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C9I

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C9I

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1 figure, lone hooded figure, hooded figure, tattered cloak, kneeling, kneeling before standing stone, ancient ruined stone circle, massive central standing stone, cracked stone, blue runic glow, glowing cracks, ravens, many ravens, perched on stones, wide shot, cinematic wide shot, from below, low camera, landscape composition, vertical, mist, fog, freezing rain, heavy rain, rain streaks, night, dark, chiaroscuro, desaturated blacks, cold misty grays, deep greens, sickly blue glow, film grain, oil painting texture, atmospheric black metal aesthetic, horror illustration, hyperdetailed, melancholic, oppressive, ominous, scottish highlands, moorland, heather, distant mountains, dark offering, blood offering, bare hands, no visible face, hood shadowed, back view, weathered megalith, lichen, wet stone, reflections in puddles, volumetric light, no text The camera sits low among the heather, tilted up from below the moor so the stones tower over the frame in a cinematic wide shot; the kneeling figure is small, set left of centre at the foot of the central megalith, back to the viewer, and the stone circle fills the frame's width while the misty Highland slopes recede into grey distance behind it. The massive central standing stone dominates the vertical centre โ€” a pitted, lichen-blotched monolith broader at the base than three men laid end to end โ€” split by a jagged fissure that climbs its face and forks across its crown; from inside that fissure the sickly pale blue runic light bleeds out, tracing carved spiral and zigzag marks that glow in soft cold halos, lighting the wet stone around each cut with the only saturated colour in the image. The lone hooded figure in the tattered cloak kneels on both knees on the rain-flattened turf before the monolith, the cloak's frayed hem pooling black and sodden around the boots, the hood pulled deep so the face is nothing but shadow; one bare hand rests flat against the wet stone at the base of the fissure while the other sets a dark offering down on a flat slab just in front of it โ€” a shape of almost-black that reads by its wet sheen alone, its own thin reflection trembling in a puddle at the slab's edge. A murder of ravens fills the stones: a dozen and more perched motionless on the lintels and broken uprights, a few on the central stone's shoulders, all with heads turned down toward the kneeling figure, beaks shut, wings folded, no bird in flight โ€” absolute silence held in the middle of the downpour. Thick freezing rain falls as long diagonal striations blown across the frame from upper left, hissing off the tops of the standing stones, running in threads down every vertical face, beading on the ravens' backs, and the flat puddles on the turf show the blue glow mirrored, fractured and darker than its source. Fog swallows the further ring of stones at forty paces and the moor rises into dark ridges beyond, heather in deep green going black at the edges of the light. The glowing fissure and the faint cold sky-bleed through the mist are the only light sources; everything outside their reach sinks to desaturated blacks and cold misty grays, and the chiaroscuro drives the ravens and the hood into silhouette. A thin haze of rain-spray glows where the blue light catches it. Hyperdetailed oil painting texture over dark atmospheric black metal horror illustration, film grain across the whole frame, palette held to desaturated blacks, cold misty grays and deep greens with the sickly blue glow as the single vivid note; oppressive and melancholic.
