcoat, high collar, mail sleeves, gauntleted hands, sword at hip, magical sword, full body, multiple views, front view, side view, three-quarter view, back view, head close-up portrait, arms crossed, hand resting on sword pommel, from front, from side, from behind, looking at viewer, looking to the side, static pose, neutral ground, muted parchment ground, Warhammer Old World art style, painterly grimdark fantasy illustration, visible oil texture, heavy chiaroscuro, desaturated palette, weathered metals, character design sheet layout, A character reference sheet in the grim, weathered Old World manner, drawn as a full sheet rather than a single scene: one tall male elf warrior presented in several views at once, arranged on a muted parchment-toned ground with no environment at all -- no sky, no floor, no landscape, only a faint neutral field so that the figure and its colors carry the entire image. Down the left of the sheet stands the full front view: he is well over six feet, lean and broad-shouldered, weight settled onto his left leg with the right hip dropped slightly, so that the long silver-white hair falling past his shoulders swings a little toward his left and the edge of his surcoat hangs straight. His arms are crossed over the engraved breastplate, the right gauntlet folded over the left forearm, and the fingers of his left hand rest loose on the pommel of the long sword at his hip. His chin is lifted a fraction, teal-blue eyes level and cool, mouth closed and flat at the corners, and the whole bearing is that of a soldier who has never once needed to raise his voice. Beside that, a three-quarter view from his right side repeats the face and the armor at a slight turn, showing the high cheekbones, the pointed ear cut clear of the hair, the sharp jaw clean-shaven, and the tall flared collar of the surcoat; here his right hand is lifted, thumb and forefinger pinching the edge of the collar to settle it, the gauntlet's silver knuckles catching a highlight. A narrow profile view follows, in which the nose and brow read as a single sharp line, the eyes fixed somewhere past the sheet's edge, the pauldron with its coiled dragon motif thrust forward and the mail sleeve bunching at the elbow. On the right of the sheet a back view stands with the hair falling in a straight bright curtain to the shoulder blades, the cape of sapphire-blue cloth caught over one shoulder and pinned, the plate of the back and the sword scabbard angled down behind the leg, and the whole spine of the armor drawn edge to edge. Crowning the sheet, a head close-up in three-quarter turn: the eyes look a little to his left, not at the viewer, one brow very slightly raised, a thin scar-like wear in the silver of the brow plate above, the lips pressed. The armor is everywhere the same object: ornate silver filigree over darkened steel, engraved scrollwork on the breastplate, rivets and rivet-chips visible at the edges, the metal tarnished in the seams and polishing to a hard cold shine on the upward faces. The sapphire-blue surcoat and cape are the single strong color and sit only there, over a palette of hammered pewter, bone-white, ash and dull gold. Light comes from the upper left of the sheet as a single studio shaft, so it strikes the left cheek, the left pauldron and the flat of the drawn sword, throws a hard cast shadow down and to the right across the parchment behind each figure, and leaves the right side of the face and the inner folds of the cape in deep warm shadow. Fine dust hangs in the shaft of light, and where the sword's flat catches it the blade throws a thin cold reflection brighter than any painted silver on the sheet. Hair and cloth are always drawn with their own weight: the silver-white strands splay at the crown where they leave the scalp, the cape's fibers show at its hem, and each view keeps the same proportions as the others. Grim, dignified, Old World stillness.
dejdkdkd
AI artwork
d
copyright: warhammer_fantasy character reference sheet, 1boy, Tyrion, elf, high elf, male elf, long straight silver-white hair, hair past shoulders, pointed ears, sharp elven features, high cheekbones, clean-shaven, tall lean muscular build, teal-blue eyes, stern noble expression, raised chin, level gaze, ornate silver filigree plate armor, pauldrons with dragon motifs, engraved breastplate, fine sapphire-blue surcoat, high collar, mail sleeves, gauntleted hands, sword at hip, magical sword, full body, multiple views, front view, side view, three-quarter view, back view, head close-up portrait, arms crossed, hand resting on sword pommel, from front, from side, from behind, looking at viewer, looking to the side, static pose, neutral ground, muted parchment ground, Warhammer Old World art style, painterly grimdark fantasy illustration, visible oil texture, heavy chiaroscuro, desaturated palette, weathered metals, character design sheet layout, A character reference sheet in the grim, weathered Old World manner, drawn as a full sheet rather than a single scene: one tall male elf warrior presented in several views at once, arranged on a muted parchment-toned ground with no environment at all -- no sky, no floor, no landscape, only a faint neutral field so that the figure and its colors carry the entire image. Down the left of the sheet stands the full front view: he is well over six feet, lean and broad-shouldered, weight settled onto his left leg with the right hip dropped slightly, so that the long silver-white hair falling past his shoulders swings a little toward his left and the edge of his surcoat hangs straight. His arms are crossed over the engraved breastplate, the right gauntlet folded over the left forearm, and the fingers of his left hand rest loose on the pommel of the long sword at his hip. His chin is lifted a fraction, teal-blue eyes level and cool, mouth closed and flat at the corners, and the whole bearing is that of a soldier who has never once needed to raise his voice. Beside that, a three-quarter view from his right side repeats the face and the armor at a slight turn, showing the high cheekbones, the pointed ear cut clear of the hair, the sharp jaw clean-shaven, and the tall flared collar of the surcoat; here his right hand is lifted, thumb and forefinger pinching the edge of the collar to settle it, the gauntlet's silver knuckles catching a highlight. A