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- Original Prompt
- 画一位修女少女,金色长发,绿色眼睛,身穿白配色长袖修女服,领口带有纯白荷叶硬领,胸前挂着银十字架,白色过膝袜,黑色玛丽珍鞋,立绘风格,full body, looking at viewer, white background, standing,
- Mode
- flash
- Size
- 1104 x 1824
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1girl, solo, full body, standing, looking at viewer, nun, long blonde hair, green eyes, white long-sleeved nun habit, white color scheme, stiff white ruffled collar at neckline, silver cross necklace, white thighhighs, black mary jane shoes, tachie style, white background, simple background, from above, slight high angle, feet together, hands clasped at waist, head tilted up, straight-on gaze, faint closed-lip smile, raised eyebrow, blush, toes pointed, other hand, long hair, hair spread out, vertical composition
Shot from slightly above eye level with the camera tipped down a few degrees, full body in frame from the crown of her head to the tips of both black mary jane shoes, one girl standing alone centered on a seamless pure white field where the only structures are the soft grey contact shadows pooling under her soles and a faint grounding shadow behind her heels -- nothing else occupies the frame, no set, no horizon, no props. Her weight rests on her left leg, that hip pushed slightly out, while her right knee bends just enough to lift the right heel a hair off the floor and turn the toe outward; both feet stay planted close together. Her hands are clasped together at the waist, fingers laced over the front panel of the habit, elbows tucked in against her ribs. Because the view looks down, the top of her head and the parting of her long blonde hair read clearly, and the hair falls over both shoulders and spills down the front and back of the white habit to below her waist, its ends gathering against the fabric. The stiff white ruffled collar sits high at her throat like a little pleated shelf, its crisp white fluting doubled against the plain white of the habit behind it, and the silver cross hangs on a fine silver chain at the center of her chest so that it rests just under the ruffle and catches the light with a small bright facet on its upper arm. The long sleeves are loose at the cuffs and gathered at the wrists above her clasped hands; the habit skirt reaches her lower calves and hangs in soft vertical folds. Below the hem, white thighhighs rise up her legs, their tops a clean band against her knees, and her black mary janes strap across the instep with a single gleaming buckle and a rounded toe. Her green eyes look up into the lens with a slight tilt of her chin, one brow arched a little higher than the other, the corner of her lips pulled into a small closed-mouth smile and a soft warm blush across both cheeks. The light is one soft broad source high in front of her, so that the white of the habit is separable from the white ground only by the faintest cool-grey shading in its folds and down her left side, and her shadow lies small and compact beneath her feet, directly under her rather than stretched away. The palette holds to blonde gold, green, silver, black and white on white, nothing else admitted. Clean and softly luminous, a little shy and pleased.
glbzero
g
1girl, solo, nun, long hair, blonde hair, green eyes, black and white habit, long sleeves, white nun's veil, white ruffled collar, stiff frilled collar, silver cross necklace, cross pendant, white thighhighs, over-knee socks, black mary jane shoes, standing, full body, looking at viewer, white background, character illustration, straight-on, feet together, hands clasped at waist, light smile, closed mouth, half-closed eyes, from front,
A single nun stands alone, drawn from the front at full body height in a plain vertical character-illustration framing, her whole figure from the crown of her veil to the soles of her shoes inside the frame with a margin of empty white above her head and below her feet. She faces the viewer squarely, weight settled on her right leg while her left knee softens and her left toe turns slightly outward, so the stance reads as poised rather than stiff; her feet are planted close together on the same invisible ground line, both mary jane shoes flat, the thin black straps crossing the insteps and the small buckles closed. Her hands meet in front of her waist, right palm laid over the back of the left, fingers loosely interlaced, thumbs resting along each other.
Her long golden-blonde hair falls straight and heavy from under the white veil, framing her face and dropping past her shoulders in a smooth curtain that continues down the black fabric of the habit almost to her hips, its ends curving slightly outward where they rest on the wool. Her green eyes look directly at the viewer through a calm, faintly lowered lid, the corners of her mouth lifted in a small closed-lip smile, brows relaxed and level; a slight tilt of the chin downward gives the gaze a quiet, steady gravity.
The habit is black and white: a long-sleeved black robe with a plain round neckline, close-fitting cuffs at the wrists, and a heavy skirt that breaks in a few soft vertical folds just above the ankles; over it sits a white veil covering the hair at the crown and falling behind the shoulders, its edge a clean straight line across the forehead. At her throat the collar is a separate stiff white piece, brutally clean and hard-edged, its ruffled frill standing up in crisp scalloped points all round rather than lying flat on the cloth. Below it the silver cross hangs on a fine silver chain at the center of her chest, the cross small, polished and four-armed, resting against the black wool and catching a thin highlight along its upper edge and left arm.