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Original Prompt
Epic dark art horror illustration of an ancient, ruined stone circle in the misty Scottish Highlands. Thick, freezing rain is falling. A massive, ancient Celtic standing stone in the center is cracked, glowing with a sickly, pale blue runic light from within. A murder of ravens is perched on the stones, watching in absolute silence. A lone, hooded figure in a tattered cloak kneels before the stone, leaving a dark offering. Oppressive, melancholic atmosphere, atmospheric black metal aesthetic, hyperdetailed oil painting texture, chiaroscuro, desaturated blacks, cold misty grays, deep greens, sickly blue glow, cinematic wide shot, film grain, by Zdzisล‚aw Beksiล„ski and Gustave Dorรฉ, masterpiece, 8K --ar 2:3 --v 6
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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Avatar image of C9I
1 figure, lone hooded figure, hooded figure, tattered cloak, kneeling, kneeling before standing stone, ancient ruined stone circle, massive central standing stone, cracked stone, blue runic glow, glowing cracks, ravens, many ravens, perched on stones, wide shot, cinematic wide shot, from below, low camera, landscape composition, vertical, mist, fog, freezing rain, heavy rain, rain streaks, night, dark, chiaroscuro, desaturated blacks, cold misty grays, deep greens, sickly blue glow, film grain, oil painting texture, atmospheric black metal aesthetic, horror illustration, hyperdetailed, melancholic, oppressive, ominous, scottish highlands, moorland, heather, distant mountains, dark offering, blood offering, bare hands, no visible face, hood shadowed, back view, weathered megalith, lichen, wet stone, reflections in puddles, volumetric light, no text The camera sits low among the heather, tilted up from below the moor so the stones tower over the frame in a cinematic wide shot; the kneeling figure is small, set left of centre at the foot of the central megalith, back to the viewer, and the stone circle fills the frame's width while the misty Highland slopes recede into grey distance behind it. The massive central standing stone dominates the vertical centre โ€” a pitted, lichen-blotched monolith broader at the base than three men laid end to end โ€” split by a jagged fissure that climbs its face and forks across its crown; from inside that fissure the sickly pale blue runic light bleeds out, tracing carved spiral and zigzag marks that glow in soft cold halos, lighting the wet stone around each cut with the only saturated colour in the image. The lone hooded figure in the tattered cloak kneels on both knees on the rain-flattened turf before the monolith, the cloak's frayed hem pooling black and sodden around the boots, the hood pulled deep so the face is nothing but shadow; one bare hand rests flat against the wet stone at the base of the fissure while the other sets a dark offering down on a flat slab just in front of it โ€” a shape of almost-black that reads by its wet sheen alone, its own thin reflection trembling in a puddle at the slab's edge. A murder of ravens fills the stones: a dozen and more perched motionless on the lintels and broken uprights, a few on the central stone's shoulders, all with heads turned down toward the kneeling figure, beaks shut, wings folded, no bird in flight โ€” absolute silence held in the middle of the downpour. Thick freezing rain falls as long diagonal striations blown across the frame from upper left, hissing off the tops of the standing stones, running in threads down every vertical face, beading on the ravens' backs, and the flat puddles on the turf show the blue glow mirrored, fractured and darker than its source. Fog swallows the further ring of stones at forty paces and the moor rises into dark ridges beyond, heather in deep green going black at the edges of the light. The glowing fissure and the faint cold sky-bleed through the mist are the only light sources; everything outside their reach sinks to desaturated blacks and cold misty grays, and the chiaroscuro drives the ravens and the hood into silhouette. A thin haze of rain-spray glows where the blue light catches it. Hyperdetailed oil painting texture over dark atmospheric black metal horror illustration, film grain across the whole frame, palette held to desaturated blacks, cold misty grays and deep greens with the sickly blue glow as the single vivid note; oppressive and melancholic.
C9I
AI artwork
Avatar image of C9I
1 figure, lone hooded figure, hooded figure, tattered cloak, kneeling, kneeling before standing stone, ancient ruined stone circle, massive central standing stone, cracked stone, blue runic glow, glowing cracks, ravens, many ravens, perched on stones, wide shot, cinematic wide shot, from below, low camera, landscape composition, vertical, mist, fog, freezing rain, heavy rain, rain streaks, night, dark, chiaroscuro, desaturated blacks, cold misty grays, deep greens, sickly blue glow, film grain, oil painting texture, atmospheric black metal aesthetic, horror illustration, hyperdetailed, melancholic, oppressive, ominous, scottish highlands, moorland, heather, distant mountains, dark offering, blood offering, bare hands, no visible face, hood shadowed, back view, weathered megalith, lichen, wet stone, reflections in puddles, volumetric light, no text The camera sits low among the heather, tilted up from below the moor so the stones tower over the frame in a cinematic wide shot; the kneeling figure is small, set left of centre at the foot of the central megalith, back to the viewer, and the stone circle fills the frame's width while the misty Highland slopes recede into grey distance behind it. The massive central standing stone dominates the vertical centre โ€” a pitted, lichen-blotched monolith