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AI art "まってwww" featuring #Kingdom Hearts, #Roxas, #Xion and #Axel
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まってwww

ビジュアルも概念もあってるのにwwwシオンだけwww私服wwwなんでぇ?www

#Kingdom Hearts#Roxas#Xion#Axel
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character: roxas, xion_(kingdom_hearts), axel_(kingdom_hearts), copyright: kingdom_hearts 3girls, multiple boys, 1girl, 2boys, roxas, blonde hair, spiky hair, short hair, blue eyes, black gloves, black hooded robe, hood down, long sleeves, xion, black hair, short hair, hair between eyes, blue eyes, black sleeveless shirt, white pleated skirt, bare shoulders, axel, red hair, long hair, spiky hair, green eyes, black coat, black gloves, teardrop facial marks under eyes, trio, sea salt ice cream, popsicle, ice cream bar, eating, holding popsicle, popsicle stick, sitting, sitting on ledge, legs dangling, clock tower, top of clock tower, sunset, orange sky, backlighting, rim light, from below, wide shot, three-quarter view, from side, looking out, looking at another, small smile, relaxed, warm palette, Camera looks up from below the clock tower's stone parapet, a wide three-quarter shot pitched upward so the three figures sit large against the sky along the top edge of the frame. They sit in a row on the broad ledge of the tower's belfry, legs hanging over the drop, the great clock face rising to their left with its rim catching the sun. On the left of the row, the blonde spiky-haired boy in the black hood-down robe leans back on both black-gloved hands, a half-eaten sea salt ice cream bar held in his right glove, its pale blue-green surface melting a slow drip that runs to the wooden stick and hangs glossy at the end, about to fall. In the center the black-haired short-haired girl sits cross-legged on the stone, her sleeveless black shirt and white pleated skirt edged in warm light, both hands cupping her ice cream bar near her chin, a crumb of ice on her lower lip, her gaze turned to the right. On the right the tall red-haired man with long hair and the tear-shaped marks under his eyes leans forward over his knees, one gloved elbow on his thigh, the other hand dangling his ice cream bar by the stick so it points down toward the street far below, and he is looking away out over the rooftops at the sun, a small lopsided grin at his mouth. Their shoulders overlap: the red-haired man's hair sweeps across the smaller girl's shoulder, and her skirt hem presses into the blonde boy's knee. All three gazes lead outward and down across the town, and the girl's eyes flick to the red-haired man as he speaks over the drop. The sunset is the only source, low and warm from the right edge of the frame, laying an orange-to-gold gradient across the sky, striking the tops of their hair and shoulders in hard warm rims, leaving the faces in softer bounce, and casting their long shadows leftward across the rough stone in the foreground; the city far below is hazy blue-purple shadow, and the clock face glows pale. The stone ledge is weathered grey, each chip tipped with a rim of orange. Sea salt blue-green and sunset orange against the deep dusk of the town below, no color admitted beyond those. Effortlessly warm, quiet.
Show Parameters
Original Prompt
キングダムハーツのroxasとxionとaxelの三人のイラスト。 Sea salt trio。 夕日がさす時計塔のてっぺんでシーソルトアイスを食べる。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1824 x 1104
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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Avatar image of Kylee Violette (Kiy Chan)
character: axel_(kingdom_hearts), xemnas, saix, copyright: kingdom_hearts 3girls, 1boy, 3people, axel_(kingdom_hearts), xemnas, saix, genderswap, female axel, large breasts, black coat, true organization xiii uniform, hood down, back against wall, standing against wall, staring, glancing, looking at another, saix grinning, grin, smirk, xemnas looking down, looking down at another, from below, dutch angle, indoor, dark corridor, corridor of nothing, white walls, black gloves, red hair, long hair, facial mark, blue hair, slicked back hair, spiked hair, yellow eyes, white hair, pointy ears, dark skin, tense atmosphere The camera sits low and tilted, looking up from about chest height at a dutch angle, so the corridor's pale walls converge overhead and everything above her leans in. In the foreground, off-center left, the transformed red-haired woman stands pressed back-first against a smooth white wall: shoulder blades and spine flat to the plaster, coat crushed between her and the surface, hips slightly forward, one boot heel braced on the floor and the other foot turned out. The True Organization XIII black coat is zipped up over a large chest, the leather drawn taut across the bust and creasing in short horizontal folds beneath it, the high collar open at an unadorned throat with no chain and no pendant; a narrow strip of bare collarbone shows above the zipper. Her long red hair, swept back from a sharp widow's peak, is crushed flat where it meets the wall and spills forward over one shoulder in loosened spikes; the teardrop marks under her eyes are inverted and dark. Her chin is turned toward her own shoulder, eyes cutting sideways and up at the two men, brows drawn down hard, lips parted a fraction on a held breath — she is staring at them and saying nothing. To