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一期一振 - シンビジウム

#Touken Ranbu #Ichigo Hitofuri

Published on Nov 9, 2026

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character: ichigo_hitofuri 1boy, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, restrained cheekbone width, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), eyebrows lifted, attentive eyes, open smile, upper teeth visible, looking at orchid, torso turned toward plant, loosened shoulders, ivory linen shirt, narrow standing collar, open upper throat, short straight button placket, shallow V neckline, deep mulberry-brown woven waistcoat, five wooden buttons, two narrow welt pockets, charcoal trousers, plain brown fabric belt, sleeves rolled once to forearms, narrow linen facings, seated-height viewpoint, front-right angle, seated toward upper thighs, square 1:1 composition, figure fills left two thirds, orchid spike on right side, space between blooms and eyes, Cymbidium erythraeum, white-lipped orchid blossom, pale stoneware pot, coarse bark planting medium, timber workbench, long narrow green leaves, arching leaves, flowering stalk, about a dozen flowers, greenish petals, dark wine-red markings, white central lip, deeper red spots, right fingertips on lower stalk, left palm flat on bench, winter conservatory, two tall glazed panels, slender wooden mullion, timber bench end lower-right, soft winter daylight from upper-right glass, watercolor (medium), wet-on-wet, spectral_watercolor_texture, prism effect, chromatic aberration, detailed line art, translucent texture, delicate macabre, fragile beauty, otherworldly, masterpiece, best quality, detailed illustration Seen from a seated-height angle slightly toward his front-right, Ichigo Hitofuri fills the left two thirds of the square frame from the top of his head to his upper thighs, while an orchid spike climbs through the right side from a pale stoneware pot on a timber workbench; clear air separates the nearest blooms from his eyes. He is an adult man of about twenty-five with realistic adult male proportions, an elegant slender build, balanced head-to-body ratio, restrained shoulder breadth and a slight natural shoulder slope, short aquamarine hair with neat side-swept bangs, and porcelain-pale cool-toned skin. His slender oval face is slightly longer than wide with narrow facial width, smooth forehead contour, smooth narrow cheek line, softly tapered jawline, gently pointed chin, narrow lower face, restrained cheekbone width, refined Japanese male features, an elegant delicate face and non-westernized facial proportions. His almond-shaped, horizontally elongated medium eyes have a refined upper eyelid crease, thin clean lid line, natural short restrained lashes, clean subtle eye area and neat straight softly arched brows of moderate thickness at a clear brow-to-eye distance; the outer ring of each iris is (golden outer iris:1.25). His straight narrow nose bridge is short-to-medium with a refined small tip and subtle projection; his small mouth has a thin upper lip, slightly fuller lower lip and restrained volume. His eyebrows lift distinctly above attentive eyes, and both mouth corners rise into a genuine open smile with a small glimpse of upper teeth; he looks only at the nearest white-lipped orchid blossom, shoulders loosened and torso turned slightly toward the plant, his unguarded delight the focus. An ivory linen shirt sits under a deep mulberry-brown woven waistcoat: its narrow standing collar is open at the upper throat, a short straight button placket ends above the sternum, and a small area of ivory shows inside the waistcoat's shallow V neckline. Five small wooden buttons run down the waistcoat's center to the natural waist, two narrow welt pockets are cut into its lower front, and the waistcoat ends above charcoal trousers; the trousers' plain brown fabric belt belongs to the trousers and does not close the waistcoat. The shirt sleeves are rolled once to the forearms, showing narrow linen facings, with cuffs and elbow folds shaped by his bent arms; dry linen, close-woven waistcoat cloth and smooth wooden buttons read as distinct textures. The Cymbidium erythraeum grows from one sturdy pale stoneware pot filled with coarse bark planting medium; its broad base sits flat on the timber workbench. Long narrow green leaves arch outward from the basal clump, and a slender flowering stalk rises beside them, curving toward the upper right with about a dozen flowers held at different angles. Each open bloom is roughly eight centimeters across, close to the width of his nearby palm at the same depth; five narrow greenish petals and sepals carry small dark wine-red markings, and the white central lip shows deeper red spots. His right fingertips rest gently on a lower section of the stalk beneath the nearest flower without covering its lip, and his left palm lies flat on the bench beside the pot; the bench bears both his hand and the whole plant. The nearest white-lipped blossom stays fully visible above his fingertips. Only two tall glazed panels and their slender wooden mullion stand behind the orchid, with the end of the timber bench crossing the lower-right background; the setting is a cultivated winter conservatory. Soft winter daylight enters through the upper-right glass and lights the orchid petals and his smiling face; the pale bench returns softer light beneath the flowers and fingers, contact shadows at the pot base and supporting palm follow the same direction, and the white lip separates clearly from the ivory shirt in one coherent lighting setup. The watercolor medium is translucent, wet-on-wet, with detailed line art, spectral watercolor texture, prism effect and subtle red-cyan chromatic fringing along petal edges. The mood is fragile, otherworldly and delicately macabre, a quiet moment of delicate beauty.

一期一振 - シンビジウム

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