broader at the base than three men laid end to end โ€” split by a jagged fissure that climbs its face and forks across its crown; from inside that fissure the sickly pale blue runic light bleeds out, tracing carved spiral and zigzag marks that glow in soft cold halos, lighting the wet stone around each cut with the only saturated colour in the image. The lone hooded figure in the tattered cloak kneels on both knees on the rain-flattened turf before the monolith, the cloak's frayed hem pooling black and sodden around the boots, the hood pulled deep so the face is nothing but shadow; one bare hand rests flat against the wet stone at the base of the fissure while the other sets a dark offering down on a flat slab just in front of it โ€” a shape of almost-black that reads by its wet sheen alone, its own thin reflection trembling in a puddle at the slab's edge. A murder of ravens fills the stones: a dozen and more perched motionless on the lintels and broken uprights, a few on the central stone's shoulders, all with heads turned down toward the kneeling figure, beaks shut, wings folded, no bird in flight โ€” absolute silence held in the middle of the downpour. Thick freezing rain falls as long diagonal striations blown across the frame from upper left, hissing off the tops of the standing stones, running in threads down every vertical face, beading on the ravens' backs, and the flat puddles on the turf show the blue glow mirrored, fractured and darker than its source. Fog swallows the further ring of stones at forty paces and the moor rises into dark ridges beyond, heather in deep green going black at the edges of the light. The glowing fissure and the faint cold sky-bleed through the mist are the only light sources; everything outside their reach sinks to desaturated blacks and cold misty grays, and the chiaroscuro drives the ravens and the hood into silhouette. A thin haze of rain-spray glows where the blue light catches it. Hyperdetailed oil painting texture over dark atmospheric black metal horror illustration, film grain across the whole frame, palette held to desaturated blacks, cold misty grays and deep greens with the sickly blue glow as the single vivid note; oppressive and melancholic.
C9I
AI artwork
Avatar image of C9I
1 figure, lone hooded figure, hooded figure, tattered cloak, kneeling, kneeling before standing stone, ancient ruined stone circle, massive central standing stone, cracked stone, blue runic glow, glowing cracks, ravens, many ravens, perched on stones, wide shot, cinematic wide shot, from below, low camera, landscape composition, vertical, mist, fog, freezing rain, heavy rain, rain streaks, night, dark, chiaroscuro, desaturated blacks, cold misty grays, deep greens, sickly blue glow, film grain, oil painting texture, atmospheric black metal aesthetic, horror illustration, hyperdetailed, melancholic, oppressive, ominous, scottish highlands, moorland, heather, distant mountains, dark offering, blood offering, bare hands, no visible face, hood shadowed, back view, weathered megalith, lichen, wet stone, reflections in puddles, volumetric light, no text The camera sits low among the heather, tilted up from below the moor so the stones tower over the frame in a cinematic wide shot; the kneeling figure is small, set left of centre at the foot of the central megalith, back to the viewer, and the stone circle fills the frame's width while the misty Highland slopes recede into grey distance behind it. The massive central standing stone dominates the vertical centre โ€” a pitted, lichen-blotched monolith broader at the base than three men laid end to end โ€” split by a jagged fissure that climbs its face and forks across its crown; from inside that fissure the sickly pale blue runic light bleeds out, tracing carved spiral and zigzag marks that glow in soft cold halos, lighting the wet stone around each cut with the only saturated colour in the image. The lone hooded figure in the tattered cloak kneels on both knees on the rain-flattened turf before the monolith, the cloak's frayed hem pooling black and sodden around the boots, the hood pulled deep so the face is nothing but shadow; one bare hand rests flat against the wet stone at the base of the fissure while the other sets a dark offering down on a flat slab just in front of it โ€” a shape of almost-black that reads by its wet sheen alone, its own thin reflection trembling in a puddle at the slab's edge. A murder of ravens fills the stones: a dozen and more perched motionless on the lintels and broken uprights, a few on the central stone's shoulders, all with heads turned down toward the kneeling figure, beaks shut, wings folded, no bird in flight โ€” absolute silence held in the middle of the downpour. Thick freezing rain falls as long diagonal striations blown across the frame from upper left, hissing off the tops of the standing stones, running in threads down every vertical face, beading on the ravens' backs, and the flat puddles on the turf show the blue glow mirrored, fractured and darker than its source. Fog swallows the further ring of stones at forty paces and the moor rises into dark ridges beyond, heather in deep green going black at the edges of the light. The glowing fissure and the faint cold sky-bleed through the mist are the only light sources; everything outside their reach sinks to desaturated blacks and cold misty grays, and the chiaroscuro drives the ravens and the hood into silhouette. A thin haze of rain-spray glows where the blue light catches it. Hyperdetailed oil painting texture over dark atmospheric black metal horror illustration, film grain across the whole frame, palette held to desaturated blacks, cold misty grays and deep greens with the sickly blue glow as the single vivid note; oppressive and melancholic.