Lighting is a single soft frontal studio light from slightly above and to the viewer's left; it lays a gentle highlight down the left side of the veil, the left cheek, the top plane of the stiff collar and the left forearm, throws short soft shadows under the frill's points, under the chin and inside the folds of the skirt, and leaves a faint cast shadow pooled directly beneath both shoes on the bare ground. The palette admits only black, white, silver, the warm gold of her hair and the green of her eyes; nothing else enters the frame. Her hair ends and the hem of the veil hang perfectly still — no breeze. Serene, composed.
glbzero
g
1girl, solo, nun, long hair, blonde hair, green eyes, black and white habit, long sleeves, white nun's veil, white ruffled collar, stiff frilled collar, silver cross necklace, cross pendant, white thighhighs, over-knee socks, black mary jane shoes, standing, full body, looking at viewer, white background, character illustration, straight-on, feet together, hands clasped at waist, light smile, closed mouth, half-closed eyes, from front,
A single nun stands alone, drawn from the front at full body height in a plain vertical character-illustration framing, her whole figure from the crown of her veil to the soles of her shoes inside the frame with a margin of empty white above her head and below her feet. She faces the viewer squarely, weight settled on her right leg while her left knee softens and her left toe turns slightly outward, so the stance reads as poised rather than stiff; her feet are planted close together on the same invisible ground line, both mary jane shoes flat, the thin black straps crossing the insteps and the small buckles closed. Her hands meet in front of her waist, right palm laid over the back of the left, fingers loosely interlaced, thumbs resting along each other.
Her long golden-blonde hair falls straight and heavy from under the white veil, framing her face and dropping past her shoulders in a smooth curtain that continues down the black fabric of the habit almost to her hips, its ends curving slightly outward where they rest on the wool. Her green eyes look directly at the viewer through a calm, faintly lowered lid, the corners of her mouth lifted in a small closed-lip smile, brows relaxed and level; a slight tilt of the chin downward gives the gaze a quiet, steady gravity.
The habit is black and white: a long-sleeved black robe with a plain round neckline, close-fitting cuffs at the wrists, and a heavy skirt that breaks in a few soft vertical folds just above the ankles; over it sits a white veil covering the hair at the crown and falling behind the shoulders, its edge a clean straight line across the forehead. At her throat the collar is a separate stiff white piece, brutally clean and hard-edged, its ruffled frill standing up in crisp scalloped points all round rather than lying flat on the cloth. Below it the silver cross hangs on a fine silver chain at the center of her chest, the cross small, polished and four-armed, resting against the black wool and catching a thin highlight along its upper edge and left arm.
Lighting is a single soft frontal studio light from slightly above and to the viewer's left; it lays a gentle highlight down the left side of the veil, the left cheek, the top plane of the stiff collar and the left forearm, throws short soft shadows under the frill's points, under the chin and inside the folds of the skirt, and leaves a faint cast shadow pooled directly beneath both shoes on the bare ground. The palette admits only black, white, silver, the warm gold of her hair and the green of her eyes; nothing else enters the frame. Her hair ends and the hem of the veil hang perfectly still — no breeze. Serene, composed.
glbzero
g
1girl, solo, nun, long hair, blonde hair, green eyes, black and white habit, long sleeves, white nun's veil, white ruffled collar, stiff frilled collar, silver cross necklace, cross pendant, white thighhighs, over-knee socks, black mary jane shoes, standing, full body, looking at viewer, white background, character illustration, straight-on, feet together, hands clasped at waist, light smile, closed mouth, half-closed eyes, from front,
A single nun stands alone, drawn from the front at full body height in a plain vertical character-illustration framing, her whole figure from the crown of her veil to the soles of her shoes inside the frame with a margin of empty white above her head and below her feet. She faces the viewer squarely, weight settled on her right leg while her left knee softens and her left toe turns slightly outward, so the stance reads as poised rather than stiff; her feet are planted close together on the same invisible ground line, both mary jane shoes flat, the thin black straps crossing the insteps and the small buckles closed. Her hands meet in front of her waist, right palm laid over the back of the left, fingers loosely interlaced, thumbs resting along each other.
Her long golden-blonde hair falls straight and heavy from under the white veil, framing her face and dropping past her shoulders in a smooth curtain that continues down the black fabric of the habit almost to her hips, its ends curving slightly outward where they rest on the wool. Her green eyes look directly at the viewer through a calm, faintly lowered lid, the corners of her mouth lifted in a small closed-lip smile, brows relaxed and level; a slight tilt of the chin downward gives the gaze a quiet, steady gravity.
The habit is black and white: a long-sleeved black robe with a plain round neckline, close-fitting cuffs at the wrists, and a heavy skirt that breaks in a few soft vertical folds just above the ankles; over it sits a white veil covering the hair at the crown and falling behind the shoulders, its edge a clean straight line across the forehead. At her throat the collar is a separate stiff white piece, brutally clean and hard-edged, its ruffled frill standing up in crisp scalloped points all round rather than lying flat on the cloth. Below it the silver cross hangs on a fine silver chain at the center of her chest, the cross small, polished and four-armed, resting against the black wool and catching a thin highlight along its upper edge and left arm.
Lighting is a single soft frontal studio light from slightly above and to the viewer's left; it lays a gentle highlight down the left side of the veil, the left cheek, the top plane of the stiff collar and the left forearm, throws short soft shadows under the frill's points, under the chin and inside the folds of the skirt, and leaves a faint cast shadow pooled directly beneath both shoes on the bare ground. The palette admits only black, white, silver, the warm gold of her hair and the green of her eyes; nothing else enters the frame. Her hair ends and the hem of the veil hang perfectly still — no breeze. Serene, composed.
glbzero
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