narrow profile view follows, in which the nose and brow read as a single sharp line, the eyes fixed somewhere past the sheet's edge, the pauldron with its coiled dragon motif thrust forward and the mail sleeve bunching at the elbow. On the right of the sheet a back view stands with the hair falling in a straight bright curtain to the shoulder blades, the cape of sapphire-blue cloth caught over one shoulder and pinned, the plate of the back and the sword scabbard angled down behind the leg, and the whole spine of the armor drawn edge to edge. Crowning the sheet, a head close-up in three-quarter turn: the eyes look a little to his left, not at the viewer, one brow very slightly raised, a thin scar-like wear in the silver of the brow plate above, the lips pressed. The armor is everywhere the same object: ornate silver filigree over darkened steel, engraved scrollwork on the breastplate, rivets and rivet-chips visible at the edges, the metal tarnished in the seams and polishing to a hard cold shine on the upward faces. The sapphire-blue surcoat and cape are the single strong color and sit only there, over a palette of hammered pewter, bone-white, ash and dull gold. Light comes from the upper left of the sheet as a single studio shaft, so it strikes the left cheek, the left pauldron and the flat of the drawn sword, throws a hard cast shadow down and to the right across the parchment behind each figure, and leaves the right side of the face and the inner folds of the cape in deep warm shadow. Fine dust hangs in the shaft of light, and where the sword's flat catches it the blade throws a thin cold reflection brighter than any painted silver on the sheet. Hair and cloth are always drawn with their own weight: the silver-white strands splay at the crown where they leave the scalp, the cape's fibers show at its hem, and each view keeps the same proportions as the others. Grim, dignified, Old World stillness.
dejdkdkd
AI artwork
d
copyright: warhammer_fantasy character reference sheet, 1boy, Tyrion, elf, high elf, male elf, long straight silver-white hair, hair past shoulders, pointed ears, sharp elven features, high cheekbones, clean-shaven, tall lean muscular build, teal-blue eyes, stern noble expression, raised chin, level gaze, ornate silver filigree plate armor, pauldrons with dragon motifs, engraved breastplate, fine sapphire-blue surcoat, high collar, mail sleeves, gauntleted hands, sword at hip, magical sword, full body, multiple views, front view, side view, three-quarter view, back view, head close-up portrait, arms crossed, hand resting on sword pommel, from front, from side, from behind, looking at viewer, looking to the side, static pose, neutral ground, muted parchment ground, Warhammer Old World art style, painterly grimdark fantasy illustration, visible oil texture, heavy chiaroscuro, desaturated palette, weathered metals, character design sheet layout, A character reference sheet in the grim, weathered Old World manner, drawn as a full sheet rather than a single scene: one tall male elf warrior presented in several views at once, arranged on a muted parchment-toned ground with no environment at all -- no sky, no floor, no landscape, only a faint neutral field so that the figure and its colors carry the entire image. Down the left of the sheet stands the full front view: he is well over six feet, lean and broad-shouldered, weight settled onto his left leg with the right hip dropped slightly, so that the long silver-white hair falling past his shoulders swings a little toward his left and the edge of his surcoat hangs straight. His arms are crossed over the engraved breastplate, the right gauntlet folded over the left forearm, and the fingers of his left hand rest loose on the pommel of the long sword at his hip. His chin is lifted a fraction, teal-blue eyes level and cool, mouth closed and flat at the corners, and the whole bearing is that of a soldier who has never once needed to raise his voice. Beside that, a three-quarter view from his right side repeats the face and the armor at a slight turn, showing the high cheekbones, the pointed ear cut clear of the hair, the sharp jaw clean-shaven, and the tall flared collar of the surcoat; here his right hand is lifted, thumb and forefinger pinching the edge of the collar to settle it, the gauntlet's silver knuckles catching a highlight. A narrow profile view follows, in which the nose and brow read as a single sharp line, the eyes fixed somewhere past the sheet's edge, the pauldron with its coiled dragon motif thrust forward and the mail sleeve bunching at the elbow. On the right of the sheet a back view stands with the hair falling in a straight bright curtain to the shoulder blades, the cape of sapphire-blue cloth caught over one shoulder and pinned, the plate of the back and the sword scabbard angled down behind the leg, and the whole spine of the armor drawn edge to edge. Crowning the sheet, a head close-up in three-quarter turn: the eyes look a little to his left, not at the viewer, one brow very slightly raised, a thin scar-like wear in the silver of the brow plate above, the lips pressed. The armor is everywhere the same object: ornate silver filigree over darkened steel, engraved scrollwork on the breastplate, rivets and rivet-chips visible at the edges, the metal tarnished in the seams and polishing to a hard cold shine on the upward faces. The sapphire-blue surcoat and cape are the single strong color and sit only there, over a palette of hammered pewter, bone-white, ash and dull gold. Light comes from the upper left of the sheet as a single studio shaft, so it strikes the left cheek, the left pauldron and the flat of the drawn sword, throws a hard cast shadow down and to the right across the parchment behind each figure, and leaves the right side of the face and the inner folds of the cape in deep warm shadow. Fine dust hangs in the shaft of light, and where the sword's flat catches it the blade throws a thin cold reflection brighter than any painted silver on the sheet. Hair and cloth are always drawn with their own weight: the silver-white strands splay at the crown where they leave the scalp, the cape's fibers show at its hem, and each view keeps the same proportions as the others. Grim, dignified, Old World stillness.
dejdkdkd

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