C9I
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Avatar image of C9I
character: muninn_(mythology), huginn_(mythology) 1boy, solo, 1girl, giant, male focus, one-eyed male, single remaining eye, glowing eye, pale blue glowing eye, eyepatch over empty socket, tall, towering figure, muscular, long blue hair, long hair, beard, facial hair, red eyes, hooded cloak, hood down, heavy fur trim, fur-trimmed hood, rusted chainmail, chainmail under fur, fur cloak, fingerless gloves, belt, standing, standing on mountain peak, snowy mountain peak, snow, midnight, night sky, two black ravens, giant bird, bird on shoulder, raven perched on left shoulder, raven perched on right shoulder, beak at ear, whispering, blood moon, huge red moon, jagged runestones, glowing runes, blue rune light, low angle, from below, cinematic low-angle shot, dramatic perspective, chiaroscuro, strong shadows, desaturated blacks, cold blues, blood-red accents, dark fantasy, norse mythology, oil painting texture, hyperdetailed, heavy impasto, oppressive cosmic dread The camera is a cinematic low angle, tipped far back so the towering chieftain's mass fills the centre of a vertical 2:3 frame and the midnight sky presses down from the top corners. He stands near the summit of the snowy peak, seen from below: the bulk of his body and the furrowed shadow of his hood rise up out of the bottom of the frame, his boots planted wide and deep in the snow, weight set firmly on his left leg with the right braced forward. A ragged hooded cloak hangs back from his shoulders, its wool rim crusted with snow, revealing a thick collar of heavy grey wolf fur across his chest, and beneath the fur the dulled links of rusted chainmail, pitted and flaking rust at the rivets, sag across his torso. His long dark blue hair and beard spill out past the hood, coarse and snow-dusted at the tips. His single remaining eye is a cold pale blue, burning brighter than anything else in the frame, while the other socket is a sunken shadow beneath the brow. Both shoulders are crowded by two massive black ravens, Huginn on the left, Muninn on the right; each bird is nearly the size of a small hound, talons sunk into the fur padding of his shoulders, bodies hunched forward, heads cocked low so their beaks press close to either side of his head, whispering into his ears. His jaw is set, lips slightly parted, brows drawn down; his glowing eye stares past the camera toward the far distance rather than at the viewer, and his posture is rigid, weight-bearing, as though he is listening rather than seeing. Behind him the massive blood moon looms low, a deep coppery red disc half-veiled by thin black cloud, its light washing the snow in weak red instead of white. At the lower left and right of the frame, jagged runestones lean out of the snow, dark and weathered, their faces cut with angular runes that glow a colder blue than the moon and edge each stone's carved channels with light. The only light sources are the moon's red glow, the runes' blue spill, and the burning point of his eye; deep blacks settle into the fur, the chainmail and the hood's hollow, and the snow around his boots turns to shadowed grey-blue with a single strip of moonlight catching the upward faces of the drifts. Snow in the air drifts sideways in the wind, and the furs and cloak are pulled taut against it. Palette held to desaturated blacks and cold blues, cut only by the blood-red of the moon and the rusted red-brown of the mail; everything brushed as a heavy, hyperdetailed oil painting with layered impasto and cracked dark glazes. Oppressive, ancient, cosmic dread.
C9I
#The Lord of the Rings#Tolkien's legendarium

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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