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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Shahnozaxon Ilhomova

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Shahnozaxon Ilhomova

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character: chiyu 1girl, solo, chiyu \(princess connect!\), pink hair, long hair, twintails, ahoge, blue eyes, wings, hair bow, empty background, simple background, from behind, looking back, over shoulder, standing, upper body, cowboy shot, seductive smile, half-closed eyes, blush, looking at viewer, adult, mature female, tall The camera sits behind her right shoulder at chest height, close enough that her back fills the left three-quarters of the frame: a young woman with long pink hair, the mass of it gathered into two high twintails that fall past her shoulder blades, the loose strands at her nape lifting slightly as she turns. She is caught mid-turn — hips and shoulders still angled away from the lens, one heel pivoted, the near twintail swinging forward across her upper arm with the momentum — while her head comes around over her right shoulder so that one blue eye clears the fall of her hair and lands directly on the viewer; the far eye stays hidden behind the pink curtain, only a sliver of lash and cheek showing. The single upward-curving ahoge at her crown is bent back by the turn. The bow at the back of her head is visible in the near foreground, its loops slightly crushed where the hair pulls against it. Her spine carries a soft lateral curve, weight riding the far hip. Her wings sit folded behind her shoulder blades, half-closed and quiet, their edge breaking the pale ground on the right. Between the twintails, a narrow strip of nape and the back of her collar show, warm and unshadowed where the light reaches. Her lips are parted a little, the near corner pulled into a low, knowing half-smile — one brow slightly raised, lids dropped to a heavy-lidded stare — the expression of someone who knows exactly who is behind her and has decided to look anyway. Her near hand rests at her hip, fingers loosely curled against the fabric, thumb hooked in; the far arm disappears past the frame edge. The environment is a single seamless warm grey studio sweep with no horizon line, an even gradient from mid-grey at the lower edge to near-white behind her head; nothing sits on the ground. One large soft key light from the front-right of the lens strikes the turned plane of her cheek, the bridge of her nose, the near loop of her bow, and the outer edge of the near wing, while the back of her head, the shadow side of both twintails and the hollow beneath her jaw hold the deepest values in the frame; a faint rim of bounce light from the sweep defines the outer silhouette of her left shoulder, and the shadow she casts is soft and short, falling forward away from the lens. The palette is restricted to pink — rosy in the lit twintail, nearing plum in the shadowed one — against blue eyes and the warm neutral grey, nothing else admitted. Fine cel-shaded linework with crisp edges and flat shadow shapes, subtle paper tooth on the grey field. The bounce rim grazes two or three flyaway strands at the crown and nowhere else, the fine hairs lifting alone while the mass of hair stays settled. Intimate, teasing.
Show Parameters
Original Prompt
12 летняя Цую Асуи , сексуалный
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.00k

