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AI artwork
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Aizeth Lomardi

AI art by Aizeth Lomardi on PixAI. Made with Tsubaki.3.

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2girls? no, 1girl, 1boy, pregnant, large pregnant belly, brown hair, very long hair, hair up, updo, open eyes, purple eyes, dark red kimono, ornate pink and white dress, tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, glitter fabric, sequins, ridiculous dress ornaments, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, sad, crying, tears, blush, ugly man, older man, sitting on lap, seated on another's lap, man's hands on belly, hands on pregnant belly, kiss on cheek, kissing cheek, looking at another, side view, cowboy shot, indoors, warm lamplight, half-closed eyes, trembling, spoken_heart Side view, camera at hip height, framing both figures from the thighs up so the enormous skirt spreads across the bottom third of the frame. On the right, the young woman sits sideways across the man's lap — her weight settled on his left thigh, her back leaning against his chest, hips angled toward the viewer while her shoulders turn away; her very long brown hair is gathered up high into a full updo, a heavy mass at the crown with loose strands escaping down past her shoulder blades. Her eyes are wide open, purple irises glossy and brimming, two tear tracks cutting down each cheek and one drop hanging at her jaw; a hot blush spreads across her cheeks and the bridge of her nose, her brows pinch upward at the inner ends, and her lips are pressed together and quivering. She wears a dark red kimono as the under-layer, its collar crossing at her throat and its sleeve edge visible at her wrist; over and around it the dress is a catastrophe of excess — pink and white satin so densely sequined it throws sparks of light, tiers of lace hem over hem, ruffles stacked until the fabric stands away from her body, bows tied at the shoulder, the waist, the sleeve, the hem, ridiculous ornaments of paste jewels and ribbon rosettes pinned wherever a gap remained. The skirt is huge and puffy, ballooning outward and pooling over the man's knees and down out of frame. At her ears, colossal hoop earrings the size of her palm drag the lobes down; on her left wrist a stack of colossal bracelets clatters against each other; on her ring finger an engagement ring with a stone so large her hand tilts under its weight. Her belly is visibly pregnant, the satin strained and tented over it, one sequined panel catching the light along its curve. Behind her, the man is ugly — heavy jowled face, thick brows, deep nasolabial folds, a broad flat nose, stubble along the jaw, small dark eyes; his hair is thinning and combed flat. He leans in from her right, head tilted, and presses his lips to her cheek just below the cheekbone, his eyes shut. Both of his hands rest flat on her pregnant belly, fingers spread, the fabric dimpling under his palms, his thick fingers overlapping the strained sequins. Her head turns only slightly toward him, chin dipped, eyes open and looking down and away past the frame edge rather than at his face. A small hand-drawn heart floats in a speech bubble beside her cheek. The room is a dim interior with a patterned wallpaper behind them and a single warm lamp off-frame to the left; the lamp is the only light source, raking across her tear-wet cheek, glittering hard off the sequins and the colossal jewelry, and leaving the right side of the man's face and the folds of the skirt in deep shadow, their joined silhouette cast soft and large on the wall behind. Palette locked to pink, white, dark red, warm gold lamplight and the dull brown-grey of the man's clothing and skin, nothing else admitted. The sequins on the belly catch the lamp as one bright crescent exactly where the fabric stretches tightest. Overwrought, tender and sad.
Show Parameters
Original Prompt
nunnally lamperouge, long hair,hair up brown hair, very long hair,open eyes,purple eyes,dark red kimono,,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,cry,tears,colossal engagement ring,colossal bracelets,pregnant,blush,1 man,ugly man,la chica esta sentada en la rodilla del hombre,el hombre tiene sus manos en el vientre de la chica,kiss cheek
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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character: temari_(naruto), hyuuga_neji, copyright: naruto 1girl, 1boy, couple, hyuuga neji, temari \(naruto\), black hair, long hair, low ponytail, low-tied long hair, white eyes, grey eyes, byakugan, brown hair, ahoge, hair between eyes, very long hair, low twintails, twintails, hair flower, hair ornament, hair ribbon, forehead protector, kimono, japanese clothes, long sleeves, wide sleeves, red kimono, print kimono, floral print, obi, ribbon, red ribbon, fur collar, big breasts, smile, blush, looking at each other, love hearts, heart motif, floating hearts, holding hands, from side, profile, cowboy shot, indoors, mansion interior, oryuto style, intricate background, very aesthetic, absurdres Side-profile two-shot inside a mansion's long gallery, the pair standing close at the center of the frame and turned toward one another. On the right stands the young man: very long black hair gathered into a low-tied ponytail that falls past his shoulder-blades, a few strands lifted and floating in the still air, pale pupil-less white-grey eyes, and a slim white kimono with wide drooping sleeves, the fabric falling in straight heavy folds; his chin is dipped, a faint closed-lip smile pressing at one corner of his mouth, a warm blush across his cheekbones. On the left the woman faces him, only slightly the taller of the two in the shot's reading, her long brown hair in low twintails spilling well past her waist, a short curled lock standing up at her crown and a straight fringe parting over her brow, a flower-and-ribbon ornament clipped above one ear; she wears a kimono printed with pale florals over a deeper red, a broad obi cinched under an ample bust that draws the cloth taut across the chest and gathers it at the waist, the wide sleeves hanging open from her forearms. Their inner hands are clasped between them at chest height, fingers laced, her other hand resting flat on his sleeve near the elbow and his other arm hanging loose at his side; their faces are level and close enough that a shared exhalation would fog the space between them, both smiling fully and openly at each other, eyes meeting and holding, lashes lowered a touch under the blush. Around them the mansion: a receding corridor of dark lacquered pillars to the right edge, a painted gold-leaf screen behind the man's shoulder, a tall window at the far left throwing the only key light low across the floor and raking the couple from her side, so her sleeve and the side of her face are lit warm while the folds of his white kimono and the right of the frame fall into deep brown shadow. Small heart shapes hang in the air between and above their heads as flat graphic ornaments, some bright red and some translucent pink, overlapping the gold screen and the couple's hair without casting shadows, and a soft pink bloom of hearts is caught in the window light. The floorboards carry a long glaze of reflected window light broken into short streaks where the boards meet, and the air is dust-moted, warm and still -- tender, giddy, effortlessly romantic.
Carlos5865

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