the right and closer to the lens, the blue-haired man stands with one shoulder dropped, weight on his back leg, head tipped down at her. His grin is wide and uneven, one corner pulled higher, teeth showing, eyes narrowed to yellow slits, and his slicked-back spiked hair throws a long shadow up the wall behind him. His gloved right hand hangs loose at his side, fingers half-curled; his left thumb is hooked at his coat's seam. He is looking directly at her face. Behind them both, at the far end of the corridor and framed between their shoulders, the white-haired man stands taller than the perspective allows, chin lowered, gazing down the length of the hall at her with a slow closed smirk that pulls one side of his mouth. His long white hair hangs straight past his shoulders, his pointed ears catch the light at their tips, and his arms are folded, black-gloved fingers resting along his forearm. He is looking down at her, and she is the point where the three lines of sight meet. The only light comes from a cold pale source high and behind the white-haired man, so the corridor floor is a strip of faint grey and the two nearer figures are rimmed along one edge while their front planes fall into cool shadow; the wall directly behind her back is the brightest surface in the frame, and her pressed silhouette darkens it. Palette is black, cold bone-white and the red of her hair, with the yellow of two pairs of eyes as the only warm notes. The corridor stretches empty in both directions, no doors, no furniture, no other people. Her coat's leather squeaks faintly against the plaster where she has shifted her weight, and a single loosened spike of her hair has caught on the wall texture. Ominous, charged.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: axel_(kingdom_hearts), xemnas, saix, copyright: kingdom_hearts 3girls, 1boy, 3people, axel_(kingdom_hearts), xemnas, saix, genderswap, female axel, large breasts, black coat, true organization xiii uniform, hood down, back against wall, standing against wall, staring, glancing, looking at another, saix grinning, grin, smirk, xemnas looking down, looking down at another, from below, dutch angle, indoor, dark corridor, corridor of nothing, white walls, black gloves, red hair, long hair, facial mark, blue hair, slicked back hair, spiked hair, yellow eyes, white hair, pointy ears, dark skin, tense atmosphere The camera sits low and tilted, looking up from about chest height at a dutch angle, so the corridor's pale walls converge overhead and everything above her leans in. In the foreground, off-center left, the transformed red-haired woman stands pressed back-first against a smooth white wall: shoulder blades and spine flat to the plaster, coat crushed between her and the surface, hips slightly forward, one boot heel braced on the floor and the other foot turned out. The True Organization XIII black coat is zipped up over a large chest, the leather drawn taut across the bust and creasing in short horizontal folds beneath it, the high collar open at an unadorned throat with no chain and no pendant; a narrow strip of bare collarbone shows above the zipper. Her long red hair, swept back from a sharp widow's peak, is crushed flat where it meets the wall and spills forward over one shoulder in loosened spikes; the teardrop marks under her eyes are inverted and dark. Her chin is turned toward her own shoulder, eyes cutting sideways and up at the two men, brows drawn down hard, lips parted a fraction on a held breath — she is staring at them and saying nothing. To the right and closer to the lens, the blue-haired man stands with one shoulder dropped, weight on his back leg, head tipped down at her. His grin is wide and uneven, one corner pulled higher, teeth showing, eyes narrowed to yellow slits, and his slicked-back spiked hair throws a long shadow up the wall behind him. His gloved right hand hangs loose at his side, fingers half-curled; his left thumb is hooked at his coat's seam. He is looking directly at her face. Behind them both, at the far end of the corridor and framed between their shoulders, the white-haired man stands taller than the perspective allows, chin lowered, gazing down the length of the hall at her with a slow closed smirk that pulls one side of his mouth. His long white hair hangs straight past his shoulders, his pointed ears catch the light at their tips, and his arms are folded, black-gloved fingers resting along his forearm. He is looking down at her, and she is the point where the three lines of sight meet. The only light comes from a cold pale source high and behind the white-haired man, so the corridor floor is a strip of faint grey and the two nearer figures are rimmed along one edge while their front planes fall into cool shadow; the wall directly behind her back is the brightest surface in the frame, and her pressed silhouette darkens it. Palette is black, cold bone-white and the red of her hair, with the yellow of two pairs of eyes as the only warm notes. The corridor stretches empty in both directions, no doors, no furniture, no other people. Her coat's leather squeaks faintly against the plaster where she has shifted her weight, and a single loosened spike of her hair has caught on the wall texture. Ominous, charged.
Kylee Violette (Kiy Chan)

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