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AI artwork
si
character: chiyu 1girl, solo, chiyu \(princess connect!\), pink hair, long hair, twintails, ahoge, blue eyes, wings, hair bow, empty background, simple background, from behind, looking back, over shoulder, standing, upper body, cowboy shot, seductive smile, half-closed eyes, blush, looking at viewer, adult, mature female, tall The camera sits behind her right shoulder at chest height, close enough that her back fills the left three-quarters of the frame: a young woman with long pink hair, the mass of it gathered into two high twintails that fall past her shoulder blades, the loose strands at her nape lifting slightly as she turns. She is caught mid-turn — hips and shoulders still angled away from the lens, one heel pivoted, the near twintail swinging forward across her upper arm with the momentum — while her head comes around over her right shoulder so that one blue eye clears the fall of her hair and lands directly on the viewer; the far eye stays hidden behind the pink curtain, only a sliver of lash and cheek showing. The single upward-curving ahoge at her crown is bent back by the turn. The bow at the back of her head is visible in the near foreground, its loops slightly crushed where the hair pulls against it. Her spine carries a soft lateral curve, weight riding the far hip. Her wings sit folded behind her shoulder blades, half-closed and quiet, their edge breaking the pale ground on the right. Between the twintails, a narrow strip of nape and the back of her collar show, warm and unshadowed where the light reaches. Her lips are parted a little, the near corner pulled into a low, knowing half-smile — one brow slightly raised, lids dropped to a heavy-lidded stare — the expression of someone who knows exactly who is behind her and has decided to look anyway. Her near hand rests at her hip, fingers loosely curled against the fabric, thumb hooked in; the far arm disappears past the frame edge. The environment is a single seamless warm grey studio sweep with no horizon line, an even gradient from mid-grey at the lower edge to near-white behind her head; nothing sits on the ground. One large soft key light from the front-right of the lens strikes the turned plane of her cheek, the bridge of her nose, the near loop of her bow, and the outer edge of the near wing, while the back of her head, the shadow side of both twintails and the hollow beneath her jaw hold the deepest values in the frame; a faint rim of bounce light from the sweep defines the outer silhouette of her left shoulder, and the shadow she casts is soft and short, falling forward away from the lens. The palette is restricted to pink — rosy in the lit twintail, nearing plum in the shadowed one — against blue eyes and the warm neutral grey, nothing else admitted. Fine cel-shaded linework with crisp edges and flat shadow shapes, subtle paper tooth on the grey field. The bounce rim grazes two or three flyaway strands at the crown and nowhere else, the fine hairs lifting alone while the mass of hair stays settled. Intimate, teasing.
Shahnozaxon Ilhomova
AI artwork
si
character: chiyu 1girl, solo, chiyu \(princess connect!\), pink hair, long hair, twintails, ahoge, blue eyes, wings, hair bow, empty background, simple background, from behind, looking back, over shoulder, standing, upper body, cowboy shot, seductive smile, half-closed eyes, blush, looking at viewer, adult, mature female, tall The camera sits behind her right shoulder at chest height, close enough that her back fills the left three-quarters of the frame: a young woman with long pink hair, the mass of it gathered into two high twintails that fall past her shoulder blades, the loose strands at her nape lifting slightly as she turns. She is caught mid-turn — hips and shoulders still angled away from the lens, one heel pivoted, the near twintail swinging forward across her upper arm with the momentum — while her head comes around over her right shoulder so that one blue eye clears the fall of her hair and lands directly on the viewer; the far eye stays hidden behind the pink curtain, only a sliver of lash and cheek showing. The single upward-curving ahoge at her crown is bent back by the turn. The bow at the back of her head is visible in the near foreground, its loops slightly crushed where the hair pulls against it. Her spine carries a soft lateral curve, weight riding the far hip. Her wings sit folded behind her shoulder blades, half-closed and quiet, their edge breaking the pale ground on the right. Between the twintails, a narrow strip of nape and the back of her collar show, warm and unshadowed where the light reaches. Her lips are parted a little, the near corner pulled into a low, knowing half-smile — one brow slightly raised, lids dropped to a heavy-lidded stare — the expression of someone who knows exactly who is behind her and has decided to look anyway. Her near hand rests at her hip, fingers loosely curled against the fabric, thumb hooked in; the far arm disappears past the frame edge. The environment is a single seamless warm grey studio sweep with no horizon line, an even gradient from mid-grey at the lower edge to near-white behind her head; nothing sits on the ground. One large soft key light from the front-right of the lens strikes the turned plane of her cheek, the bridge of her nose, the near loop of her bow, and the outer edge of the near wing, while the back of her head, the shadow side of both twintails and the hollow beneath her jaw hold the deepest values in the frame; a faint rim of bounce light from the sweep defines the outer silhouette of her left shoulder, and the shadow she casts is soft and short, falling forward away from the lens. The palette is restricted to pink — rosy in the lit twintail, nearing plum in the shadowed one — against blue eyes and the warm neutral grey, nothing else admitted. Fine cel-shaded linework with crisp edges and flat shadow shapes, subtle paper tooth on the grey field. The bounce rim grazes two or three flyaway strands at the crown and nowhere else, the fine hairs lifting alone while the mass of hair stays settled. Intimate, teasing.
Shahnozaxon Ilhomova
AI artwork
si
character: chiyu 1girl, solo, chiyu \(princess connect!\), pink hair, long hair, twintails, ahoge, blue eyes, wings, hair bow, empty background, simple background, from behind, looking back, over shoulder, standing, upper body, cowboy shot, seductive smile, half-closed eyes, blush, looking at viewer, adult, mature female, tall The camera sits behind her right shoulder at chest height, close enough that her back fills the left three-quarters of the frame: a young woman with long pink hair, the mass of it gathered into two high twintails that fall past her shoulder blades, the loose strands at her nape lifting slightly as she turns. She is caught mid-turn — hips and shoulders still angled away from the lens, one heel pivoted, the near twintail swinging forward across her upper arm with the momentum — while her head comes around over her right shoulder so that one blue eye clears the fall of her hair and lands directly on the viewer; the far eye stays hidden behind the pink curtain, only a sliver of lash and cheek showing. The single upward-curving ahoge at her crown is bent back by the turn. The bow at the back of her head is visible in the near foreground, its loops slightly crushed where the hair pulls against it. Her spine carries a soft lateral curve, weight riding the far hip. Her wings sit folded behind her shoulder blades, half-closed and quiet, their edge breaking the pale ground on the right. Between the twintails, a narrow strip of nape and the back of her collar show, warm and unshadowed where the light reaches. Her lips are parted a little, the near corner pulled into a low, knowing half-smile — one brow slightly raised, lids dropped to a heavy-lidded stare — the expression of someone who knows exactly who is behind her and has decided to look anyway. Her near hand rests at her hip, fingers loosely curled against the fabric, thumb hooked in; the far arm disappears past the frame edge. The environment is a single seamless warm grey studio sweep with no horizon line, an even gradient from mid-grey at the lower edge to near-white behind her head; nothing sits on the ground. One large soft key light from the front-right of the lens strikes the turned plane of her cheek, the bridge of her nose, the near loop of her bow, and the outer edge of the near wing, while the back of her head, the shadow side of both twintails and the hollow beneath her jaw hold the deepest values in the frame; a faint rim of bounce light from the sweep defines the outer silhouette of her left shoulder, and the shadow she casts is soft and short, falling forward away from the lens. The palette is restricted to pink — rosy in the lit twintail, nearing plum in the shadowed one — against blue eyes and the warm neutral grey, nothing else admitted. Fine cel-shaded linework with crisp edges and flat shadow shapes, subtle paper tooth on the grey field. The bounce rim grazes two or three flyaway strands at the crown and nowhere else, the fine hairs lifting alone while the mass of hair stays settled. Intimate, teasing.
Shahnozaxon Ilhomova

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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